Conservation of Plastics (Brisbane)

Condition surveys of plastics in art\, design\, modern history\, indust rial and toy collections conclude that 75% exhibit degradation and need eit her inhibitive conservation to slow their rate of degradation or invasive t reatment to clean\, stabilise or strengthen them. Before developing a conse rvation strategy\, it is essential to identify the major factors and pathwa y of degradation and the properties of the problem plastic using an informe d approach.

This four-day course is divided equally into both theoret ical and practical sessions. Conservation of Plastics will enable participa nts to identify the major families of polymers in cultural collections and the most problematic additives\, understand the causes of degradation in th e common plastics types and to recognise and monitor their symptoms in obje cts. The state of the art for preventive conservation will be discussed and include the latest research on the effectiveness of activated carbon\, sil ica gel and zeolites. Through practical work\, participants will also learn and practice the least damaging techniques to clean and adhere plastics\, the most frequent invasive treatments required for plastics in museums. Sam ples of degraded plastics will be available to investigate.

Participa nts are strongly encouraged to bring objects or images of objects to the co urse for discussion.

The course is suitable for conservators\, conser vation scientists\, curators and collection managers who have an interest i n\, but not necessarily experience of plastics. Notes and a reading list wi ll be provided.

About the presenter:

Yvonne Sh ashoua is a Senior Researcher at the National Museum of Denmark investigati ng the degradation and conservation of plastics. After graduating in indus trial chemistry she worked as a paint technologist for Berger Paints in Eng land. She joined the British Museum as a conservation scientist in 1988\, s pecialising in the deterioration reactions and conservation of cellulose ni trate\, cellulose acetate and rubber from 1995. Yvonne relocated to Denmark in 1998 when offered a PhD scholarship in the degradation pathways and con servation of plasticized PVC at the Danish Technical University and Nationa l Museum. She has more than 80 publications including a monograph ´Conserv ation of Plastics - materials science\, degradation and preservation´ publi shed by Elsevier in 2008. Yvonne was coordinator of International Council of Museums – Committee for Conservation´s working group Modern Materials an d Contemporary Art until 2008. She researched cleaning of plastics as part of the collaborative EU 7th Framework Research project POPART (Preservation of Plastics Artefacts in Museums) between 2008 and 2012. Between January a nd July 2012\, she was a Getty Conservation Institute scholar researching t he effectiveness of adsorbents for cellulose acetate film. Current active r esearch interests include the stability of bioplastics\,the application of nanomaterials to clean and consolidate modern artworks and the transfer of knowledge of plastics in museums to plastics in the environment.

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CATEGORIES:Workshop LOCATION:Queensland Museum GEO:-27.474006;153.018309 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/conservation-of-plastics-brisbane / END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8371-EO-38-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20150520T053156Z LAST-MODIFIED:20191120T043945Z DTSTART;TZID=Australia/Sydney:20150817T090000 DTEND;TZID=Australia/Sydney:20150817T173000 SUMMARY: Preservation of Digital Prints and Contemporary Colour Photographs One Day Symposium DESCRIPTION: Preservation of Digital Prints and Contemporary Colour Photogr aphs One Day Symposium AICCM and Art Gallery of New South Wales (AGNSW)\, w ith generous support from ADFAS\, is pleased to present Preservation of Dig ital Prints and Contemporary Colour Photographs\, a one day symposium lead by Martin Jürgens to be held at AGNSW on Monday 17 August 2015. X-ALT-DESC;FMTTYPE=text/html:

Preservation of Digital Prints and Contem porary Colour Photographs One Day Symposium

AICCM and Art Gallery of New South Wales (AGNSW)\, with generous support from ADFAS\, is pleased to present Preservation of Digital Prints and Contemporary Colour Photographs \, a one day symposium lead by Martin Jürgens to be held at AGNSW on Monday 17 August 2015.

This one-day event of lectures is designed for cura tors\, archivists\, conservators who specialize in the treatment of photogr aphic materials\, works of art on paper\, and/or contemporary art as their primary focus and students of conservation\, curatorial or art history stud ies.

Content

T he technology of digital printing has developed at a very rapid pace over t he last 25 years\, and today an increasing number of graphic documents are being generated digitally\, including photographs\, fine art prints\, conte mporary works of art\, advertising posters\, letters\, prints\, journals\, books\, office documents\, price labels\, and product packaging. Contempora ry colour photography has also experienced rapid changes in aesthetics\, te chnology\, and materials. This speedy development can make it difficult to keep up to date with the newest trends. As these prints constitute a major part of our current and future social and cultural heritage\, it is importa nt to gain an understanding of their structure\, materials\, and stability. This necessitates an ability to differentiate between different output tec hnologies.

In this one-day event of lectures\, participants w ill be given an overview of the historical development of contemporary colo ur photography and digital printing\, in both the office environment and th e worlds of art and photography. The topics of identification\, acquisition \, and preservation of these materials will be covered. The aim is to provi de participants with an understanding of the issues involved in handling di gital prints and contemporary colour photographs in art collections and arc hives\, as well as an understanding of the trends in imaging technology and artists’ use of modern photographic printing techniques.

Attendance will be limited to 75 people.

Co st:

AICCM Members Full fee $150 including GST
Non-AICCM Members Full fee $175 including GST
Student fee $75 including GST

About the presenter:
Martin Jürgens is conservator of photographs at the Rijksmuseum. Prior to coming to the Netherlands\, he worked as a conservator in private practice in Hamburg\, Germany\, for nin e years. He studied photography and design in Germany in the 1990s\, then p articipated in the Certificate Program in Photographic Preservation at the George Eastman House in Rochester\, New York. He graduated from the Rochest er Institute of Technology with a Master of Science and from Queen'\;s U niversity in Kingston\, Canada\, with a Master of Art Conservation. His are as of research and publishing\, and his teaching worldwide have covered his toric and contemporary photography and digital printing. Following a schola rship at the Getty Museum in 2006\, the Getty Conservation Institute publis hed his book The Digital Print: Identification and Preservation in 2009.

For more details:
Contact Helen Privett\, SIG and Event Coordinator\, at hprivet t@museum.vic.gov.au or on 03 8341 7235.

CATEGORIES:Meeting LOCATION:Art Gallery Of NSW GEO:-33.868474;151.214933 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/preservation-of-digital-prints-an d-contemporary-colour-photographs-one-day-symposium/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.841-EO-41-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20150618T010410Z LAST-MODIFIED:20191120T043950Z DTSTART;TZID=Australia/Sydney:20150821T143000 DTEND;TZID=Australia/Sydney:20150821T160000 SUMMARY: ADFAS Members Preservation of Digital Prints and Contemporary Colo ur Photographs DESCRIPTION: ADFAS Members Preservation of Digital Prints and Contemporary Colour Photographs Martin Jürgens\, a leading expert in the identification and preservation of digital and contemporary photographs\, will present a brief history of these relatively new materials along with advice on their care and preservation needs. The lecture will be followed by an opportunity to ask questions and X-ALT-DESC;FMTTYPE=text/html:

ADFAS Me mbers Preservation of Digital Prints and Contemporary Colour Photographs

Martin Jürgens\, a leading expert in the identification and preservation of digital and contemporary photographs\, will present a brief history of the se relatively new materials along with advice on their care and preservatio n needs. The lecture will be followed by an opportunity to ask questions an d seek Martin’s expert advice about your digital prints.

About the presenter:

Martin Jürgens is conservator of ph otographs at the Rijksmuseum. Prior to coming to the Netherlands\, he worke d as a conservator in private practice in Hamburg\, Germany\, for nine year s. He studied photography and design in Germany in the 1990s\, then partici pated in the Certificate Program in Photographic Preservation at the George Eastman House in Rochester\, New York. He graduated from the Rochester Ins titute of Technology with a Master of Science and from Queen'\;s Univers ity in Kingston\, Canada\, with a Master of Art Conservation. His areas of research and publishing\, and his teaching worldwide have covered historic and contemporary photography and digital printing. Following a scholarship at the Getty Museum in 2006\, the Getty Conservation Institute published hi s book The Digital Print: Identification and Preservation in 2009.

CATEGORIES:Lecture LOCATION:Art Gallery Of NSW GEO:-33.868474;151.214933 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/adfas-members-preservation-of-dig ital-prints-and-contemporary-colour-photographs/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8443-EO-39-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20150528T045801Z LAST-MODIFIED:20191120T043946Z DTSTART;TZID=Australia/Sydney:20151104T080000 DTEND;TZID=Australia/Sydney:20151106T173000 SUMMARY: Illuminating the new: contemporary practice and issues in material s conservation – 2015 AICCM National Conference DESCRIPTION: Illuminating the new: contemporary practice and issues in mate rials conservation – 2015 AICCM National Conference Every two years our Nat ional Conference brings together conservators\, allied professionals and an international audience to explore the history\, materials\, techniques and conservation in the field of conservation. This year’s conference takes it s lead from the International Year of Light X-ALT-DESC;FMTTYPE=text/html:

Illuminating the new: contemporary practice and i ssues in materials conservation - 2015 AICCM National Conference

Every two years our National Conference brings together conservat ors\, allied professionals and an international audience to explore the his tory\, materials\, techniques and conservation in the field of conservation .

This year’s conference takes its lead from the International Year of Light and is titled Illumin ating the new: contemporary practice and issues in materials conservation - 2015 AICCM National Conference and will be held in Hobart\, Tasmania\, 4-6 November 2015.

The venue is the lovely Baha’i Centre located near Hobart’s historic waterfr ont. The program kicks off first thing on Wednesday morning with the Welcom e to Country followed by a number of lightning talks after which our keynote speaker Sarah Kenderdine will present an overview of her digital projects and opportunities for their use in conservation. Presentations con tinue through the day before we head off to the Tasmanian Museum and Art Ga llery for the Welcome Reception hosted by the director of the museum\, Jane t Carding.

Thursday morning is packed with two concurrent sessions focusing on research in the special isations of Objects\, Paper\, and Paintings. We will break for lunch and ho ld our annual AGM before attendees spend the afternoon on one of the heriti age\, vineyard and Tassie culture tours we have planned (you can register f or them here) . On Thursday night the AICCM Awards and Cocktail Party will be held at Ha dley’s Orient Hotel where we will celebrate the achievements of our colleag ues and enjoy supper and refreshments.

Friday is another full day of presentations and lightning talks with a focus on ethics and theory\, preventive conservation and community projects. Special Interest Groups will have an opportunity to meet at lunch time before the conference wraps up at 5.15pm.

Download the Program

Registrations are now closed for the Conference

If you are a current AICCM m ember please log on before registering online.

Reg ister and pay now or pay later by completing the online registration form t o receive a tax invoice with instructions for payment.
An early b ird discount is available for registrations received and paid before 9 October 2015.
There is a selection of tours offered on Thursday afternoon. The tour program and online registration can be found here.
PLEASE NOTE ALL REGISTRATIONS CLOSE ON WEDNESDAY 28 OCTOBER

Conference inclusions

All conference sessions
USB stick of extended abstracts
Delegate Satchel
Lunch for the three days
Morning and afternoon tea < /li>
Attendance to the Welcome Recept ion
Attendance to the AIC CM Awards and Cocktail Party

Additional tickets to the social functions can be purcha sed for guests.

Please note that it is essential for all participants including deleg ates and presenters to register.

The conference committee understands that circumsta nces can change. At any point prior to the event you are welcome to contact us to nominate a substitute delegate.

CATEGORIES:Conference LOCATION:Baha'i Centre of Learning GEO:-42.878347;147.333631 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/illuminating-the-new-contemporary -practice-and-issues-in-materials-conservation-2015-aiccm-national-conferen ce/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8493-EO-42-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20150903T042059Z LAST-MODIFIED:20191120T043951Z DTSTART;TZID=Australia/Sydney:20151105T140000 DTEND;TZID=Australia/Sydney:20151105T170000 SUMMARY: Conference Tours for Illuminating the new: contemporary practice a nd issues in materials conservation – 2015 AICCM National Conference DESCRIPTION: Registrations are now closed for the Delegate Tours Conference Delegate Tours for Illuminating the new: contemporary practice and issues in materials conservation – 2015 AICCM National Conference Thursday afterno on tours After the AGM conference delegates can choose one of three tours \, each catering for different tastes. For the energetic\, there’s a scramb le up Mt Wellington\; X-ALT-DESC;FMTTYPE=text/html:

Registrations are now closed for the Delegate Tours

Conf erence Delegate Tours for Illuminating the new: contemporary practice and i ssues in materials conservation - 2015 AICCM National Conference

Thursday afternoon tours

After the AGM conference delegates can choose one of three tours\, each catering for different tastes. For the energetic\, there’s a scramble up Mt Wellington\; for the thirsty there’s a chance to imbibe\; an d for those who prefer to live vicariously an opportunity to visit the recr eated Mawson’s Huts.

Tours are scheduled to provide plenty of preenin g time before the Awards and Cocktail Party at 6pm that evening.

All tours leave from the Baha'\;i Centre.

Tour one: Shene Estate

Spend an afternoon at this forgotten Van Diemen’s Land estate. The Shene estate custodians have spent almost 10 years conserving t he beautiful sandstone buildings\, gothic stables and convict built barns b efore turning their hand to art of distilling gin.

Tour the estate g uided by the custodians the Kernke family\, and sup on a '\;Poltergiest'\;\, their latest gin.

Cost: $50 includes return transport from Hobart
Time: Allow 3 hours

~~Tour two: Mawsons Huts Replica Museum ~~

~~In 2012 this replica museum opened on the Hobart waterfr ont adjacent to where Mawson and his men boarded the Aurora and set sail fo r the Great Southern Land a hundred years earlier.~~

Michelle Berry\, a Mawson’s Huts Foundation expeditioner and conservator will talk about the original huts\, the ill-fated Australasian Antarctic Expedition and the ai ms of the replica museum. She’ll provide unique insights into the many chal lenges of Antarctic conservation.

Cost: $15 with a limit of 2 0 delegates due to space restrictions.
Time: Allow 1.5 hours with an o pportunity for delegates to stay longer.

~~Tour thre e: Kunanyi/Mt Wellington walk~~

For those of you who want fresh air\, this one-hour scenic walk criss-crosses Kunanyi/Mt Wellington. Beginning at the Springs\, the tr acks winds up to Sphinx Rock for beautiful views over the foothills and Hob art.

~~Accompanied by an experienced tour guide delegates will l earn about the mountain\, its wildlife and unique ecosystem.~~

~~Please note:~~ Kunanyi/Mt Wellington is prone to abrupt and extrem e weather changes so wear sturdy walking boots\, dress warmly in layers\, a nd bring a waterproof jacket. If the weather becomes inclement the walk may be cancelled and refunds issued. You just never know when it’s going to sn ow in Hobart!

Cost: $17.00 includes return transport from Hob art
Time: The walk takes an hour (return) plus additional travel time. Allow 2 hours.

~~Acknowledgement: Dylan O swin\, Tastrails.com~~

CATEGORIES:Conference Tours LOCATION:Baha'i Centre of Learning GEO:-42.878347;147.333631 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/conference-tours-for-illuminating -the-new-contemporary-practice-and-issues-in-materials-conservation-2015-ai ccm-national-conference/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8536-EO-43-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20151127T020552Z LAST-MODIFIED:20191120T043953Z DTSTART;TZID=Australia/Sydney:20160519T083000 DTEND;TZID=Australia/Sydney:20160522T173000 SUMMARY: 2016 AICCM Textiles SIG Symposium DESCRIPTION: Update: The Symposium programme has now been released! To view all the speakers and presentation topics\, as well as useful informati on about accomodation and transportation to the events\, download the 2016 Textile SIG Symposium programme here. There are two places remaining in the textile adhesive and costume mounting workshops and five places remaining X-ALT-DESC;FMTTYPE=text/html:

~~Update:~~ The Symposium programme has now been released! To view all the speake rs and presentation topics\, as well as useful information about accomodati on and transportation to the events\, downl oad the 2016 Textile SIG Symposium programme here. There are two places remaining in the textile adhesive and costume mounting workshops and five places remaining in the metal thread cleaning workshop. Register now to sec ure your place!

AICCM is pleased to presen t Emerging Technologies in Textile Conservation\, a Textiles Speci al Interest Group Symposium\, held in Sydney from the 19th to the 22nd of M ay\, 2016 to coincide with Mer cedes-Benz Fashion Week.

The symposium will present inno vative research\, practical ideas and illuminating case studies from a rang e of exceptional textile conservators and practitioners. Download the symposium brochure here.

The AICCM Texti les SIG has partnered with leaders in the field of textile conservation to bring you three skills-building workshops alongside the symposium: a textile adhesive workshop presented by Zenzie Tinker at the Muse um of Arts and Applied Science\, a metal thread cleaning workshop presented by Ian MacLeod and Rinske Car at the Australian National Maritime Museum and a half-day costume mounting workshop p resented by Tess Evans at the Yaama Dhiyaan centre.

