Revivify 2016—AICCM Paintings Symposium Archives - Page 2 of 3 - Australian Institute for the Conservation of Cultural Material

Valentine’s Day massacre: the defacing of a Haring mural in Collingwood

Paper Author:

Cushla Hill

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium

Lining: the hazards and some helpful hints of lining on a vacuum hot table

Paper Author:

Siân Griffiths

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium

The rediscovery and restoration of artworks by T.R Pridgeon (1885-1942)

Paper Author:

Helen Gill

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium

Back to the trenches: conserving the Transportation of Supplies diorama series at the Australian War Memorial

Paper Author:

Jocelyn Evans and Alana Treasure

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium

Breathing life back into the undead: revivifying a 19th century painting and the importance of being documented

Paper Author:

Alex Ellem

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium

Binders used in metallic paints investigated by micro-FTIR and synchrotron-sourced FTIR mapping

Paper Author:

Paula Dredge, Ljiljana Puskar, Margorzata Sawicki, Louise Allen and Richard Whurer

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium

A magnetic hanging system for Imants Tillers multi panel paintings

Paper Author:

Celine De Courlon, Melissa Harvey, Simon Ives, Paula Dredge

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium

The View From The Edge: Reflections on conservation from a traveller among other disciplines

Paper Author:

Professor Alan Cummings

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium

Painting stuffed: three case studies of conservation of Mirka Mora’s soft sculptures

Paper Author:

Sabine Cotte, Nicole Tse and Alison Inglis

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium

Frederick McCubbin revisited: identifying and reconciling previous interventions in three paintings from the National Gallery of Victoria collection

Paper Author:

Raye Collins, Johanna Ellersdorfer and Michael Varcoe-Cocks

Year:

2016

Preprints of revivify 2016: AICCM Paintings Symposium