We welcome conference reports, project reports, letters to the editor, updates on conservation issues and projects or any other conservation news for publication in the AICCM eNews. Please email all content to publications@aiccm.org.au

The AICCM Bulletin

The AICCM Bulletin is a hard copy and online peer reviewed journal produced by the Australian Institute for the Conservation of Cultural Materials (AICCM) since 1975. In order to better reach our international audience AICCM has recently partnered with Taylor & Francis to provide our online publishing service. The Taylor & Francis Group publishes quality peer-reviewed journals under the Routledge and Taylor & Francis imprints which are available online at their website.
The AICCM Bulletin publishes original and quality papers, including research reports, discussion papers, literature surveys, thematic bibliographies, summaries of research papers and dissertations.Find out more about the AICCM Bulletin

President's Report

President’s Report March 2021

We made it – 2021 is finally here! Welcome to the first eNews of 2021, which coincides with the beginning of Australia’s COVID-19 vaccination program. State divisions were already able to meet up in person for end-of-year events; the vaccine program lends further hope to those of us missing in-person conferences and workshops! Welcome too to our new Professional Members –- Lucy Tedder, Kim Barrett, Wendy Reade, Samantha Shellard, Roberto Padoan, Kasi Albert and Carolyn McLennan. If you’re interested in becoming a Professional Member, see our website for further information. The next round of applications closes on 27 April. Many ...

AICCM Conference Proceedings (Members only)

At the AICCM National Conference 2019, we invite you to consider how we make our profession. Broadly divided into three themes – making conservation sustainable, innovative and connected – we want to know what excites you, what challenges you, and what you want to discuss further. Find out more about the AICCM Conference Proceedings

The banner image has been generously supplied by the Tasmanian Museum and Art Gallery (TMAG)