Symposium and Workshop Dates

AICCMTSIG Symposium 19^th May\, 2016
Textile Adhesive 20^th–22^{nd May\, 2016 (3 days) (Closed)}
Metal thread clea ning 20^th May\, 2016 (1 day)
Costume mounting 20^{th May\, 2016 (0.5 days) (Closed)}

K ey Registration Dates

AICCM member registration extende d to 9 May 2016
Non-member extended to 9 May 2016
Student/ unemployed concession extended to 9 May 2016

More infor mation

Symposium registration will be capped at 72 part icipants with 10–12 participants per workshop. Priority will be given to AI CCM Textile SIG members.
Catering is included for metal thread clea ning and costume mounting workshops\, and for the first day only of the tex tile adhesive workshop.
Attende es are encouraged to use an Opal ca rd and public transport when travelling to the symposium and worksh ops as parking is limited around all venues.
No refunds from 7 days prior to the beginning of the workshop

CATEGORIES:Special Interest Group Symposium LOCATION:Yaama Dhiyaan Hospitality Training Centre GEO:-33.893912;151.189763 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/2016-aiccm-textiles-sig-symposium / END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8577-EO-49-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20150427T031709Z LAST-MODIFIED:20191120T044015Z DTSTART;TZID=Australia/Sydney:20160628T070000 DTEND;TZID=Australia/Sydney:20160701T160000 SUMMARY: Reflectance Transformation Imaging (RTI) Workshop (Melbourne) DESCRIPTION: AICCM\, with generous support from the Gordon Darling Founda tion and from the ADFAS Patricia Robertson Scholarship Fund\, presents one four-day Reflectance Transformation Imaging (RTI) Workshop. The workshop\, led by experts from Cultural Heritage Imaging (CHI) in San Francisco\, will take place at the Grimwade Centre for Cultural Materials Conservation at t he University of Melbourne from 28 X-ALT-DESC;FMTTYPE=text/html:

AICCM\, with generous support from the Gordon Darling Foundation and fro m the ADFAS Patricia Robertson Scholarship Fund\, presents one four-day Ref lectance Transformation Imaging (RTI) Workshop. The workshop\, led by experts from Cultural Heritage Imaging (CHI) in San Francisco\, will ta ke place at the Grimwade Centre for Cultural Materials Conservation at the University of Melbourne from 28 June to 1 July. Unfortunately due to low interest in the Perth RTI workshop we have had to cancel this event but we are working on alternative options in Melbourne.

RTI is a computation al photographic method that captures a subject’s surface shape and color an d enables the interactive re-lighting of the subject from any direction. RT I also permits the mathematical enhancement of the subject’s surface shape and color attributes. The enhancement functions of RTI reveal surface infor mation that is not disclosed under direct empirical examination of the phys ical object. For more information about RTI\, applications and CHI see http://culturalh eritageimaging.org/Technologies/RTI/.

This workshop is a combinat ion of lecture\, demonstration\, and lots of hands-on work. As a participan t you will:

Learn how to apply highlight Reflectance Transformat ion Imaging (RTI)
Grasp the latest research in the multiview techni que\, RTI with microscopes\, and using multispectral imaging with RTI
Apply what you learn i n small teams: instructors break the class into groups of three-to-five peo ple for hands-on work
After attending this class\, you will know ho w to set up\, capture\, process\, view\, and disseminate RTI images on the Internet.

Ideal participants include:

Museum\, libra ry\, and photographic staff working in conservation and education
A rchaeologists\, historians\, and anyone working with collections who wants to learn about emerging digital imaging techniques
Anyone intereste d in Reflectance Transformation Imaging technology and its practical applic ation

You will learn:

Comprehensive coverage of RTI digital imaging work flow\, from planning to archiving and publication
Practical information about equipment\, image capture setups\, and soft ware
Examples of RTI from different areas of cultural heritage and the natural sciences including museum objects\, archaeological sites and ar tifacts\, conservation usage\, and paper collections
Step-by-step p rocessing of the images
How to use different viewing modes to exami ne details of the image

Registration:

AICCM Member E arly Bird $1900
AICCM Member $2100
Non-member $2200

Early bird registration will close at midnight on 15 May 2016. No refu nds from 7 days prior to the beginning of the workshop.

Places are st rictly limited to 10 participants at each venue. For more information pleas e contact Helen Privett\, AICCM Event and SIG Coordinator on 03 8341 7235 o r hprivett@museum.vic.gov.au.

CATEGORIES:Workshop LOCATION:Grimwade Centre for Cultural Materials Conservation GEO:-37.800416;144.963894 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/reflectance-transformation-imagin g-rti-workshop-melbourne/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8617-EO-50-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20150427T031709Z LAST-MODIFIED:20191120T044016Z DTSTART;TZID=Australia/Sydney:20160704T090000 DTEND;TZID=Australia/Sydney:20160704T120000 SUMMARY: Introduction to Reflectance Transformation Imaging (RTI) (Melbour ne) DESCRIPTION: Introduction to Reflectance Transformation Imaging (RTI) Works hop AICCM\, with generous support from the Gordon Darling Foundation and from the ADFAS Patricia Robertson Scholarship Fund\, presents a half day in troduction to Reflectance Transformation Imaging (RTI). This introduction\, led by experts from Cultural Heritage Imaging (CHI) in San Francisco\, wil l take place at the Grimwade Centre for X-ALT-DESC;FMTTYPE=text/html:

Introduction to Reflectance Transformatio n Imaging (RTI) Workshop

AICCM\, with generous support from the Gordon Darling Fou ndation and from the ADFAS Patricia Robertson Scholarship Fund\, presents a half day introduction to Reflectance Transformation Imaging (RTI).

This introduction\, led by experts from Cultural Heritage Imaging ( CHI) in San Francisco\, will take place at the Grimwade Centre for Cultural Materials Conservation at the University of Melbourne 4 July 2016.

RTI is a computational photographic method that captures a subject’s surfac e shape and color and enables the interactive re-lighting of the subject fr om any direction. RTI also permits the mathematical enhancement of the subj ect’s surface shape and color attributes. The enhancement functions of RTI reveal surface information that is not disclosed under direct empirical exa mination of the physical object. For more information about RTI\, applicati ons and CHI see http://culturalheritageimaging.org/Technologies/RTI/.

RTI creates scientific digital representations of an imaging subj ect’s shape and color. These digital representations are generated from ima ge sequences where the light illuminating the photo’s subject is moved to a new location for each photograph. The lighting information from this image sequence is mathematically synthesized into an RTI image. The subject’s sh ape and color is examined in an RTI by interactively re-lighting the subjec t from any direction and applying mathematical enhancements within an RTI s oftware-viewing environment. The workshop shows examples from museums and l ibraries. New tools and new research for RTI will be presented. We will al so present new tools for the near-automatic recording and archiving of RTI contextual and process metadata. This Digital Lab Notebook (DLN) serves the same function as a written scientist’s lab notebook. We explore the necess ity for transparent evaluation of scientific digital representations. For m ore information please contact Helen Privett\, AICCM Event and SIG Coordina tor on 03 8341 7235 or hprivett @museum.vic.gov.au.

Intended Audience: The works hop will include demonstrations and ample time for discussion and Q&A\, inc luding presenting the required and optional equipment involved.

The R TI software tools are open source\, with freely available User Guides\, a f ree user forum\, and other supporting materials. Participants will be updat ed on available materials and software\, and also where to find all the res ources.

There are no prerequisites. Anyone from novice to expert who wants to learn about these techniques is welcome.

Instructor bios:

Carla Schroer\, Cultural Heritage Ima ging\, culturalheritageimaging.org

Carla Schroer is a co-founder and director of Cultural Heritage Imaging (CHI) a non-profit corporation that d evelops and implements new imaging technologies for cultural\, historic and artistic heritage and scientific research. Carla leads the training progra ms at CHI\, along with working on field capture projects with Reflectance T ransformation Imaging\, 3D photogrammetry\, and related computational photo graphy techniques. Carla also leads the software development and testing ac tivities at CHI. She spent 20 years in the commercial software industry\, m anaging and directing a wide range of software development projects includi ng object oriented development tools\, desktop publishing software\, and Su n Microsystems’ Java technology.

Mark Mudge is Presi dent and co-founder of Cultural Heritage Imaging. Mark has a BA in Philoso phy from New College of Florida (1979). He has worked as a professional br onze sculptor and has been involved in photography and 3D imaging for over 20 years. He is a co-inventor\, with Tom Malzbender\, of the computational photography technique\, Highlight Reflectance Transformation Imaging. He ha s published 14 articles and book chapters related to scientific imaging of cultural heritage material and its long-term preservation. He serves on sev eral international committees\, including The International Council of Muse ums'\; (ICOM) Documentation Committee (CIDOC).

CATEGORIES:Workshop LOCATION:Grimwade Centre for Cultural Materials Conservation GEO:-37.800416;144.963894 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/introduction-to-reflectance-trans formation-imaging-rti-melbourne/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8658-EO-51-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20150427T031709Z LAST-MODIFIED:20191120T044017Z DTSTART;TZID=Australia/Sydney:20160704T130000 DTEND;TZID=Australia/Sydney:20160731T170000 SUMMARY: Introduction to Photogrammetry (Melbourne) DESCRIPTION: Introduction to Photogrammetry Workshop AICCM\, with generou s support from the Gordon Darling Foundation and from the ADFAS Patricia Ro bertson Scholarship Fund\, presents a half day introduction to Photogrammet ry. This introduction\, led by experts from Cultural Heritage Imaging (CHI) in San Francisco\, will take place at the Grimwade Centre for Cultural Mat erials Conservation at the University X-ALT-DESC;FMTTYPE=text/html:

Introduction to Photogrammetry Workshop

AICCM\, with generous support from the Gordon Darling Foundation and f rom the ADFAS Patricia Robertson Scholarship Fund\, presents a half day int roduction to Photogrammetry.
This introduction\, led by expe rts from Cultural Heritage Imaging (CHI) in San Francisco\, will take place at the Grimwade Centre for Cultural Materials Conservation at the Universi ty of Melbourne 4 July 2016.
Photogrammetry refers to the practice of deriving 3D measurements from photographs. It can be use d for documenting 3D subjects\, monitoring changes to these subjects over t ime\, and a wide range of other uses. Photogrammetry creates accurate and m easurable 3D models in a wide range of scales. Recent technological advance s in digital cameras\, computer processors\, and computational techniques\, such as sub-pixel image matching\, make photogrammetry a portable and powe rful technique. It yields extremely dense and accurate 3D surface data. It can be generated using a sequence of photos and captured with standard digi tal photography equipment\, in a relatively short period of time. For more information please contact Helen Privett\, AICCM Event and SIG Coordinator on 03 8341 7235 or hprivett@mu seum.vic.gov.au.
Outcomes for Participants
Clear understanding of two computational photography imaging techniques\, how they are used\, what they can show\, and what is involved in adopting t hem in cultural heritage practice.
Intended Audience : The workshop will include demonstrations and ample time for discussion an d Q&A\, including presenting the required and optional equipment involved.
There are no prerequisites. Anyone from novice to expert who wants to learn about these techniques is welcome.
Instructor bios:
Carla Schroer\, Cultural Heritage Imaging\, c ulturalheritageimaging.org
Carla Schroer is a co-founder and director of Cultural Heritage Imaging (CHI) a non-profit corporation that develops and implements new imaging technologies for cultural\, historic and artisti c heritage and scientific research. Carla leads the training programs at CH I\, along with working on field capture projects with Reflectance Transform ation Imaging\, 3D photogrammetry\, and related computational photography t echniques. Carla also leads the software development and testing activities at CHI. She spent 20 years in the commercial software industry\, managing and directing a wide range of software development projects including objec t oriented development tools\, desktop publishing software\, and Sun Micros ystems’ Java technology.
Mark Mudge is President and co-founder of Cultural Heritage Imaging. Mark has a BA in Philosophy from New College of Florida (1979). He has worked as a professional bronze scu lptor and has been involved in photography and 3D imaging for over 20 years . He is a co-inventor\, with Tom Malzbender\, of the computational photogra phy technique\, Highlight Reflectance Transformation Imaging. He has publis hed 14 articles and book chapters related to scientific imaging of cultural heritage material and its long-term preservation. He serves on several int ernational committees\, including The International Council of Museums'\ ; (ICOM) Documentation Committee (CIDOC).

CATEGORIES:Workshop LOCATION:Grimwade Centre for Cultural Materials Conservation GEO:-37.800416;144.963894 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/introduction-to-photogrammetry-me lbourne/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8697-EO-48-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20151127T101821Z LAST-MODIFIED:20260208T124715Z DTSTART;TZID=Australia/Sydney:20160824T090000 DTEND;TZID=Australia/Sydney:20160826T123000 SUMMARY: FRAME: Concept\, History and Conservation\, Melbourne 2016. A symp osium on the picture frame DESCRIPTION: AICCM – FRAME: Concept\, History and Conservation\, Melbourne 2016. A symposium on the picture frame. 24-26 August 2016 Hosted by the Nat ional Gallery of Victoria\, Melbourne\, Australia The AICCM Conservation Fr aming and Gilded Objects special interest groups will hold this internation al symposium encompassing both traditional framing as well as broader conce pts of framing for the X-ALT-DESC;FMTTYPE=text/html:
$Det ail of the Régence frame on Nicolas Poussin The Crossing of the Red Sea (16 32-1634) oil on canvas\, 155.6 × 215.3 cm National Gallery of Victoria\, Me lbourne Felton Bequest\, 1948 (1843-4)$
AICCM - FRAME: Concept\, History and Conser vation\, Melbourne 2016.
A symposium on the picture frame.
24-26 August 2016
Hosted by the National Gallery of Victoria\, Melbourne\, Australia
The AICCM Conservation Framing and Gilded Objects spe cial interest groups will hold this international symposium encompassing bo th traditional framing as well as broader concepts of framing for the prese ntation of modern and contemporary art and design. This wide-ranging theme will appeal to artists\, conservators\, curators\, designers\, frame makers and historians.
Our symposium will coincide with the exhibition Melb ourne Winter Masterpieces 2016 - Degas: A New Vision. It is anticipated tha t some of our speakers will focus on the frames designed by Degas for his a rtworks\, further enriching our understanding of the artist and his work.
Twenty speakers are anticipated and currently include prominent intern ational experts Lynn Roberts and Dr Eva Mendgen\, and Australian specialist s Dr Malgorzata Sawicki\, John Payne and Holly McGowan-Jackson. The draft program is available here.
The convenors of this symposium are Louise Bradle y\, Barbara Dabrowa and Holly McGowan-Jackson. Please contact Louise Bradle y if you have any questions about this event: loubradley@bigpond.com
CATEGORIES:Special Interest Group Symposium LOCATION:National Gallery of Victoria GEO:-37.822601;144.969336 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/frame-concept-history-and-conserv ation-melbourne-2016-a-symposium-on-the-picture-frame/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8734-EO-52-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20151127T101821Z LAST-MODIFIED:20191120T044018Z DTSTART;TZID=Australia/Sydney:20160824T090000 DTEND;TZID=Australia/Sydney:20160826T123000 SUMMARY: Conference Delegate Functions and Tours for FRAME: Concept\, Histo ry and Conservation\, Melbourne 2016. DESCRIPTION: Conference Delegate Functions and Tours for FRAME: Concept\, H istory and Conservation\, Melbourne 2016. 24-26 August 2016 Hosted by the N ational Gallery of Victoria\, Melbourne\, Australia Symposium Lunch in the NGV Garden Restaurant NGV International\, on Wednesday 24 August\, 12:30-2: 00. Price $60.00 per person for a two course set menu lunch including main course\, (set menu X-ALT-DESC;FMTTYPE=text/html:
Con ference Delegate Functions and Tours for FRAME: Concept\, History and Conse rvation\, Melbourne 2016.
24-26 August 2016
Hosted by the National Ga llery of Victoria\, Melbourne\, Australia
Sympo sium Lunch in the NGV Garden Restaurant
NGV International\, on Wednesday 24 August\, 12:30-2:00.
Price $60.00 per person for a tw o course set menu lunch including main course\, (set menu alternate drop)\, a glass of wine\, and desert.
Please advise of any dietary restr ictions\, gluten intolerant\, vegetarian or other.

Sympo sium dinner at Charcoal Lane
136 Gertrude Street\, Fitzroy\, on Thursday 25 August\, 7pm.
Price $65.00 per person for a three cou rse set menu set menu\, (set menu alternate drop)\, including entrée\, main course\, and desert. There will be a cash bar.
Charcoal Lane ser ves edgy meals made with indigenous ingredients. It is a Mission Australia social enterprise restaurant that provides guidance and opportunity to youn g people\, many of whom are Aboriginal\, and in need of a fresh start in li fe. Please advise of any dietary restrictions\, gluten intolerant\, vegetar ian or other.

Lab tours (please choose only o ne\, as they are run concurrently)
Friday 26 August\, 2:00pm \, no cost\, there will be maximum 12 people in each tour:
Natio nal Gallery of Victoria conservation labs at NGV International (fully subsc ribed)
Museum Victoria conservation labs\, Carlton
The Grim wade Centre for Cultural Materials Conservation at the University of Melbou rne (fully subscribed)
The convenors of this symp osium are Louise Bradley\, Barbara Dabrowa and Holly McGowan-Jackson. Pleas e contact Louise Bradley if you have any questions about this event: loubra dley@bigpond.com
CATEGORIES:Special Interest Group Symposium LOCATION:State Library of South Australia GEO:-34.919091;138.615205 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/conference-delegate-functions-and -tours-for-frame-concept-history-and-conservation-melbourne-2016/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8773-EO-44-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20151127T101821Z LAST-MODIFIED:20191120T043954Z DTSTART;TZID=Australia/Sydney:20161010T090000 DTEND;TZID=Australia/Sydney:20161015T170000 SUMMARY: Light | Colour | Structure – The 9th AICCM Book\, Paper and Photog raph Materials Symposium DESCRIPTION: Light | Colour | Structure—The 9th AICCM Book\, Paper and Phot ograph Materials Symposium This exciting event will be held in Canberra at the National Gallery of Australia from 10th-12th October 2016. Accompanying workshops will be held in various Canberra locations from 13th -15th Octob er 2016. The elements of light\, colour and structure are intrinsic to X-ALT-DESC;FMTTYPE=text/html:

Light | Colour | Structure—The 9th AICCM Book\, Paper and Photograph M aterials Symposium
This exciting event will be held in Canbe rra at the National Gallery of Australia from 10th-12th October 2016. Accom panying workshops will be held in various Canberra locations from 13th -15t h October 2016.
The elements of light\, colour and structure are int rinsic to the physical composition of historical and contemporary art\, doc uments and photographs. These elements are also the key factors which influ ence how objects are seen and displayed and ultimately impact on their long evity.
A very full program of presentations is planned\, spanning the spectrum of book\, paper\, and photograph conservation\, preservation\, cu ratorship and research. Speakers are coming from around Australia\, from Ne w Zealand\, and even from the UK and Italy! Talks will cover topics such a s new material investigations\, treatment case studies\, and collection car e\; from the vintage to the contemporary\; from libraries and archives to g alleries and private collections.
Days full of workshops follow the s ymposium\, with NINE workshops offering something for everyone\, including paper fibre ID\, historic photographic techniques\, creative mount cutting and framing\, glass photograph repair\, and book repair and display. You wi ll not be disappointed with the variety on offer! Check the workshop progra m for more details.
Canberra in October is Canberra at its best\, wit h warm sunny days\, blossoming trees\, and nights sometimes retain a touch of chilliness\, in case that’s your thing. Our city is growing year by year \, with plenty of cultural institutions to visit\, and eateries and drinker ies to take your fill. Our generous hosts\, the National Gallery\, are righ t by Lake Burley Griffin\, with lovely views and proximity to the National Library\, Portrait Gallery\, Questacon\, and the National Archives\, with t he National Museum not far away. There are worse ways to spend a week than to come to the national capital to commune with your colleagues and indulge in some fun professional development! We hope to see you in Canberra this October!
Guest Speaker
Susie Clark\, ACR is an accredited paper and photographic conservator with many years of experience . She was formerly the conservator for a collection of approximately 20 mil lion photographs at the BBC Hulton Picture Library (now Getty Images). Sinc e 1990\, she has been a freelance paper and photograph conservator and cons ultant\, working throughout Britain and abroad on public and private collec tions. She has been the conservator for the Collaborative Research Project between the National Media Museum and the Getty Conservation Institute (USA ) looking at the characteristics of different photographic processes.
Wo rkshops
Susie Clark will present a three day workshop on Conservation of Glass in Photography. In 2013 she was tutor for the Conserv ation of Glass in Photography course organised for FAIC and the Andrew W Me llon Foundation at the Getty Museum\, Los Angeles.
Other workshops on offer include:
Local Repairs on Iron Gall Ink
Creative Mounting Techniques
Making Historic Photographs – Salt Prints
Making Historic Photographs – Albumen Prints
Understanding books for storage and display
Moving Pictures – The Art of Lending Works on Paper AND Bugs\, Mould and Mice\, and All Things Nice – Practical pest management methods
Fibre Identification for Paper Conservat ors\, and Reattaching Detached Boards on Leather Bindings and Dyeing Red Rot Leather
Please note the AICCM is managing the Symposium registrations while the workshop registrations are being organised by the National Gallery of Australia\, fo r workshop registrations please visit the NGA website here. For Symposium registra tions use the link on this page.
Download the Symposium Program here
CATEGORIES:Special Interest Group Symposium LOCATION:Parkes Place GEO:-35.300631;149.136837 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/light-colour-structure-the-9th-ai ccm-book-paper-and-photograph-materials-symposium/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8815-EO-47-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20151127T101821Z LAST-MODIFIED:20191120T044013Z DTSTART;TZID=Australia/Sydney:20161026T090000 DTEND;TZID=Australia/Sydney:20161028T170000 SUMMARY: Revivify 2016 AICCM Paintings Symposium DESCRIPTION: revivify re|viv¦ify /ˌriːˈvɪv.ɪ.faɪ/ VERB give new lif e\, energy\, strength or vigour to to make (something or someone) strong\, healthy\, or active again The AICCM Paintings SIG symposium: revivify 2016\ , will be held 26 – 28 October 2016 at the National Portrait Gallery in Can berra. Following a four year interval between our SIG specific meetings\, X-ALT-DESC;FMTTYPE=text/html:

revivify re|viv¦ify /ˌriːˈvɪv.ɪ.faɪ/
VERB
give new life\, energy\, strength or vigour to
to make (something or someo ne) strong\, healthy\, or active again
The AICCM Paint ings SIG symposium: revivify 2016\, will be held 26 – 28 O ctober 2016 at the National Portrait Gallery in Canberra.
Following a four year interval between our SIG specific meetings\, this three day symposium of w orkshops\, tours and presentations on materials\, treatment and research in paintings conservation\, aims to reconnect colleagues\, ideas and collabor ations within our field.
Wednesday 26th will host optional workshops and tours\, with your choice of a morning and/or afternoon session. Transpo rt will be arranged departing from the National Portrait Gallery\, between sessions and returning to the National Portrait Gallery.
Click here for i nformation on the revivify 2016 workshop/tour options.
If you wis h to sign-up to any of the workshop/tour options\, please do so by Friday 21^st October. As some activities will have a max imum participant limit of 10\, allocation will be first come first served. Participants need to have registered for the symposium in order to make the ir selection.
Following the day’s activities\, attendees will be welc omed by Director Angus Trumble with drinks and canapés at the National Port rait Gallery at 4pm. After the Welcome Reception\, please join us at the Na tional Gallery of Australia\, a very short walk away\, for a public lecture ‘From the Chocolate Box to Jackson Pollock: The Materials and Techniques o f Constable’s ‘six-footers’ c1819-1837’ given by our invited speaker Sarah Cove.
The program for Thursday 27th and Friday 28th includes over 25 diverse pre sentations from conservators and researchers around Australia\, and ren owned invited speakers from the UK\, Sarah Co ve and Alan Cummings.
Sarah will deliver her paper ‘Fit for Purpose: 30 years of the Constable Res earch Project’\, which celebrates and raises awareness of her 30 years ’ research on John Constable’s materials and techniques. The work is well k nown in the UK and the US and Sarah appeared in the BBC’s Fake or Fortu ne? program involving the authentication of potential Constable works. Biography and Abstract.
Alan’s presentation ‘The View from the Edge: Reflections on conservation from a traveller among other disciplines’ will provide an outsider perspecti ve of the challenges and opportunities facing conservation based on his exp erience of working across other vocational\, professional and academic area s of activity. He aims to provoke lively discussion about the possibilities and limitations that the future holds for paintings conservation and conse rvators in the 21st century. Biography and Abst ract
The last session on Thursday will close with attendee’s choi ce of either:
a bark painting mount workshop in cluding samples of mounting methods with conservation framer Louise Bradley (private collections)\, conservators Lisa Nolan (Museum and Art Gallery of the Northern Territory) and Beata Tworek-Matuszkiewicz (National Gallery o f Australia)\, and designer maker Sean Booth who has worked on the National Museum of Australia collection
or a tour of paintings on e xhibition at the National Portrait Gallery with Senior Curator Dr Christopher Chapman
At the close of proceedings on Thursday\, t ake a short stroll through the historic Old Parliament House Rose Gardens ( weather dependent) on our way to iconic Old Parliament House\, our venue fo r the symposium dinner. Enjoy the night dining with colleagues in one of th e original Members’ Dining Rooms with the splendid heritage-listed Member’s Bar.
Registration includes both day catering and event catering for attendees\; including tea breaks and lunches in addition to the Welcome Rec eption and Symposium Dinner. Please indicate if you will be attending these events when you register. Additional dinner tickets may be purchased for g uests.
A very big thank you to our generous partners: the National Po rtrait Gallery\, Conservation by Design/TruVue and Schott. Please click on their logo below to visit their websites.
We hope to see you in Canbe rra!
revivify 2016 Organising Committee
Alana\, Celia\, Janet\, Jocelyn and Sharon
alanatreasure@gmail.com\; celiaecramer@gmail.com
Use #revivify2016 on Twitter and Faceb ook to join in the conversation.
Click here for the revivify 2016 workshop/tour options
Click here for the revivify 2016 Program
Click here for the revivify 2016 Present ation Listing (Alphabetical)

Event Partner



Premier Partners
 
Supported by


CATEGORIES:Special Interest Group Symposium LOCATION:National Portrait Gallery GEO:-35.299299;149.131365 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/revivify-2016-aiccm-paintings-sym posium/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8889-EO-53-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20160212T034045Z LAST-MODIFIED:20191120T044019Z DTSTART;TZID=Australia/Sydney:20170208T010000 DTEND;TZID=Australia/Sydney:20170210T173000 SUMMARY: The Shock of the New: Modern Materials\, Media and Methods Joint Objects and Electron Special Interest Groups Symposium DESCRIPTION: The Shock of the New: Modern Materials\, Media and Methods Joi nt Objects and Electron Special Interest Groups Symposium 8 to 10 February 2017 at Melbourne Museum\, Melbourne\, Australia The AICCM Objects and Elec tron SIG welcome you to register for the symposium The Shock of the New: Mo dern Materials\, Media and Methods\, to be held at X-ALT-DESC;FMTTYPE=text/html:
The S hock of the New: Modern Materials\, Media and Methods
Joint O bjects and Electron Special Interest Groups Symposium
8 to 10 Febr uary 2017 at Melbourne Museum\, Melbourne\, Australia
The AICCM Objects and Electron SIG welcome you to register for the symposium The Shoc k of the New: Modern Materials\, Media and Methods\, to be held at the Roya l Exhibition Building Theatrette in Melbourne from 8-9 February 2017. Works hops associated with this event will be held on Friday 10 February.
T he program includes over 20 presentations from conservators and researchers around Australia and the world\, as well as renowned invited speakers Drag an Espenschied (Rhizome\, USA) and Kate Dunn (UNSW).
To download the latest programme click here
Registration includes morning and afternoon te a and lunch for the two days. Optional is a symposium dinner to be held at Ichi Ni Nana\, a fabulous Japanese restaurant on nearby Brunswick Street.
Organising Committee:  Helen Privett\, Karina Palmer\, Di Whittle\, Br onwyn Dunn\, Gerald Preiss\, Stuart Fuller\, Somaya Langley
For any q ueries on this event please contact Helen on hprivett@museum.vic.gov.au
Workshop Informa tion
Please note you don'\;t have to attend the S ymposium to register for the workshops!
Emulation

Emulation-as-a-service is a digital architecture which allows legacy com puter systems to run in standard web browser. This allows access to histori cal digital documents and software in their native environments and conserv ation of digital culture in an authentic and user friendly way. This worksh op will be a practical introduction to this architecture\, led by Dragan Es penschied. Computers will be provided to participants for use during the wo rkshop.
Web Archiving
Webrecorder is a novel\, open source web archiving tool\, developed and led by the Rhizome team under expert Preservation Director\, Dragan Espenschied. This workshop will be a practical introduction to web archiving software and techniques using Webrecorder. Computers will be provided to participants for use durin g the workshop.
Introduction to Arduino and microcontrollers
The workshop will be an introductory session on microcontrollers commo nly used by artists\, with hands-on training with the Arduino hardware\, so ftware and coding language. Participants will put together basic circuits\ , edit code within the Arduino IDE and upload code to the Arduino board. T he workshop will also address common problems that can occur with these tec hnologies and troubleshooting methods to identify and resolve these.
Michelle Woulahan is a Melbourne based artist and educator\, practicing und er the artist name Antoinette J. Citizen. Her work has been exhibited widel y in Australia\, in both solo and group shows including – GOMA (Brisbane)\, MUMA (Melbourne)\, Artspace (Sydney)\, West Space (Melbourne)\, and IMA (B risbane) and internationally in Luxembourg\, Germany\, United Kingdom\, Mil an and New Zealand.
Woulahan holds a BFA with Honours from QUT and wa s awarded a Ph.D. in Visual Art from RMIT for her practice-led research on the quantified self in 2015. Through the City of Melbourne\, Woulahan facil itates workshops for the public in creative technologies with specific focu s on Arduino\, electronics\, Raspberry Pi\, 3D printing\, and coding.
www.antoinettejcitizen.com
Immersive VR experiences in archaeological sites
Simon Young is a PhD student in Classical archaeology at University of Melbourne \, working on observer experiences of ancient cityscapes. During his resear ch Simon has become acquainted with 3D visualisation software (and through the use of photogrammetry and 3D printing) and has created archaeologically correct digital reconstructions of ancient cityscapes. He has also incorpo rated Virtual Reality devices (particularly the Oculus Rift) to experience ancient cities on site. This free workshop includes an introduction to the application of this technique\, as well as an opportunity to experience the 3D experience. For further information about Simon'\;s immersive realit y projects\, go to his Lithodomos site
CATEGORIES:Conference LOCATION:State Library of South Australia GEO:-34.919091;138.615205 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/the-shock-of-the-new-modern-mater ials-media-and-methods-joint-objects-and-electron-special-interest-groups-s ymposium/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.8932-EO-54-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20151127T101821Z LAST-MODIFIED:20201007T045103Z DTSTART;TZID=Australia/Sydney:20171101T090000 DTEND;TZID=Australia/Sydney:20171103T173000 SUMMARY: AICCM National Conference 2017 DESCRIPTION: AICCM National Conference 2017 This year’s National Conferenc e will be hosted by the NSW State Division and held at the Carrington Hotel \, Katoomba in November. Take part in the conference on Facebook and Twitte r by using the hashtag #AICCM2017 Date: 1-3 November\, 2017 Location: Carri ngton Hotel\, Katoomba\, Blue Mountains Program: Please download the progra m here (updated X-ALT-DESC;FMTTYPE=text/html:
AICCM National Conference 201 7
This yea r’s National Conference will be hosted by the NSW State Division and held a t the Carrington Hotel\, Katoomba in November. Take part in the conference on Facebook and Twitter by using the hashtag #AICCM2017
Da te: 1-3 November\, 2017
Location: Carrington Hotel\, Katoomba\, Blue Mountains
Program: Please do wnload the program here (updated 30 October)
Registration is now closed for the conference\, if you wou ld like to be placed on a wait list please contact the AICCM Secretariat on secretariat@aiccm.org.au.
$The Carrington Hotel\, Katoomba$
Registra tion Fees
Registration is now closed for the conference\, if y ou would like to be placed on a wait list please contact the AICCM Secretar iat on secretariat@aiccm.org.au.
Early bird Member fees $450 (cl osed)
Late Member fees $550 (closed)
Non-Member fee $650 (closed)
< li>Student/Concess ion $250 (closed)Student Information
As always\, AICCM encourages th e participation of Students in our National Conferences to foster close tie s between Conservators at different stages within the profession. The orga nizing committee reiterates that there will unfortunately be a limited numb er of spaces at the Student registration rate - due to the capacity of the venue. Where possible\, the committee has worked to ensure support to stud ents seeking Grants\, and encouraged Scholarship funding through generous s ponsorship. More information will follow regarding how to apply for severa l funded Student Scholarships
Conference inclusions
All conference sessions
USB stick of extended abstracts
Delegate Satchel
Lunch for t he three days
Morning and afternoon tea
Attendance to the Welcome Reception
Attenda nce to the AICCM Awards and Cocktail Party
Additional tickets t o the social functions can still be purchased for guests.
Pleas e note that it is essential for all participants including delegates and pr esenters to register and we are unable to offer ref unds for concellations 7 days prior to the beginning of the Conference.
To register for the conference excursions please go here: https://aiccm.o rg.au/civicrm/event/info?reset=1&id=35
The 2017 AICCM National Co nference is proudly supported by:
CATEGORIES:Conference LOCATION:The Carrington Hotel GEO:-33.713114;150.310922 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/aiccm-national-conference-2017/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.898-EO-55-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20150903T042059Z LAST-MODIFIED:20191120T044026Z DTSTART;TZID=Australia/Sydney:20171102T130000 DTEND;TZID=Australia/Sydney:20171102T170000 SUMMARY: Conference Excursions for 2017 AICCM National Conference DESCRIPTION: Please note online registration to the Delegate Tours has now closed. Conference Delegate Excursions for 2017 AICCM National Conference T hursday afternoon tours On the afternoon of Day 2 of the conference\, Thur sday November the 2nd\, delegates will have the opportunity to participate in one of several activities. Three options will be on offer. These include two structured tours X-ALT-DESC;FMTTYPE=text/html:
Please note online registration to the D elegate Tours has now closed.
Con ference Delegate Excursions for 2017 AICCM National Conference
Thursday afternoon tours
On the afternoon of Day 2 of the conference\, Thursday Novemb er the 2nd\, delegates will have the opportunity to participate in one of s everal activities. Three options will be on offer. These include two struct ured tours with organised bus transportation\, or a relaxed bushwalk.
Booking is required for all tours and will close on 5pm Friday 20 October so that venues can be notified of numbers attending.
OPTION 1 - TOUR OF THE NORMAN LINDSAY GALLERY\, FAULCONBRIDGE
The Norman Lindsay Gallery at Faulconbridge is home of the Mag ic Pudding and displays the work of artist and writer Norman Lindsay (1879- 1969). The house is a beautiful sandstone cottage (now the main gallery) an d is set on 42 acres\, with magnificent gardens that boast beautiful statua ry from the artist. The grounds also have the original artist’s painting an d etching studios\, preserved in the state they were left when the artist d ied.
Guests will be provided with a guided tour of the painting and etching studios and have free access to the gallery\, gardens and grounds. The tours take approximately 40-50 minutes. Devonshire tea is included in t he cost for participants.
Time: Pick-up at 1:00pm to approximately 5:00pm - back in Katoomba
Pick up location: Conference venue\, The Carrington Hotel\,15 - 47 Katoomba St\, Katoom ba
Cost: $30.00 per person includes tour\, Devonshire tea and round trip bus transportation. Please inform of any dietary requir ements at the time of booking. Gluten-free and dairy-free options are avail able.
(50 people maximum)


OPTION 2 - HIGH TEA AND TOUR OF THE HYDRO MAJESTIC H OTEL\, MEDLOW BATH
Located in the township of Medlow Bath\, The Hydro Majestic features art deco design and is an escape to the grandeu r of yesteryear\, with spectacular views of the Megalong Valley. The Hydro was recently restored and reinterpreted by a team of heritage experts\, arc hitecture specialists and designers\, who focussed on respecting the Hydro Majestic’s 1920’s social history and heritage\, while also modernising its facilities.
Your afternoon will commence with a full high tea experie nce in the exclusive Wintergarden Restaurant with the stunning Megalong val ley panorama as a backdrop. What a treat! Following this\, the tour will st art at 3:00pm and take approximately 1 hour. After the tour you may also wi sh to explore the interactive history centre\, browse the providore that sh owcases the best regional gourmet food and wine\, or just take in the breat htaking scenery.
Time: Pick-up at 1:00pm to approxim ately 5:00pm - back in Katoomba
Pick up location: Con ference venue\, The Carrington Hotel\,15 - 47 Katoomba St\, Katoomba
Cost: $65.00 per person includes tour\, Devonshire tea and round trip bus transportation. Please inform of any dietary requirements at the time of booking.
What to bring: Wet weather g ear (umbrell/light jacket)\, as part of this tour is outside
50 peopl e maximum


OP TION 3 - BUSHWALK IN THE FEDERAL PASS VIA THE GIANT STAIRWAY
For those keen on getting amongst the flora and fauna of the Blue Mountain s\, a bushwalk might be a pleasant way to spend the afternoon. Colin MacGre gor from the Australian Museum has kindly offered to accompany the group in an unofficial capacity.
The walk will take approximately 3 hours goi ng at a leisurely pace exploring the bushland and old mine workings in the valley at the foot of the cliffs on the southern edge of Katoomba. The desc ent will be on foot down the 1000 steps followed by a walk of 3 kilometres along the base of the cliffs below Katoomba Falls. If you like\, you can re turn to the top by either the cable car or the even more exciting funicular railway. You can purchase this one-way ticket out of valley for $21 at you r own expense which you pay for afterwards at Scenic World once you get up there. From Scenic World you can catch the local bus which comes every 15 m inutes\, or the Blue Mountains Explorer Bus back into the town centre (see offer below).
Time: Meet at 1:30pm – back in Katoomb a by approximately 5:00pm
Meeting location: Echo Poin t at The Three Sisters bus stop. To get there\, take a public bus from outs ide the Carrington Hotel to Echo Point/Three Sisters\, but no. 686 operated by the Blue Mountains Bus Company or you could take the Blue Mountains Exp lorer bus. Cost: Depending on choice of transport before a nd after the walk. One-way ticket out of the valley $21. Explorer bus costs listed below. Opal Card public transport card cost approximately: $3.00/ p p each way.
Bushwalk prerequisites: The staircase is a combination of stone cut steps and steep metal staircases. A reasonable l evel of agility and sensible footwear with good grips is essential.
F or those who do not want to do the descent on foot\, there is the option of taking the cable car down and coming back up by the steep railway. The ult imate Scenic World experience ticket includes unlimited rides on the Railwa y\, Skyway\, Cableway and Walkway for $39 at participants’ own expense. Thi s may also be an alternative to the walk in the event of bad weather.
16 people maximum



BONUS OFFER - BLUE MOUNTAINS EXPLORER ‘HOP-ON-HOP -OFF’ BUS
Stopping at 29 different locations around Katoomba and Leura\, the Blue Mountains Explorer Bus gives you the opportunity to e xplore the Blue Mountains at your own pace. Taking in Scenic World\, Echo P oint and the Three Sisters\, the Everglades Garden\, bushwalks\, museums\, shops and galleries\,there is something for everyone.
For those for w hom this is a first introduction to the majesty of the Blue Mountains\, the flexibility of this option could be just the ticket. Or if you don’t have a car with you over the three days of the conference\, it could just be a h andy way of getting around the mountains!
The bus departs from Katoom ba Railway Station at 30 minute intervals and has no restrictions. Just hop on and off as you please.
Frequency: every 30 minut es. First departure\, 8:50am. Last Departure\, 4:45pm
Stops: there is one close to the Carrington Hotel on Katoomba Street. See the timetable and map at www.explorerbus.com.au
Cost: $35.20 validated for delegates for the full three days of travel during th e conference (usually $44 per adult for one full day!)
To take advant age of this special offer\, simply take the voucher that will be provided i n the conference delegate bag to the Explorer Bus shop front in Katoomba (n ext to Katoomba Station). A validated guide book (the ticket) will be provi ded at the discounted rate. Alternatively\, delegates can present their vou cher to the driver at any Explorer Bus stop\, where they can purchase their discount ticket (cash only).
CATEGORIES:Conference Tours LOCATION:The Carrington Hotel GEO:-33.713114;150.310922 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/conference-excursions-for-2017-ai ccm-national-conference/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.904-EO-58-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20180323T033815Z LAST-MODIFIED:20191120T044029Z DTSTART;TZID=Australia/Sydney:20180515T180000 DTEND;TZID=Australia/Sydney:20180515T193000 SUMMARY: Stories from Conservation DESCRIPTION: Hear fascinating short talks on the incredib le work conservators are undertaking\, often ‘behind the scenes\,’ to prote ct and preserve Victoria’s heritage. The event will be facilitated by the P resident of AICCM’s Victorian Branch\, Elizabeth McCartney. Program Extra-t errestrial conservation: Conserving Victoria’s state meteorite collection D anielle Measday is the Conservator X-ALT-DESC;FMTTYPE=text/html:

Hear fascinating short talks on the in credible work conservators are undertaking\, often ‘behind the scenes\,’ to protect and preserve Victoria’s heritage. The event will be facilitated by the President of AICCM’s Victorian Branch\, Elizabeth McCartney.
Program
Extra-terrestrial conservation: Conserving Victo ria’s state meteorite collection
Danielle Measday is the Conservator of Natural Sciences at Museums Victoria (MV)\, and Producer of the science storytelling event\, Laborastory. She will discuss a preventiv e conservation project recently conducted with MV’s meteorite collection\, to place all Iron and Stony- Iron Meteorites into specialised oxygen free s torage. This aims to arrest chemical deterioration of the meteorites and pr eserve their significant scientific value as a unique source of information about the formation and history of our solar system.
Con servation of a mosaic seat by Mirka Mora: a multifaceted and ongoing story
Dr Sabine Cotte is a French-Australian private conservator\, based in Melbourne. She will reveal the conservation work and ongoing maintenance of a large mosaic seat\, located on the St Kil da Pier and representing an illustrated map of the area\, made in 1993 by M irka Mora. Exposed to the elements\, and having been previously damaged\, c onservation of the seat required a multifaceted approach. Sabine worked wit h the artist\, other experts\, and the City of Port Phillip to undertake co nservation treatment\, and to develop preventive conservation measures and an ongoing maintenance plan.
Archaeological conservation: The Mackenzie Street dig and Mistletoe Hotel
Penny Byrne is a freelance objects conservator with over twenty years’ experience con serving the cultural heritage of Victoria. She has worked for many of Victo ria’s major cultural institutions including the National Gallery of Victori a\, Museum Victoria\, and Heritage Victoria. She will share her experience working as lead conservator on the Mistletoe Hotel archaeological dig in 20 16\, where tens of thousands of artefacts were uncovered ranging from ceram ic plates and cups\, bottles and other glass\, oyster shells\, animal bones \, leather shoes\, coins\, beads\, and even a gold nugget stickpin!
Recreating 1840’s upholstery: Conservation of a Colonial era sof a
Suzi Shaw is a Conservator of Frames & Furniture at th e National Gallery of Victoria (NGV)\, where she cares for works ranging fr om Renaissance cassone to 3-D printed bioplastic chairs. She will describe the conservation work undertaken on a Colonial-era sofa\, includin g the investigation and examination techniques\, details of the restoration plan\, specialist consultation and 1840s-appropriate upholstery. The sofa was returned to a condition as close as possible to its maker’s original co ncept\, and is currently on display in the NGV’s Colony exhibition .
Conservation on the road: The War Heritage Roadshow
Caroline Fry is a Paintings Conservator at The Grimwade Cen tre for Cultural Materials Conservation\, and occasional sessional lecturer at the University of Melbourne. She will discuss ‘The War Heritage Roa dshow’\, an outcome of an initiative between The Victorian State Gover nment\, and the University of Melbourne’s Grimwade Centre for Cultural Mate rials Conservation with assistance from the Royal Australian Air Force (RAA F) Museum. The Roadshow combines public lectures\, activities\, de monstrations and one-to-one consultations with conservators and military hi storians. It has visited more than 15 venues across Victoria\, seeing appro ximately 6\,000 artefacts\, and reaching more than 1\,500 people.
Mas ter of Ceremonies\, Elizabeth McCartney\, is the Senior Co nservator of the Collection Access and Development team within the Conserva tion Department at Museums Victoria\, and President of the Australian Insti tute for the Conservation of Cultural Materials’ Victorian Branch.
Visit the Australian Heritage F estival event page here
Date & Time: Tu esday 15^th May 2018\, 6pm – 7:30pm
Venue: Melbourne Museum Lecture Theatre\, 11 Nicholson St Carlton 3053
Ticket s can be purchased here: https:// www.trybooking.com/VASI
This event is generously supported by Muse ums Victoria.

CATEGORIES:Lecture LOCATION:Melbourne Museum GEO:-37.803193;144.971768 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/stories-from-conservation/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.9085-EO-57-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20180216T010457Z LAST-MODIFIED:20191120T044028Z DTSTART;TZID=Australia/Sydney:20181120T090000 DTEND;TZID=Australia/Sydney:20181123T173000 SUMMARY: 2018 AICCM Book\, Paper and Photographic Materials Symposium DESCRIPTION: Registrations to the 10th Book\, Paper and Photographic Materi als Symposium are now open. Please join us at Melbourne Museum for four day s of conversation and presentations\, Tuesday 20th to Friday 23rd November 2018. Early bird AICCM member registration is now closed. The Symposium pr ogram will include presentations by conservators and allied researchers fro m Australia and abroad. There will X-ALT-DESC;FMTTYPE=text/html:
Registrations to the 10^th Book\, Paper and Photographic Materials Symposium are now open. Please join us at Melbourne Museum for four days of conversation and presentations\, Tuesday 20^th to Friday 23^rd November 2018.
Ea rly bird AICCM member registration is now closed.
The Sympos ium program will include presentations by conservators and allied researche rs from Australia and abroad. There will also be three significant keynote speakers and a range of fascinating panel discussions\, workshops and tours associated with this event. The Symposium aims to provide a platform for a cademic papers and discussions on a wide range of issues\, with topical ses sions including:
Revisitation – revisit a treat ment\, a survey\, a research project\, a material\, an idea\, an era. How h as it survived the passage of time\, and what does that tell us for the fut ure?
The Anthropocene – this proposed global epoch is defined by the beginning of significant human impact on the Earth’s geo logy and ecosystems. What does it mean to be a conservator in the Anthropoc ene? What materials\, practices and systems of the Anthropocene are affecti ng our work and futures? How will we need to adapt?
Black a nd white – from either a material or a decision-making perspective \, there are bound to be shades of grey.
As a special treat for delegates\, the wonderful people behind the The C Word podcast have put together a one-off episode examining our conference themes. We invite you to download it here and have a listen\, to get you into conference mode!
Register for th e conference and conference dinner below.
Register for the Friday a nd weekend workshops separately here.
The program is available here.
Please note that it is essential for all participants including presenters to register.
A lso\, the conference committee understands that circumstances can change. A t any point prior to the event you are welcome to contact us to nominate a substitute delegate. Due to catering commitments\, refunds will not be poss ible if you wish to cancel within 7 days of the event.
We look forwar d to seeing you in November!
Full conference registration (Tu esday 20 – Friday 23 November)
Your registration includes al l conference sessions (Tuesday-Thursday)\, coffee + tea on arrival and morn ing/afternoon teas (Tuesday-Thursday)\, the Tuesday night welcome reception \, the Wednesday evening film night\, and a conference satchel including a hard copy abstract booklet and a USB of extended abstracts. Lunch is not in cluded.
Workshops
Those who have registered fo r the full conference can also enrol in ONE workshop\, tour or discussion s ession on Friday 23 November here.
In addition\, you can also regist er for the Friday morning digital print seminar or either of the Digital Pr int Preservation workshops presented by Daniel Burge\, Senior Research Scie ntist at the Image Permanence Institute. These events will be held at the N ational Gallery of Victoria. Further details can be found on our workshop regi stration page. These workshops are generously supported by the Gordon D arling Foundation and the National Gallery of Victoria.
Day r egistration (Tuesday 20\, Wednesday 21\, or Thursday 22 November)
Day registrations include conference attendance (1 day)\, coffee + te a on arrival\, morning and afternoon tea\, and the conference satchel which includes a hard copy booklet of abstracts and a USB stick of extended abst racts. Lunch is not included. If you attend on the Tuesday or Wednesday you may also join the evening activity (Welcome Reception or film night\, resp ectively).
Optional: Conference Dinner
Details : Thursday 22 November\, 6:30-11pm\, Grub Food Van (87-89 Moor Street Fitzr oy). Note: not an actual van. Sit-down dinner and some drinks included. Lim ited to 60 places. Please let us know if you have any dietary requirements in the online registration form.
Contact: If you hav e any questions\, please get in touch with the Book & Paper or Photon Speci al Interest Group (SIG) convenors via the AICCM website SIG pages: https://aiccm.org.au/about/ special-interest-groups/book-and-paper and https://aiccm.org.au/about/special-interest-gro ups/photon
The 2018 AICCM Book\, Paper and Photographic Materials Symposium is generously supported by:

CATEGORIES:Conference LOCATION:Melbourne Museum GEO:-37.803193;144.971768 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/2018-aiccm-book-paper-and-photogr aphic-materials-symposium/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.9134-EO-60-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20180216T010457Z LAST-MODIFIED:20191120T044031Z DTSTART;TZID=Australia/Sydney:20181123T090000 DTEND;TZID=Australia/Sydney:20181123T153000 SUMMARY: Workshops 2018 AICCM Book\, Paper and Photographic Materials Sympo sium DESCRIPTION: Workshops and tours 10th AICCM Book\, Paper and Photographic M aterials Symposium\, Friday 23 November Register below for the workshops an d tours associated with the 10th Book\, Paper and Photographic Materials Sy mposium. Some are free\, and some have extra costs. Apologies\, but there a re no concession prices for costed workshops. Registrations are first-come\ , first-served.  The digital print lecture X-ALT-DESC;FMTTYPE=text/html:
Workshops and tours
10th AICCM Book\, Paper and Photographic Materials Symposium \, Friday 23 November
Register below for the workshops and tours ass ociated with the 10th Book\, Paper and Photographic Materials Symposium.
Some are free\, and some have extra costs. Apologies\, but the re are no concession prices for costed workshops.
Registrati ons are first-come\, first-served. 
The digital print lectu re on Friday and the digital print workshops that follow the symposium\, bo th presented by Daniel Burge of the Image Permanence Institute\, have been generously supported by the Gordon Darling Foundation and the National Gall ery of Victoria.
Workshop: The history\, manufacture and tre atment of parchment
Description: Learn about the history and manufacture of parchment\, from medieval times to the 20th century. Discus s the characteristics of various types of parchment\, and current treatment recommendations. Includes morning and afternoon tea\, BYO lunch.
Cost: $220 inc GST
Presenter: Libby Melzer
Venue: Grimwade Centre for Cultural Materials Conservation\, University of Melbourne\, Carlton
Time: 9:30 am-4:30 pm
Spa ces: 10

Workshop: The history and manufacture of P ersian ink
Description: Learn about the inks used by the gre at Persian calligraphers – recipes\, ingredients and historical reconstruct ions. Includes ink-making demonstrations. Afternoon tea provided.
Cost: $88 inc GST
Presenter: Sadra Zekrgoo. Sadra Zekrgoo i s a PhD candidate at the Grimwade Centre for Cultural Materials Conservatio n\, University of Melbourne. His research focuses on the historical re-cons truction and analysis of traditional Persian Inks and since 2011 has been i nvestigating recipes from 15th-18th century manuscripts\, left behind by ma ster calligraphers.
Venue: Kathleen Syme Centre\, Carlton 
Time: 2-5 pm
Spaces: 20 
Wo rkshop: Japanese Bookbinding and Suminagashi Marbling
Descri ption: In this workshop you will learn a variety of traditional binding sti tch techniques and patterns and create your very own books to take home. Th e techniques covered include simple Japanese stitch\, Japanese stab binding \, Hemp stitch and tortoise shell binding. Each technique builds on the las t and all notes and materials will be supplied so you can create your own s et of softcover books to take home. Michelle will demonstrate the art of Su minagashi\, also known as Japanese Marbling\, guiding you through the proce ss step-by-step before creating your own beautiful marbled papers. Morning tea provided.
Cost: $110 inc GST
Presenter: Michel le Lackenby
Venue: Kathleen Syme Centre\, Carlton 
Time: 9:30 am-12:30 pm
Spaces: 10 
Workshop: Paper fibre identification
FULL: Registrat ion for this session is now closed.
Description: This worksh op aims to provide participants with the basic skills to identify papermaki ng fibres by identifying morphological features and through the use of the Graff ‘C’ stain. Time will be spent looking at a range of known papermaking fibres and discussing their key features. Participants will learn how to p repare and stain samples\, however please note that these will not be perma nent slides. Microscopes provided (one per two people). Morning tea provide d.
Cost: $11 inc GST
Presenter: Travis Taylor
Venue: Grimwade Centre for Cultural Materials Conservation\, Uni versity of Melbourne\, Carlton 
Time: 10:00 am – 1:00 pm
Spaces: 12 
Visit: Australian Print Workshop
Our apologies but this visit has been cancelled.
Description: Come to Fitzroy’s iconic Australian Print Worksho p (APW) and view the current exhibition in the APW Gallery. Enjoy a talk ab out APW’s work with Director Anne Virgo\, OAM and take part in a print demo nstration by one of APW’s highly skilled printers.
Cost: $11 inc GST
Presenter: APW staff
Venue: Australian P rint Workshop\, Fitzroy
Time: 2-3 pm
Spaces: 15 
Seminar: Historical bookbinding structures
FULL: Registration for this session is now closed
Description: Learn about historical bookbinding structures and termino logy with key examples from the Library’s Rare Books collection. The sessio n will finish with an optional tour of the World of the Book exhibition in the Library'\;s Dome Gallery. Morning tea provided.
Cost: Free
Presenter: Katrina Ben\, Dr Anna Welch
Venue : State Library Victoria 
Time: 9.30-12.00 pm
Spaces: 10

Seminar: Managing hazards in collectio ns
Description: Learn about the sorts of hazards you might f ind in collections and how they can be managed safely. Examples: pesticide residues\, batteries\, pharmaceuticals\, zoonoses. Morning tea provided.
Cost: Free
Presenters: Alice Cannon\, Karina Palmer\ , Rosemary Goodall
Venue: Melbourne Museum
Ti me: 9:30-12:00
Spaces: 20

Discussio n group: Richard Wolbers’ methods for paper conservation
FULL: Registration for this session is now closed
Desc ription: Participants will discuss and review treatments performed since un dertaking the Wolbers workshops in January 2018 – successes\, failures\, is sues\, questions\, further research required. Afternoon tea provided.
Cost: Free
Leaders: Marika Kocsis\, Albertine Hamilton
Venue: State Library of Victoria
Time: 2-3.30 pm
Spaces: 20 
Seminar: Digital prints - history\, deterioration and care
This half day seminar is generously supported by the Gordon Darling Foundation and the National G allery of Victoria.
Description: A broad summary of the issues i nvolved with digital print collection care. Topics to be covered will inclu de definition of the term digital print\, the history and technologies of t he most common digital prints\, the variety of possible formats\, likely fo rms of deterioration\, general recommendations for care\, as well as sugges ted naming conventions and descriptive terminology for cataloging and other records. For those who would like a summary of the issues—if you want a cl oser\, more hands-on experience\, please register for the workshop! Morning tea provided.
Cost: $110 inc GST
Presenter: Danie l Burge\, Image Permanence Institute
Venue: National Gallery of Victoria\, Education Theatre
Time: 9am – 12pm
Spaces: 90 
Workshop 1: Digital Prints with Daniel Burge
This workshop is generously supported by the Gordo n Darling Foundation and the National Gallery of Victoria.
Descr iption: Learn about digital print identification and preservation with Seni or Research Scientist Daniel Burge from the Image Permanence Institute. The se workshops are designed for those responsible for the long-term preservat ion of the digitally printed materials\, including books\, documents\, phot ographs\, fine art\, ephemera\, etc. The workshop will examine the history\ , technologies\, and materials used in digital printing to provide the know ledge and skills needed to identify and preserve the most common digital pr int types. Participants will learn through lecture\, demonstration\, print examination\, hands-on exercises\, and group discussion and will develop a good understanding of the varieties of digital print materials and formats as well as the unique vulnerabilities of each type. The workshop will end w ith a collection viewing at the National Gallery of Victoria to view and di scuss a selection of digitally printed materials.
Additionally\, eac h student will receive a binder with all class handouts\, a DP3 Preservatio n Kit (which includes print sample sets)\, the Atlas of Water Damage and a small microscope\, to take home\, which combined are worth over $200. Morni ng and afternoon teas provided\, BYO lunch.
Cost: AICCM Member $7 70 inc GST\, non-member $990 inc GST
Presenter: Daniel Burge \, Image Permanence Institute
Venue: National Gallery of Vic toria conservation laboratories
Dates and time: Friday 23 No vember 1pm to 5pm\, Saturday and Sunday 24-25 November 9.30 to 5pm

Spaces: 15. Please note that local participants should register for Workshop 2\, to allow interstate visitors in town for the Symposium to make more efficient use of their travel time. 
Workshop 2: D igital Prints with Daniel Burge
This workshop is generou sly supported by the Gordon Darling Foundation and the National Gallery of Victoria.
Description: Learn about digital print identification and preservation with Senior Research Scientist Daniel Burge from the Image Permanence Institute. These workshops are designed for those responsible f or the long-term preservation of the digitally printed materials\, includin g books\, documents\, photographs\, fine art\, ephemera\, etc. The workshop will examine the history\, technologies\, and materials used in digital pr inting to provide the knowledge and skills needed to identify and preserve the most common digital print types. Participants will learn through lectur e\, demonstration\, print examination\, hands-on exercises\, and group disc ussion and will develop a good understanding of the varieties of digital pr int materials and formats as well as the unique vulnerabilities of each typ e. The workshop will end with a collection viewing at the National Gallery of Victoria to view and discuss a selection of digitally printed materials.
Additionally\, each student will receive a binder with all class ha ndouts\, a DP3 Preservation Kit (which includes print sample sets)\, the At las of Water Damage and a small microscope\, to take home\, which combined are worth over $200. Morning and afternoon teas provided\, BYO lunch.
Cost: AICCM Member $770 inc GST\, non-member $990 inc GST
Presenter: Daniel Burge\, Image Permanence Institute
Venu e: National Gallery of Victoria conservation laboratories
Da tes and time: Tuesday and Wednesday 27-28 November 9:30pm to 5pm\, Thursday 29
November 9.30 to 1pm
Spaces: 15


Contact: If you have any questions\, p lease get in touch with the Book & Paper or Photon Special Interest Group ( SIG) convenors via the AICCM website SIG pages: https://aiccm.org.au/about/special-interest-gr oups/book-and-paper and https://aiccm.org.au/about/special-interest-groups/photon
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CATEGORIES:Conference LOCATION:Melbourne Museum GEO:-37.803193;144.971768 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/workshops-2018-aiccm-book-paper-a nd-photographic-materials-symposium/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.9224-EO-61-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20180921T045119Z LAST-MODIFIED:20191120T044032Z DTSTART;TZID=Australia/Sydney:20181123T093000 DTEND;TZID=Australia/Sydney:20181129T173000 SUMMARY: Digital Print Preservation with Daniel Burge\, Image Permanence In stitute DESCRIPTION: Digital print workshops with Daniel Burge from IPI The AICCM B ook & Paper and Photon Special Interest Groups are very pleased to announce that senior research scientist Daniel Burge from the Image Permanence Inst itute (IPI) will travel to Melbourne in November to present two workshops a nd a seminar on digital print preservation. Held in conjunction X-ALT-DESC;FMTTYPE=text/html:
Digital print workshops with Daniel Bur ge from IPI
The AICCM Book & Paper and Photon Special Interest Group s are very pleased to announce that senior research scientist Daniel Burge from the Image Permanence Institute (IPI) will travel to Melbourne in Novem ber to present two workshops and a seminar on digital print preservation. 
Held in conjunction with the AICCM 10th Book\, Paper and Photographic Materials Symposium\, the two-and-a-half day workshop (held twice) looks a t the history\, technology and preservation of digital prints close-up and in depth.
The workshop will present an overview of the history\, tec hnologies\, and materials used in digital printing to provide the knowledge and skills needed to identify and preserve the most common digital print t ypes. Participants will learn through lecture\, demonstration\, print exami nation\, hands-on exercises\, and group discussion. They will develop a goo d understanding of the varieties of digital print materials and formats (in cluding inks and toners) as well as the unique vulnerabilities of each type . Other topics to be covered include the history of digital printing\, iden tification methods and recommended best practices for their care—including emergency response strategies for water-damaged prints.
The workshop will end with a visit to the National Gallery of Victoria print collection to view and discuss a selection of digitally printed materials.
Each workshop is limited to fifteen participants and is intended for all who ne ed specialist knowledge and skills in order to identify and care for these modern objects.
The first workshop will begin in the afternoon of Fri day 23 November and will run over the weekend. The repeat workshop begins t he following week on Tuesday 27 November. The cost of the workshop is $770 for AICCM members and $990 for non-members. The registration fee includes a bout $200 worth of IPI publications and equipment\, including a copy of the Atlas of Water Damage and print sample kits.
Daniel will also prese nt a seminar on the morning of Friday 23 November for those only in need of a broad summary of the issues involved with digital print collection care. (If you are attending a workshop you don'\;t also need to attend the se minar). Topics to be covered will include definition of the term ‘digital p rint’\, the history and technologies of the most common digital printers\, the variety of possible formats\, likely forms of deterioration\, general r ecommendations for care\, as well as suggested naming conventions and descr iptive terminology for cataloguing and other records. The seminar costs $11 0.
Workshop One
Venue: National G allery of Victoria conservation laboratories
Dates and time: Friday 23 November 1pm to 5pm\, Saturday and Sunday 24-25 November 9.30 to 5pm
Workshop Two
Venue: Nat ional Gallery of Victoria conservation laboratories
Dates an d time: Tuesday and Wednesday 27-28 November 9:30pm to 5pm\, Thursday 29
November 9.30 to 1pm
Lecture
Venue: National Gallery of Victoria\, Education Theatre
Time: 9am – 12pm
The seminar and workshops have been g enerously supported by the Gordon Darling Foundation\, in order to lower co sts. Many thanks also to the National Gallery of Victoria for kindly provid ing a venue for these programs.
To register for one of the two worksh ops\, or for the seminar\, please register below. You might also like to re gister for the Book\, Paper and Photographic Materials Symposium\, to b e held at Melbourne Museum 20-23 November.
If you have any questions\ , please contact the Book and Paper SIG co-convenor Alice Cannon.

CATEGORIES:Workshop LOCATION:State Library of South Australia GEO:-34.919091;138.615205 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/digital-print-preservation-with-d aniel-burge-image-permanence-institute/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.9267-EO-56-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20180206T212104Z LAST-MODIFIED:20191120T044027Z DTSTART;TZID=Australia/Sydney:20190204T090000 DTEND;TZID=Australia/Sydney:20190206T173000 SUMMARY: Textile Special Interest Group Symposium 2019: Fibre to Fabric\, F ur\, Feather and Finishes DESCRIPTION: Registrations for the 2019 AICCM Textile Special Interest Grou p Symposium are now open. We are pleased to invite you to Sydney from Monda y 4th to Wednesday 6th February 2019 for this year’s symposium themed Fibre to Fabric\, Fur\, Feather and Finishes. The TSIG Symposium is the bi-annua l opportunity for Australian and International textile conservators to X-ALT-DESC;FMTTYPE=text/html:
Registrations for the 2019 AICCM Textile Special Int erest Group Symposium are now open. We are pleased to invite you to Sydney from Monday 4th to Wednesday 6th February 2019 for this year’s symposium th emed Fibre to Fabric\, Fur\, Feather and Finishes.
The TSIG Symposi um is the bi-annual opportunity for Australian and International textile co nservators to get together\, share knowledge and make new connections. The first two days will be held at the Sydney Jewish Museum where we will host various speakers presenting their conservation research\, treatment develop ments\, interesting case studies and mounting and display techniques. Our k eynote speaker\, Dinah Eastop\, is an Honorary Senior Lecturer at the Insti tute of Archaeology\, UCL. She will be presenting two papers\, as well as h osting two thought workshops\, designed to challenge an experienced conserv ator’s notion of the profession.

As a break out session from cu rrent textile research\, Lisa Howel from Perfect Form Physiotherapy will ru n a workshop with exercises for improving posture\, specially design for co nservators. Our host\, the Sydney Jewish Museum will also take attendees on a tour of their museum and archives.

On the final day of the s ymposium\, are two optional tours curated by the committee. Registration f or the tours is now open. For information on the tours and to register ple ase go here: https://aiccm.org.au/civicrm/event/info?id=44&reset=1
Please download the current draft programme here

Your registration includes all conferen ce sessions (Monday-Tuesday 9 am – 4 pm)\, morning teas (Monday-Tuesday)\, lunch (Monday-Tuesday) and a hard copy abstract booklet and access to a dig ital copy of extended abstracts.
Please note that it is essential f or all participants including presenters to register.
The conferenc e committee understands that circumstances can change. At any point\, prior to the event\, you are welcome to contact us to nominate a substitute dele gate. Due to catering commitments\, refunds will not be possible if you wis h to cancel within 7 days of the event.

Don'\;t forget that attendance at AICCM conferences contributes to existing Professional Membe rs annual points system for their renewal.
The 20 19 AICCM Textile SIG Symposium is generously supported by:


CATEGORIES:Conference LOCATION:Sydney Jewish Museum GEO:-33.878996;151.220285 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/textile-special-interest-group-sy mposium-2019-fibre-to-fabric-fur-feather-and-finishes/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.9307-EO-64-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20180206T212104Z LAST-MODIFIED:20200707T060221Z DTSTART;TZID=Australia/Sydney:20190206T090000 DTEND;TZID=Australia/Sydney:20190206T173000 SUMMARY: Conference Delegate Tours for the Textile Special Interest Group S ymposium 2019: Fibre to Fabric\, Fur\, Feather and Finishes DESCRIPTION: Registrations for the Conference Delegate Tours for the 2019 A ICCM Textile Special Interest Group Symposium are now open. Wednesday 6th February. On day three\, delegates can choose one of two tours sponsored b y the Museum of Applied Arts and Sciences. Tour one: Travel by private bu s to the Museum Discovery Centre (MDC) at X-ALT-DESC;FMTTYPE=text/html:
Registrations for the Conference Delegate Tour s for the 2019 AICCM Textile Special Interest Group Symposium are now open.

Wednesday 6th February. On day three\, deleg ates can choose one of two tours sponsored by the Museum of Applied Arts an d Sciences.
Tour one: Travel by private bus to the Museum Discovery Centre (MDC) at Castle Hill.
The MDC is a collaboration between the Museum of Applied Arts and Sciences (MAA S)\, Australian Museum (AM) and Sydney Living Museums. This is an opportuni ty to see behind the scenes with a guided tour\, by conservators Kate Chidl ow and Bronwyn Dunn\, of the MAAS textile storage areas containing collecti ons such as the Olympic Collection\, Collette Dinnigan\, Catherine Martin\, the Lace Collection and the AIDS Quilt Collection\, with their innovative storage solutions.
Cost: $30 includes return transport to Sy dney Jewish Museum with a limit of 24 delegates.
Time: Allow 4 hours (9am – 1pm).

Tour Two: Museum of Ap plied Arts and Sciences\, Ultimo.
Visit the MAAS wi th Conservator Suzanne Chee and view some great textile centred exhibitions :
• Akira Isogawa\, 2018. Akira Isogawa exhibition featur es a wide range of garments and outfits\, mostly drawn from Isogawa’s exten sive archive and is the first to explore his career of more than 25 years.
• 40 Years of Fabulous. This display\, featuring costumes by Peter Tully and Brenton Heath-Kerr celebrates the 40th anniversary of t he Sydney Gay and Lesbian Mardi Gras.
• Good Design Award s 2018: Fashion Revolution. Fashion Revolution was established in response to the 2013 Rana Plaza garment factory collapse\, which killed more than 11 00 people and injured over 2500 in Bangladesh. This global movement calls f or radical change in the way our clothes are sourced\, produced and consume d\, to create a more ethical and sustainable future for fashion.
Cost: Free. Delegates make their own way to the MAAS.
T ime: Meet at 10am for admission\, then spend as long as you like. Doors clo se at 5pm.
The 2019 AICCM Textile SIG Symposium is generously supported by:



CATEGORIES:Conference LOCATION:Sydney Jewish Museum GEO:-33.878996;151.220285 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/2019-aiccm-textiles-sig-symposium / END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.935-EO-63-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20151127T101821Z LAST-MODIFIED:20191120T044034Z DTSTART;TZID=Australia/Sydney:20190218T093000 DTEND;TZID=Australia/Sydney:20190220T170000 SUMMARY: Managing Risks to Collections DESCRIPTION: The AICCM'\;s Preventive Special Interest Group (PSIG) and Sustainable Collections Committee (SCC) in partnership with Deakin Universi ty¹s School of Humanities and Social Sciences\, are pleased to announce tha t they will be hosting a 3-day symposium ’Managing Risks to Collections’ at Deakin Downtown\, Melbourne from 18th-20th February\, 2019. Jane Henderson (Reader in Conservation\, Cardiff University)\, Joel Taylor (Senior Projec t Specialist\, X-ALT-DESC;FMTTYPE=text/html:
The AICCM'\;s Preventive Spe cial Interest Group (PSIG) and Sustainable Collections Committee (SCC) in p artnership with Deakin University¹s School of Humanities and Social Science s\, are pleased to announce that they will be hosting a 3-day symposium ’Ma naging Risks to Collections’ at Deakin Downtown\, Melbourne from 18th-20th February\, 2019.
Jane Henderson (Reader in Conservation\, Cardiff Uni versity)\, Joel Taylor (Senior Project Specialist\, Getty Conservation Inst itute) and Penny Whetton (CSIRO) are our keynote speakers. The symposium wi ll explore leading practice in sustainable preventive conservation and risk management approaches to collection care.
The symposium will include a range of presentation formats including papers\, posters\, lightning tal ks and panel discussions. Topics will include:
Risk assessments — different approaches and uses\, how they integrate with other organisati onal strategies and agendas
Preventive conservation strategies — ma naging functions in collection spaces\, disaster response\, museum lighting \, theft\, and pests.
Museum environments — environmental guidelin es\, environmental monitoring and creating sustainable preservation environ ments. There will also be a panel session on AICCM’s current work in this a rea.
There will be presenters from around Australia and New Ze aland\, including industry leaders\, international guests\, lighting\, pest and legal experts.
Download the program h ere and the abstracts of the papers to be presented here
We are also pleased to offer our colleagues in New Zealand who ar e members of the New Zealand Conservators of Cultural Materials (NZCCM)\, o ur member rate discount for registration to the event.
Register for t he symposium and symposium dinner below. Please note that it is essential f or all participants including presenters to register.
After register ing\, should your circumstances change you may nominate a substitute delega te. Unfortunately refunds will not be possible if you wish to cancel within 7 days of the event.
We look forward to seeing you there!
Full symposium registration (Monday 18 – Wednesday 20 February 2019)
Registration includes all symposium sessions\, morning and afte rnoon tea and a light lunch each day. A printed program and abstracts will be provided. Full registration also includes Welcome Drinks on Monday night at Bar Nacionale\, downstairs from the symposium venue. It does not includ e the optional Symposium Dinner (see below).
Optional: Sympos ium Dinner
Please join us at General Assembly on Tuesday nigh t for the symposium dinner. The venue is close to Deakin Downtown. The cost includes a 3 course meal and drinks. Please let us know of any dietary req uirements in the online registration form. Tickets are $90 per person.
Contact
If you have any questions\, please get in c ontact with the Preventive Special Interest Group convenor\, Tegan Anthes t egan@preservationaustralia.com.au
We would like to acknowledge and th ank our session sponsors Corrosion Intercept\, Smarttrack RFID\, Adams Pest Control\, and POD Services. Our trade table delegates include Testo\, Arch ival Survival\, One Temp\, Vaisala Pty Ltd\, Vernon Systems and Portable An alysers Australia.
Registrations are now closed for this event.
CATEGORIES:Conference LOCATION:Deakin Downtown GEO:-37.820628;144.950013 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/managing-risks-to-collections/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.9391-EO-59-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20151127T101821Z LAST-MODIFIED:20191120T044030Z DTSTART;TZID=Australia/Sydney:20190403T093000 DTEND;TZID=Australia/Sydney:20190405T170000 SUMMARY: FRAME: Concept\, History and Conservation: Symposium 2 DESCRIPTION: Registration is now open The Australian Institute for the Cons ervation of Cultural Material (AICCM)\, Gilded Objects Conservation Special Interest Group (GOCSIG) and Conservation Framing Special Interest Group ar e planning the international symposium on AICCM FRAME: Concept\, History an d Conservation\, Symposium 2\, which will be held at the Art Gallery of New South Wales\, Sydney\, April 3–5\, X-ALT-DESC;FMTTYPE=text/html:
Registration is now open
$Detail of the frame for the pa inting The visit of Queen of Sheba to King Solomon\, 1890\, by Edward Poynt er\, AGNSW\; frame designed by the artist.$ The Australian Institute for the Conservation of Cultural Material (AICCM )\, Gilded Objects Conservation Special Interest Group (GOCSIG) and Conserv ation Framing Special Interest Group are planning the international symposi um on AICCM FRAME: Concept\, History and Conservation\, Symposium 2\, which will be held at the Art Gallery of New South Wales\, Sydney\, Apr il 3–5\, 2019.
The Frames Symposium 2019 intends to encompass broader concepts associated with conservation of picture frames and gilded surface s\, as well as the history of frames\, development of their styles\, design and technology\, and conservation framing. We have invited papers on varie d issues associated with gilded/ polychrome finishes on frames\, their cons ervation problems\, history\, technology\, and research. We expect to attra ct a broad international audience of conservators\, conservation students\, curators and historians\, students of the curatorial management courses\, artists\, designers and frame makers. We are pleased to announce that two k eynote speakers and International experts on frames—George Bisacca\, Metrop olitan Museum of Art\, New York and John Payne\, Melbourne\, Australia—have confirmed their attendance.
Your registration includes all conferenc e sessions (Wednesday–Friday 9.30am–5pm)\, morning/ afternoon teas (Wednesd ay–Friday)\, lunch (Wednesday–Friday ) and the Welcome Reception as well as exhibition entry to the '\;Paintings from the Collection'\; at the S tate Library of NSW\, and hard copy abstract booklet.
Please note\, unfortunately the registration fee for presenters (apart from keynote spea kers) is not covered by the symposium budget and funding for this will need to be arranged by the presenter.
Please down load the latest provis ional program here and for information on accomodation options in Sydney near the Art Gallery down load our flyer here.
The attendance of singl e lecture sessions will be possible to purchase for $20 per session\, colle cted on the day prior to the session.

The additional symposium bags with the abstract booklet and associated materials will be available f or purchase during the symposium for $20 per bag.

Symposium Dinner\, Thursday 4 April 2019 will be held at Athol Hall\, Mosman at 6.15 pm.
Athol Hall is a charmingly restored herit age venue located in front of Athol Hall beach and surrounded by serene nat ure. With spectacular views of the Sydney skyline\, the exquisite Opera Ho use and the Iconic Sydney Harbour Bridge\, this is the sought after event s etting. Drinks and canapes will be served on the veranda\, followed by a t hree course dinner.
The Committee of the symposium would like to offe r the dinner for free to all participants.
The accompanied person wil l be asked to pay $ 120 AUS on the night.
Address:
Athol HallAshton Park\, Bradley’s Head Road
Mosman NSW 2088
Transporta tion
Sydney Ferry
from Circular Quay/Wharf 4 to Taroonga Zoo Wha rf
(with one stop at Cremorne Point wharf)
Leaving at 5.45pm\, a rriving at 6.01pm (16min)\, followed by a 10 min coastal walk.
http:/ /atholhallvenue.com.au/
https://en.wikipedia.org/wiki/Athol_Hall\,_Mos man

Symposium Organising Committee
Barbara Dabro wa\; Dr Malgorzata Sawicki\, FIIC\; Louise Bradley and Holly McGowan-Jackso n.
CATEGORIES:Conference LOCATION:Art Gallery of NSW GEO:-33.868829;151.216202 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/frame-concept-history-and-conserv ation-symposium-2/ END:VEVENT BEGIN:VEVENT UID:20191112T0028Z-1573518504.9433-EO-65-1@10.0.0.182 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20151127T101821Z LAST-MODIFIED:20191210T232448Z DTSTART;TZID=Australia/Sydney:20191113T090000 DTEND;TZID=Australia/Sydney:20191115T183000 SUMMARY: AICCM National Conference 2019 DESCRIPTION: AICCM National Conference 2019 13 – 15 November Registration i s now open Draft program available here At the AICCM National Conference 20 19\, we invite you to consider how we make our profession. Broadly divided into three themes – making conservation sustainable\, innovative and connec ted – we want to know what excites you\, what challenges you\, X-ALT-DESC;FMTTYPE=text/html:
AICC M National Conference 2019
13 - 15 November
Registration is now open
Draft program available here
At the AICCM National Conference 2019\, we invite you to consider how we make our profession. Br oadly divided into three themes – making conservation sustainable\, innovat ive and connected – we want to know what excites you\, what challenges you\ , and what you want to discuss further.
Join us at the Pavilion at th e Arts Centre\, Melbourne\, 13-15th November 2019 and continue the conversa tion.
The AICCM National Conference 2019 ‘Making Conservation’ will f eature three days of presentations\, panel discussions\, posters and a trad e fair at the Arts Centre Melbourne https://www.artscentremelbourne.com.au
Each day of the conference will centre around one of the three theme s:
Making Conservation Connected
• How are we/ should we make conservation inclusive\, collaborative\, visible\, accessibl e and connected across communities?
Making Conservation Susta inable
• How can the profession grow and develop?
• Wha t do we need from conservation education and what are the challenges or opp ortunities we are working with?
• How can conservation respond to clim ate change and how will this affect our work?
Making Conserva tion Innovative
• What treatments\, projects\, developments or ideas are exciting and inspiring you\, or challenging you to do things d ifferently?
• How can conservation shape the future?
Ful l Conference Registration Inclusions
• Attendance at 3 day s of conference sessions at the Arts Centre Melbourne
• Morning tea \, lunch and afternoon tea for 3 days
• Printed program including abstracts
• Access to digital copies of abstracts
• Contact with industry suppliers at the Trade Fair on Friday 15th November
• Complimentary Wi-Fi
• Discounted car parking rates at $17 per day
• Attendance to the Welcome Reception and AICCM Awards on Wednesd ay 13th November
Single Day Conference Registration Inclusion s
• Attendance at 1 day of conference sessions at the Arts Centre Melbourne (you will be contacted and asked to specify which day onc e the schedule is released).
• Morning tea\, lunch and afternoon t ea for the day of attendance
• Printed program including abstracts • Access to digital copies of abstracts
• Complimentary Wi- Fi
• Discounted car parking rates at $17 per day for the day of att endance
• Contact with industry suppliers at the Trade Fair if atte nding on Friday 15th November
• Attendance to the Welcome Reception and AICCM Awards if attending on Wednesday 13th November
The Confere nce Dinner will be held on the evening of Thursday 14th November\, at Charc oal Lane https://www.charcoallane.com.au. Tickets to the Dinner are not inc luded in Registration fees\, and need to be purchased separately. Additiona l tickets to the Conference Dinner can be purchased for guests although we have a limit of 60 bookings for the Conference Dinner so you need to get in quick!

Conference Dinner Inclusions
· 3 course di nner including Entrée\, Main and Dessert from the seasonal set menu (altern ate drop).
· Beverages are not included\, but can be purchased from the restaurant bar.

Conference Dinner Fees
· All attendees $80
Conference tours are being planned for the morning of Saturday 16th November\, further information and booking details will f ollow.
Please note that early bird registration fees are available u ntil the 30th September. All registrations close on the 28th October 2019. It is essential for all participants including delegates and presenters to register\, and we are unable to offer refunds for cancellations after the 1 st November 2019.
Student Information
As alway s\, AICCM encourages the participation of Students in our National Conferen ces to foster close ties between Conservators at different stages within th e profession. More information will follow regarding how to apply for sever al funded Student Scholarships.
The draft program is now a vailable online here

CATEGORIES:Conference LOCATION:The Pavilion GEO:-37.820183;144.968105 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/aiccm-national-conference-2019/ END:VEVENT BEGIN:VEVENT UID:20200526T0841Z-1590482467.6394-EO-6229-1@10.0.0.162 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20200526T043446Z LAST-MODIFIED:20200526T044202Z DTSTART;TZID=Australia/Sydney:20200528T173000 DTEND;TZID=Australia/Sydney:20200528T183000 SUMMARY: AICCM x SC@M Webinar: Make Your Own Conservation Videos X-ALT-DESC;FMTTYPE=text/html:
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AICCM x SC@M Webinar: Make Your Own Conservation Videos
Learn t o make high-quality conservation videos with digital curator Kate Pentecost ! Presented in two parts\, discover the fundamentals of making click-worthy content then put it into practice and shoot your own.

WEBINAR
• Budgets: what to spend your money on and ho w to hack it on a beer-budget.
• Equipment essentials: nice to ha ves and what to splurge on to build your kit.
• Software/skills: where to focus your skills and places to learn for free/cheap online.

• People: working in a team or making it alone.
• Things to be careful of: copyright\, music\, policies within your organisation.

• Know your audience: who are they and what story are you telling them ?
• Quick scripts and planning: get ready to shoot!
WEEKEND WORKSHOP
Get planning then take our workshop teac hing basic audio recording\, shooting simple video and time-lapses\, editin g tips + tricks\, subtitles for accessibility\, file export\, and SEO to ma ke your new video findable.
Dates + Time
Webinar: Thursday 28 May\, 5.30pm–6.30pm
Weekend Workshop : TBC\, bookings will open next week
Bookings
FREE event. Book you place for the Webinar\, places are limite d: https://bit.ly/2AZF0pp
Presented by the AICCM Eme rging Conservators SIG in partnership with Student Conservators at Melbourn e (SC@M).
Kate Pentecost is a digital creative who writes and shares the stories of museum collections in surprising ways. Of ten found behind a camera\, Kate has over five years experience in digital content and collection management at the Australian National Maritime Museu m\, working across the Digital/Web and Registration departments. Kate curre ntly oversees the museum's digitisation strategy for the collection and con tributes to the content production for the museum's blog and social media\, with a focus on sharing the collection\, telling its stories\, and support ing exhibitions and programs.
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CATEGORIES:Webinar ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-x-scm-webinar-make-your-own -conservation-videos/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2020/05/AICCM_SC@M_Webinar_DIY_Video_Mailout.jpg END:VEVENT BEGIN:VEVENT UID:20200804T0328Z-1596511723.1612-EO-7055-1@10.0.0.162 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20200804T014129Z LAST-MODIFIED:20200818T012017Z DTSTART;TZID=Australia/Sydney:20200903T173000 DTEND;TZID=Australia/Sydney:20200903T183000 SUMMARY: AICCM Emerging Conservators x SC@M Webinar 6: Vicki Couzens DESCRIPTION: Due to technical difficulties the Vicki Couzens: Kooramook Yak een: Possum Dreaming webinar has be rescheduled to 3 September 2020 For our next webinar\, AICCM Emerging Conservators x SC@M are honoured to host Dr Vicki Couzens of the Keerray Wooroong language group of the Gunditjmara of Western Victoria. Vicki has worked to regenerate and promote Victorian X-ALT-DESC;FMTTYPE=text/html:
Due to technical difficulties the Vicki Co uzens: Kooramook Yakeen: Possum Dreaming webinar has be rescheduled to 3 Se ptember 2020
For our next webinar\, AICCM Emerging Co nservators x SC@M are honoured to host Dr Vicki Couzens of the Keerray Woor oong language group of the Gunditjmara of Western Victoria. Vicki has worke d to regenerate and promote Victorian indigenous culture for over 40 years\ , earning her national recognition as a fellow of the Australian Council of the Arts. She will speak about her artistic practice\, traditional culture \, and work with museums and government. Vicki's perspective provides uniqu e insight into how local indigenous culture is managed and represented by m ajor institutions.
Free event\, RSVP: here
Dr Vicki Couze ns is a Senior Gunditjmara artist\, designer\, curator and consultant. Know n internationally for her contribution to the regeneration of Australian In digenous cultural practices\, work with Possum Skin Cloaks\, and the Victor ian Aboriginal Corporation for Languages. Vicki's interdisciplinary arts pr actice—possum skin coat making\, painting\, installation\, printmaking\, pe rforming arts\, language\, ceremony and teaching—is represented in major co llections. She has worked closely with the Koorie Heritage Trust and Museum s Victoria as a cultural consultant\, and participated in major public art projects such as Birrarung Wilam on the banks of Melbourne's Yarra River. A s the RMIT Vice Chancellors Indigenous Research Fellow\, her project 'watna nda koong meerreeng\, tyama-ngan malayeetoo (together body and country\, we know long time)' will develop pathways and resources to reinvigorate Abori ginal ways of knowing\, being and doing\, with a special focus on language revitalisation.
CATEGORIES:Webinar ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-emerging-conservators-x-scm -webinar-6-vicki-couzens/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2020/08/AICCMxSC@M_Webinar_6_Image-crop2.jpg END:VEVENT BEGIN:VEVENT UID:20200915T0324Z-1600140268.4528-EO-7427-1@10.0.0.162 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20200914T023501Z LAST-MODIFIED:20200925T035034Z DTSTART;TZID=Australia/Sydney:20200924T173000 DTEND;TZID=Australia/Sydney:20200924T190000 SUMMARY: AICCM (VIC Division) 2020 AGM and Trivia Quiz — All Welcome! DESCRIPTION: Join us on THURS 24 SEPT for the AICCM (VIC Division) AGM. Sta rting at 5.30pm\, the AGM will be followed by a Trivia Quiz (6–7pm)\, compl ete with a conservation round! Not in Victoria? Listen in on the AGM and st ay online after the meeting to pit your wits against your lockdown colleagu es to earn the X-ALT-DESC;FMTTYPE=text/html:
Join us on THURS 24 SEPT for the AICCM (VIC Division) AGM.
Starti ng at 5.30pm\, the AGM will be followed by a Trivia Quiz (6–7pm)\, complete with a conservation round! Not in Victoria? Listen in on the AGM and stay online after the meeting to pit your wits against your lockdown colleagues to earn the esteemed title of Conservation Quizmaster!

CATEGORIES:Meeting ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-vic-division-2020-agm-and-t rivia-quiz-all-welcome/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2020/09/AICCM-VicDivision-2020-AGM-TriviaNight-cropped-e1600051095878.jpg END:VEVENT BEGIN:VEVENT UID:20200820T0357Z-1597895846.326-EO-7178-1@10.0.0.162 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20200817T001747Z LAST-MODIFIED:20200817T231051Z DTSTART;TZID=Australia/Sydney:20200929T130000 DTEND;TZID=Australia/Sydney:20200929T140000 SUMMARY: AICCM Annual General Meeting 47 DESCRIPTION: Sorry\, but you do not have permission to view this content. X-ALT-DESC;FMTTYPE=text/html:
AICCM AGM 47
1pm AEST\, Tuesday 2 9 September 2020
This year the AICCM AGM will be held online via Zoo m. Meeting details will be emailed to registered participants on the day.
Please register online for the meeting (register button above) or ema il your apology to Amy Bartlett sec retary@aiccm.org.au before 5pm\, Monday 28 September 2020. If you canno t attend\, you may nominate a proxy to vote on your behalf. Only members of the AICCM may register for the AGM.
We encourage members to nominate for a position on the National Council. If you have any questions\, please contact the Secretary.
Meeting Documents
AGM 47 Agenda
AGM 46 Minutes DRAFT
Nomination form
Proxy voting form

CATEGORIES:Meeting ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-national-annual-general-mee ting-47/ END:VEVENT BEGIN:VEVENT UID:20200930T1940Z-1601494805.3759-EO-7510-1@10.0.0.162 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20200930T105514Z LAST-MODIFIED:20201007T050127Z DTSTART;TZID=Australia/Sydney:20201008T173000 DTEND;TZID=Australia/Sydney:20201008T184500 SUMMARY: AICCM x SC@M Webinar: Conservation Business Basics DESCRIPTION: Want to start your own conservation business? Have a burning question about what you can claim on tax? Join conservators Robyn Ho and E leanor Vallier from c/o Studios\, and chartered accountant Gianna Rosica fo r our Business Basics webinar. Targeted at conservators working in Australi a\, Robyn and Eleanor will discuss: – Working as a freelance X-ALT-DESC;FMTTYPE=text/html:

Want to start your own conservation business? Have a burning question about what you can claim on tax? Join conservators Robyn Ho and E leanor Vallier from c/o Studios\, and chartered accountant Gianna Rosica fo r our Business Basics webinar.
Targeted at conservato rs working in Australia\, Robyn and Eleanor will discuss:
– Working as a freelance conservator
– The in’s an d out’s of starting a conservation business
– Working wi thin your expertise
– Insurance: do I need cover?

Gianna will run a Q&A to answer your accounting questio ns. These may cover:
– ABN: do I need one?
– Tax: what's deductible for business/working from home.
– Superannuation: Government co-contribution\, salary sacrifice or e xtra payments.
– Business activity statements (BAS) a nd Fringe Benefits Tax (FBT): obligations and benefits.
These will be followed by a Q&A with all our speakers.
DATE/TIME: THURS 8 OCT\, 5.30pm–6.45pm
RSVP: Free event\, regist er for the Zoom link:
SPEAKERS
c/o Studios is a professional studio offering a specialise d combination of holistic art care services\, incorporating conservation\, collections care and exhibition services. Robyn Ho and Elle Vallier provide artist-\, value- and people-centred conservation of modern and contemporar y art that is sustainable\, inclusive and collaborative.

Gianna Rossica specialises in the tax and accounting needs of the arts community. With over 25 years experience in the field sh e can help you navigate your way through the complexities of Australian tax law. Gianna has run Q&A sessions with NIDA and VCA Music. Get your questio ns ready for this Q&A!
CATEGORIES:Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-x-scm-webinar-conservation- business-basics/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2020/09/AICCMxSC@M_Webinar7_BusinessBasics.jpeg END:VEVENT BEGIN:VEVENT UID:20201009T1921Z-1602271295.4311-EO-7566-1@10.0.0.162 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20201007T024021Z LAST-MODIFIED:20201020T215941Z DTSTART;TZID=Australia/Sydney:20201013T170000 DTEND;TZID=Australia/Sydney:20201013T181500 SUMMARY: ‘Practical Preparedness and Response’ An AICCM event for the Inter national Day for Disaster Reduction DESCRIPTION: Sorry you must be a member to view this event.\nPlease login \ nNot yet a member?\nJoin us today and access all our member benefits X-ALT-DESC;FMTTYPE=text/html:
As a member of Blue Shield Australia (BSA)\, AICCM is organ ising a Zoom meeting for all interested conservators and members of AICCM\, to discuss how we can best assist communities affected by disasters. Norma lly\, events such as these\, to raise awareness of disaster response and pr eparedness\, are held on May Day each year. This year BSA has moved it to O ctober 13th\, the UN International Day for Disaster Reduction—which makes m ore sense when considering our ‘disaster season’.
As the A ICCM representatives on BSA\, Julie McCarthy and Kay Söderlund thought it w as time to have a good look at what AICCM has offered in the past\, with re gard to assisting communities affected by disasters such as floods and bush fires. Is what we do useful\, timely\, practical? How can we be better at p roviding support\, advice and help? Can we develop a protocol that will all ow us to work quickly and efficiently\, and not re-invent the wheel each ti me? While we are pretty good at delivering training and advice for disaster preparedness\, is our assistance useful after the event?
We are aiming for a discussion that is as open and free-flowing as possible . Chris Ianna (Queensland)\, Alex Ellem (Victoria)\, Megan Jordan-Jones (NS W) and Kim Morris (ACT) have experience offering support to disaster-impact ed communities. Each will very briefly talk about what their disaster effor ts achieved and whether they would do things differently in the future. The ‘floor’ will then be opened up to all participants for discussion about ho w we can improve our support—with a focus on when communities might want or need that support.
Please note: that this event is for co nservators and AICCM members only\, and the focus is on disasters and commu nities (museums\, organisations and individuals) rather than larger collect ing institutions.
RSVP: http s://bit.ly/3jzJzIc
CATEGORIES:Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/practical-preparedness-and-respon se-aiccm-event/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2020/10/288d194c-0845-11eb-ab5d-a0369f103266.jpeg END:VEVENT BEGIN:VEVENT UID:20201021T1539Z-1603294774.9294-EO-7663-1@10.0.0.162 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20201020T212315Z LAST-MODIFIED:20201102T102008Z DTSTART;TZID=Australia/Sydney:20201102T230000 DTEND;TZID=Australia/Sydney:20201106T000000 SUMMARY: IIC Edinburgh Congress DESCRIPTION: Sorry you must be a member to view this event.\nPlease login \ nNot yet a member?\nJoin us today and access all our member benefits X-ALT-DESC;FMTTYPE=text/html:
[civicrm component="event" action="info" i d="52"]

View the IIC Congress Schedule AEDT (GMT + 1 1) below:
IIC Congress AEDT timezone (PDF - 106 KB)
Thanks to Cancy Chu for providing the schedule
CATEGORIES:Conference LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/iic-edinburgh-congress/ ATTACH;FMTTYPE=image/png:https://aiccm.org.au/wp-content/uploads/2020/10/IIC-Congress-2020-feature.png END:VEVENT BEGIN:VEVENT UID:20201111T0438Z-1605069509.5989-EO-7727-1@10.0.0.162 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20201111T021214Z LAST-MODIFIED:20201111T024042Z DTSTART;TZID=Australia/Sydney:20201126T180000 DTEND;TZID=Australia/Sydney:20201126T190000 SUMMARY: AICCM Webinar: Behind-the-scenes with Sydney Analytical DESCRIPTION: The AICCM Book & Paper SIG are delighted to invite you behind- the-scenes of The University of Sydney’s Core Research Facilities dedicated to material\, chemical and biological analysis. Sydney Analytical provide state-of-the-art instrumentation and technical expertise to support public and private researchers as they address their most challenging research pri orities. Hear from Dr Elizabeth Carter (Facility X-ALT-DESC;FMTTYPE=text/html:
The AICCM Book & Paper SIG are delighted to invite you behind-the-scenes of The University of Sydney’s Core Research Facilities dedicated to material\, chemical and b iological analysis.
Sydney Analytical provide state-of-the-art instru mentation and technical expertise to support public and private researchers as they address their most challenging research priorities.
Hear fro m Dr Elizabeth Carter (Facility Manager\, Vibrational Spectroscopy) and Thé rèse Harrison (Professional Officer\, Museums Analyses)\, who will reveal t his unique facility and what it has on offer to Conservators across a range of disciplines.
DATE Thursday 26 November 2020
TIME 6pm (AEDT)
FREE EVENT! Book your place: https://bit.ly/3mKX498
CATEGORIES:Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-webinar-behind-the-scenes-w ith-sydney-analytical/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2020/11/AICCM-Sydney-Analytical-Square.jpg END:VEVENT BEGIN:VEVENT UID:20201124T0643Z-1606200180.1729-EO-7764-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20201124T045342Z LAST-MODIFIED:20201124T062117Z DTSTART;TZID=Australia/Sydney:20201201T200000 DTEND;TZID=Australia/Sydney:20201201T230000 SUMMARY: AICCM Awards and Christmas Celebration DESCRIPTION: Sorry\, but you do not have permission to view this content. X-ALT-DESC;FMTTYPE=text/html:
Join us on 1 December for the AICCM Awards and Christmas Party on Zoom starting a 8pm. There will be lucky '\;doo r'\; prizes and presentation of our annual awards. Register now and we& #39\;ll send you a link to the zoom meeting closer to the date.
CATEGORIES:Meeting LOCATION:Online GEO:-25.274398;133.775136 ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-awards-and-christmas-celebr ation/ END:VEVENT BEGIN:VEVENT UID:20210311T1253Z-1615467198.1314-EO-8185-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210311T091418Z LAST-MODIFIED:20210311T091418Z DTSTART;TZID=Australia/Sydney:20210318T170000 DTEND;TZID=Australia/Sydney:20210318T190000 SUMMARY: AICCM NSW Social Event X-ALT-DESC;FMTTYPE=text/html:
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AICCM NSW Commit tee invites you to join us for another Social Event.
Please come alon g to a Night at the Museum – at the Australian Museum.
See the Austra lian Museum’s renovated spaces\, enjoy a drink at a pop up bar\, and catch up with your colleagues.
Venue: Australian Museum
Date: 18 Marc h
Time: From 17:00
Entry is FREE – you must sign in on arrival (in accordance with NSW Government Covid-19 purposes)
Please also register using this form
For more information about Nights at the Museum see link
See you there!
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CATEGORIES:Meeting LOCATION:Australian Museum GEO:-33.874623;151.217942 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-nsw-social-event%ef%bb%bf/ ATTACH;FMTTYPE=image/png:https://aiccm.org.au/wp-content/uploads/2020/05/cropped-android-chrome-512x512-1.png END:VEVENT BEGIN:VEVENT UID:20210304T1439Z-1614868751.9721-EO-8162-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210304T110617Z LAST-MODIFIED:20210518T092356Z DTSTART;TZID=Australia/Sydney:20210325T190000 DTEND;TZID=Australia/Sydney:20210325T203000 SUMMARY: 10 AGENTS OVER 10 MONTHS #1 // TEMP/RH X-ALT-DESC;FMTTYPE=text/html:
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Join us at AIC CMs new online forum 10 AGENTS OVER 10 MONTHS. We are delighted to a nnounce our first speakers\, Amanda Pagliarino and Ainslee Meredi th\, who will discuss their research mapping climate change and risks f or Australian cultural collections.
Please see the link to the abstra ct of published paper for pre-reading information:
Mapping climate change and risks for Australian cultural collections The full pdf will b e emailed to registrants closer to the date.
Thurs day 25 March 2021
7pm–8.30pm
FREE EVENT Bookings have now closed.

If you missed the webinar\, you can watch the reco rding here.
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margin_top="" margin_right="" margin_bottom="" margin_left=" " lightbox="no" gallery_id="" lightbox_image="" lightbox_image_id="" alt="" link="" linktarget="_self" hide_on_mobile="small-visibility\,medium-visibi lity\,large-visibility" sticky_display="normal\,sticky" class="" id="" anim ation_type="" animation_direction="left" animation_speed="0.3" animation_of fset="" filter_hue="0" filter_saturation="100" filter_brightness="100" filt er_contrast="100" filter_invert="0" filter_sepia="0" filter_opacity="100" f ilter_blur="0" filter_hue_hover="0" filter_saturation_hover="100" filter_br ightness_hover="100" filter_contrast_hover="100" filter_invert_hover="0" fi lter_sepia_hover="0" filter_opacity_hover="100" filter_blur_hover="0"]https ://aiccm.org.au/wp-content/uploads/2021/03/amanda-bio-image-300x300.jpeg[/f usion_imageframe][/fusion_builder_column][fusion_builder_column type="3_4" layout="1_1" align_self="auto" content_layout="column" align_content="flex- start" content_wrap="wrap" 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background_position="left top" backgrou nd_repeat="no-repeat" background_blend_mode="none" animation_type="" animat ion_direction="left" animation_speed="0.3" animation_offset="" filter_type= "regular" filter_hue="0" filter_saturation="100" filter_brightness="100" fi lter_contrast="100" filter_invert="0" filter_sepia="0" filter_opacity="100" filter_blur="0" filter_hue_hover="0" filter_saturation_hover="100" filter_ brightness_hover="100" filter_contrast_hover="100" filter_invert_hover="0" filter_sepia_hover="0" filter_opacity_hover="100" filter_blur_hover="0" las t="true" border_position="all" type="3_4" first="true"][fusion_text columns ="" column_min_width="" column_spacing="" rule_style="default" rule_size="" rule_color="" content_alignment_medium="" content_alignment_small="" conte nt_alignment="" hide_on_mobile="small-visibility\,medium-visibility\,large- visibility" sticky_display="normal\,sticky" class="" id="" font_size="" fus ion_font_family_text_font="" 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Amanda Pagliarino is the QAGOMA Head of Conservation & Registration. Amanda is interested in energy efficient and environmentally responsible collection management. She is the author of the AICCM Environmental Guidelines and co-author of a recent study investigating climate change and collection risks in Australia . Amanda is a graduate of the University of Canberra and a Churchill Fellow
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align_small="none" align="none" margin_top="" margin_right="" margin_b ottom="" margin_left="" lightbox="no" gallery_id="" lightbox_image="" light box_image_id="" alt="" link="" linktarget="_self" hide_on_mobile="small-vis ibility\,medium-visibility\,large-visibility" sticky_display="normal\,stick y" class="" id="" animation_type="" animation_direction="left" animation_sp eed="0.3" animation_offset="" filter_hue="0" filter_saturation="100" filter _brightness="100" filter_contrast="100" filter_invert="0" filter_sepia="0" filter_opacity="100" filter_blur="0" filter_hue_hover="0" filter_saturation _hover="100" filter_brightness_hover="100" filter_contrast_hover="100" filt er_invert_hover="0" filter_sepia_hover="0" filter_opacity_hover="100" filte r_blur_hover="0"]https://aiccm.org.au/wp-content/uploads/2021/03/Meredith_B io_Image_crop-300x300.jpeg[/fusion_imageframe][/fusion_builder_column][fusi on_builder_column type="3_4" layout="1_1" align_self="auto" content_layout= "column" align_content="flex-start" content_wrap="wrap" spacing="" center_c ontent="no" link="" target="_self" min_height="" hide_on_mobile="small-visi bility\,medium-visibility\,large-visibility" sticky_display="normal\,sticky " class="" id="" type_medium="" type_small="" order_medium="0" order_small= "0" dimension_spacing_medium="" dimension_spacing_small="" dimension_spacin g="" dimension_margin_medium="" dimension_margin_small="" margin_top="" mar gin_bottom="" padding_medium="" padding_small="" padding_top="" padding_rig ht="" padding_bottom="" padding_left="" hover_type="none" border_sizes="" b order_color="" border_style="solid" border_radius="" box_shadow="no" dimens ion_box_shadow="" box_shadow_blur="0" box_shadow_spread="0" box_shadow_colo r="" box_shadow_style="" background_type="single" gradient_start_color="" g radient_end_color="" gradient_start_position="0" gradient_end_position="100 " gradient_type="linear" radial_direction="center center" linear_angle="180 " background_color="" 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Ainslee Meredith is a PhD candidate at the Grimwade Centre fo r Cultural Materials Conservation\, University of Melbourne. Her research f ocuses on the public value of conservation in Australia within a social jus tice framework.
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-1-temp-r h/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AICCM_2021_Event1_Square.jpg END:VEVENT BEGIN:VEVENT UID:20210311T1253Z-1615467198.1468-EO-8182-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210311T090245Z LAST-MODIFIED:20210311T090245Z DTSTART;TZID=Australia/Sydney:20210327T093000 DTEND;TZID=Australia/Sydney:20210327T103000 SUMMARY: On Photography with Debra Hess Norris X-ALT-DESC;FMTTYPE=text/html:
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The AICCM Book & Paper SIG warmly invite you to j oin us in conversation with Debra Hess Norris\, Professor of the Art Conservation Department at the University of Delaware (Winterthur). Debra will share her experiences on the Preservation of Photographic Heritage\, o n why photographs are loved\, on why they are important\, and why we must a dvocate to preserve them.
Delving into the significance of ad vocacy and the importance of engaging communities\, Debra will showcase how far the conservation profession has come to and where it needs to go now. The talk will be followed by a Q&A session. Please join us for what promise s to be an exciting\, informative and inspiring event!
Saturda y 27 March 2021
9.30am–10.30am
FREE event: Click here to register
Debra Hess Norris is Chair and Professor of the Art Conservation Department at the Universi ty of Delaware. Since 1997\, Norris has directed the Winterthur/UD Program in Art Conservation. Norris has authored 45 articles and book chapters and co-edited Issues in the Conservation of Photographs. She has taught 140+ wo rkshops for conservators and allied professionals and lectured worldwide an d raised more than $20 million dollars for art conservation initiatives wor ldwide.
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CATEGORIES:Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/on-photography-debra-hess-norris/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/debra-hess-square.jpeg END:VEVENT BEGIN:VEVENT UID:20210322T1205Z-1616414757.4674-EO-8349-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210322T081453Z LAST-MODIFIED:20210518T091636Z DTSTART;TZID=Australia/Sydney:20210422T190000 DTEND;TZID=Australia/Sydney:20210422T203000 SUMMARY: 10 AGENTS OVER 10 MONTHS #2 // PHYSICAL FORCES X-ALT-DESC;FMTTYPE=text/html:
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John Marshall and Rhiannon Walker will be di scussing how previous damage caused by physical forces has led to the devel opment of innovative and unique custom mounting solutions. Focussing on thr ee large and vulnerable works from the QAGOMA collection\, they will share how the workshop team collaborated with conservators to design and fabricat e safe and secure mounting systems\, allowing these works to be moved\, ins talled and displayed with much less risk of damage.
Thurs day 22 April 2021
7pm-8:30pm

FREE EVENT Bookings have now closed.

If you missed the webinar\, you can watch the recording here.

Rhiannon Walker is a conservator at QAGOMA\, currently working on the Collection Online project. Rhiannon has previously worked as Exhibitions Conservator at the State Library of Queensland\, and the National Museum of Australia. She gra duated as an objects conservator from the University of Canberra in 2003.
John Marshall is an artisan with the QAGOMA exhibitio ns team. He has 20 years experience in mount making\, rigging and artwork s torage/ transport solutions.
Thank you to our session sponsors Turtle Box and DatacomIT
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-2-physic al-forces/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AOC_2_150x150pixels.jpg END:VEVENT BEGIN:VEVENT UID:20210322T1205Z-1616414757.4745-EO-8362-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210322T082356Z LAST-MODIFIED:20210704T102456Z DTSTART;TZID=Australia/Sydney:20210513T190000 DTEND;TZID=Australia/Sydney:20210513T203000 SUMMARY: 10 AGENTS OVER 10 MONTHS #3 // DISSOCIATION X-ALT-DESC;FMTTYPE=text/html:
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Conservation relies on material evidence and continuous asse ssment of the mater ials and techniques being used for monitoring or treating heritage. Conservators benefi t from sharing experiences but conservation documentation records are not widely access ible. In this session the barriers for sharing documentation records will be discussed alongside th e ethical responsibilities of conservation organisations towards the profession and the public. The role of professional bodies is considered alongside their long-overdue syn ergy.
Thursday 13 May 2021
7pm-8:30pm
FREE EVENT
Registrations are now clos ed
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Dr. Athanasios Velios is a Reader in Documentation in Camberwell\, Chelsea and Wimbledon and Ligatus at the University of the Arts London. He is a kee n supporter of open source software and open distribution of knowledge.

Dr Velios’ research focuses on documenting practice with a particular in terest in conservation and archiving. He currently leads an international c onsortium on conservation documentation: Linked Conservation Data. Linked D ata technologies allow the publication of records/data in such a way that t hey can be linked to other resources and enable re-use and discovery (Ligat us\, UAL 2021)
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borderradius="" align_medium="none" align_small= "none" align="center" margin_top="" margin_right="" margin_bottom="" margin _left="" lightbox="no" gallery_id="" lightbox_image="" lightbox_image_id="" alt="" link="" linktarget="_self" hide_on_mobile="small-visibility\,medium -visibility\,large-visibility" sticky_display="normal\,sticky" class="" id= "" animation_type="" animation_direction="left" animation_speed="0.3" anima tion_offset="" filter_hue="0" filter_saturation="100" filter_brightness="10 0" filter_contrast="100" filter_invert="0" filter_sepia="0" filter_opacity= "100" filter_blur="0" filter_hue_hover="0" filter_saturation_hover="100" fi lter_brightness_hover="100" filter_contrast_hover="100" filter_invert_hover ="0" filter_sepia_hover="0" filter_opacity_hover="100" filter_blur_hover="0 "]https://aiccm.org.au/wp-content/uploads/2021/05/Margaret-White-Bio-Image- 150x150.jpeg[/fusion_imageframe][/fusion_builder_column][fusion_builder_col umn type="3_4" type="3_4" layout="3_4" align_self="auto" content_layout="co lumn" align_content="flex-start" content_wrap="wrap" spacing="" center_cont ent="no" link="" target="_self" min_height="" hide_on_mobile="small-visibil ity\,medium-visibility\,large-visibility" sticky_display="normal\,sticky" c lass="" id="" type_medium="" type_small="" order_medium="0" order_small="0" dimension_spacing_medium="" dimension_spacing_small="" dimension_spacing=" " dimension_margin_medium="" dimension_margin_small="" margin_top="" margin _bottom="" padding_medium="" padding_small="" padding_top="" padding_right= "" padding_bottom="" padding_left="" hover_type="none" border_sizes="" bord er_color="" border_style="solid" border_radius="" box_shadow="no" dimension _box_shadow="" box_shadow_blur="0" box_shadow_spread="0" box_shadow_color=" " box_shadow_style="" background_type="single" gradient_start_color="" grad ient_end_color="" gradient_start_position="0" gradient_end_position="100" g radient_type="linear" radial_direction="center 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Mar garet White is a registrar\, currently working as the Documentation Off icer for the Australian Museum’s Collection Enhancement Project. Margaret c ompleted a Masters in Archaeology and Museum Studies at the University of C ambridge\, before going on to work with the British Museum and Museum of Ap plied Arts and Sciences on major collection relocation projects.
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Thank you to our session sponsor DatacomIT
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-3-dissoc iation/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AOC_3_150x150pixels.jpg END:VEVENT BEGIN:VEVENT UID:20210322T1205Z-1616414757.4804-EO-8363-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210322T083143Z LAST-MODIFIED:20210712T021844Z DTSTART;TZID=Australia/Sydney:20210617T190000 DTEND;TZID=Australia/Sydney:20210617T210000 SUMMARY: 10 AGENTS OVER 10 MONTHS #4 // LIGHT X-ALT-DESC;FMTTYPE=text/html:
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This session will explore the topic of Light and managing its impact on collections\, with presentations from three speakers followed by a Q&A session. The presentations will focus on:
Lighting gui delines and policy (David Saunders)\,
LED lighting\, what it means for Conservators (Scott Rosenfeld) and
Micro-fading and institution al impact (Ian Langston)
David Saunders presentation summary :
Most guidelines for museum lighting are based on the most easil y measured parameter\, the level of light needed to see collections. Althou gh the decision-making process in museums seeks to balance good lighting\, so that visitors can appreciate and enjoy the collections\, with an approac h that acknowledges the need to limit light damage to objects\, there is li ttle guidance on acceptable levels of light exposure to achieve a desired l ifetime for collections. This presentation explores the factors that affect lighting policy\, the origin of current recommendations and the manner in which the balance between assuring good viewing conditions for current acce ss and the long-term preservation of the collection for future access.
Scott Rosenfeld presentation summary:
The Art of Lighting M useums. Light is the energy people need to see each other and enjoy the won ders of our world. Light can be shaped\, directed\, colored\, and attenuate d with skill and intention. The paradox for museums is that the same energy required for vision\, also damages light-sensitive collections. Using a ri ch variety of examples from the Smithsonian American Art Museum this presen tation will demonstrate techniques for how skilled lighting designers can a chieve the goal of allowing people to enjoy objects of cultural heritage wh ile preserving them for future generations. The presentation will include i nformation about LED lighting\, daylight and the challenges museums typical ly face controlling light.
Ian Langston presentation summary:
Assessing and mitigating the risk of light damage to collections for display can be complex. Navigating the exhibition planning process present s the conservator with the challenge of advocating for collection care stan dards\, whilst balancing the needs of an expansive project team comprised o f diverse stakeholders each with their own focus and deliverables. This pre sentation is a retrospective of the implementation of microfader technology at Auckland Museum\, focusing on case studies to highlight how we have uti lised this screening technology and what impact it has had.
Thursday 17 June 2021
7pm-9.00pm
FRE E Event
Registrations are now clo sed
If you missed the webinar\, you can watch the recording here.
Getty Publications have offered a 20% discount on Museum Lighting: A Guide for Conservators and Curators to registered part icipants of the event. The promotional code will be emailed to participant s.
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David Saunders is an Honorary Research Fellow at the British Museum\, and formerly its Kee per of Conservation and Scientific Research. David is a visiting professor at the Centre for Sustainable Heritage at UCL and NYU (2018) and the author of the recent Getty publication Museum Lighting: A Guide for Conserva tors and Curators (2020).
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Scott Rosenfeld LC\, FIES is the lighting designer at the Smithsonian American Art Museum and Renwick Galler y. For over twenty years\, Scott has worked on lighting art collections so they can be better seen\, experienced\, and preserved. The advent of energy -efficient LED lighting has led him to research new possibilities for manip ulating the spectrum of light to enhance vision and slow the degradation of light-sensitive materials. He’s collaborated with the US Department of Ene rgy to field test LED products in museum applications\, with the National I nstitute of Standards and Technology (NIST) and the Pacific Northwest Natio nal Laboratory to access the color rendering attributes of light\, and with the Getty Conservation Institute (GCI) to better quantify how light damage s art collections. Scott is chair of the Illuminating Engineering Society M useum Committee where he led a team of experts to publish the 2020 IES Reco mmended Practice for Museum Lighting.
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I an Langston is an Objects Conservator at Tāmaki Paenga Hira Auckla nd Museum. Primarily focused on preparing collections for display\, Ian has worked on an array of temporary exhibitions\, displays\, and gallery renew al projects.
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Thank you to our session sponsors ERCO and TRU VUE and session supporter STEENSEN VARMING
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-4-light/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AOC_4_150x150pixels.jpg END:VEVENT BEGIN:VEVENT UID:20210515T1647Z-1621097256.127-EO-8481-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210515T012839Z LAST-MODIFIED:20210830T224646Z DTSTART;TZID=Australia/Sydney:20210722T190000 DTEND;TZID=Australia/Sydney:20210722T203000 SUMMARY: 10 AGENTS OVER 10 MONTHS #5 // PESTS X-ALT-DESC;FMTTYPE=text/html:
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Collaborative approaches to Integrated Pest Management in Museums\ , Galleries and Historic sites will be explored in this session. Australian conservators Rehan Scharenguivel (they/them) and Jessie Gray (she/her) wil l share their separate institutional experiences in collaborating with comm ercial operators and Amber Xavier-Rowe will provide an update to "Operation Cloths Moth" from English Heritage. We have also created a survey to bette r understand the state of IPM in our organisations. Link will be shared sho rtly.
Rehan Scharenguivel and Jessica Gray presentation summary:
Moist heat chambers allow for the ability to control the humidity of the chamber as it heats up\, this greatly reduces the risk of damage to the material while eliminating pests. The presentation will discuss the hea t treatment methodologies and outline the collaboration between the Austral ian Museum and a quarantine company in Sydney to conduct a heat treatment. A second example will be given by the Museum of Applied Arts and Science wh ich also chose this methodology for their incoming material. The presentati on will look at knowledge sharing and collaboration between organisations a s a way of building IPM knowledge in Australia.
Amber Xavier Rowe presentation summary:
Insect Pest Management (IPM) has been established for over 25 years at English Heritage Trust a charity responsible for the care an d presentation of over 400 sites and a million associated objects. < span style="background-color: rgba(255\, 255\, 255\, 0)\; color: var(--body _typography-color)\; font-family: var(--body_typography-font-family)\; font -size: var(--body_typography-font-size)\; font-style: var(--body_typography -font-style\,normal)\; font-weight: var(--body_typography-font-weight)\; le tter-spacing: var(--body_typography-letter-spacing)\;">Collections are pres ent in 136 historic houses\, castles\, churches\, museums and stores across England. IP M consisting of insect pest monitoring using traps at 70 sites with vulnera ble collections\, targeted cleaning and treatment using low toxicity insecticides\, hea t and freezing\, has successfully mitigated the risk of damage from insect pests. We ha ve been able to share our expertise and experience in effective IPM through the EHT poster Insect Pests in Hi storic Houses and Museums (3 rd edition recently pu blished\, available free and downloadable ) and our book Insect Pests in Houses Great and Small avai lable at Amazon and the EHT website. This talk will share the key steps to establishing a successful long-t erm IPM programme using practical examples and case studies. It will also touch on our experience of raising the public profile of IPM and preventive conservation through the ‘Operation Clothes Moth’ campaign.
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Thursday 22 July 2021
7pm-8:30pm
FREE E VENT
Registration has now closed
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Amber Xavier Rowe has been working at English Heritage Trust since 1994 and as Head of Collections Co nservation since 1999. She is an expert in preventive conservation for heri tage collect ions with extensive experience in Insect Pest Management. Previous to Engli sh Heritage she worked at The Leather Conservation Centre in Northampton UK and ArtLab Australia. Amber has a Bachelor of Applied Science in Conservation of Cultural Material s from Canberra University awarded April 1989\, specialising in objects conservation. S he has presented and published widely on IPM\, strategic preventive conservation for di spersed collections and the construction of stores. Amber is an ICON accredited conserv ator restorer.
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Rehan S charenguivel (they/them) is the Collection Care Conservator for th e Australian Museum\, coordinating the Museum’s IPM and environmental syste ms\, as well as other preventive programs. They have a keen interested in d ata analytics of pest information and exploring treatment options for cultu ral and scientific material.
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Jessica Gray (she/her) is the Preventive Conserv ator at the Museum of Applied Arts and Sciences (MAAS). Jessica specialises in preventive conservation and manages the Museum’s IPM and environmental monitoring programs. She is interested in IPM data analytics and sustainabi lity in the museum sector.
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Integrate d Pest Management Survey
The AICCM Preventive SIG\, in collaborat ion with conservators Rehan Scharenguivel (they/them) and Jessie Gray
(she/her)\, have cr eated this survey to better understand Integrated Pest Management in Austra lia and Internationally. The survey results will be discussed during the on line forum in the Agents of Change Webinar series on the 22 July and afterw ards shared on the AICCM website.
The survey responses are ano nymous and identifying details cannot be seen by anyone including the surve y authors. Please be mindful of including any details that may identify you or your organisation in the open question sections. All survey responses a re stored in a location that is password protected and cloud-based.
T he survey will take only a few minutes to complete\, please go here.
Thank you for your time and engagement in the 10 Agents over 10 Months series.
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-5-pests/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AOC_5_150x150pixels.jpg END:VEVENT BEGIN:VEVENT UID:20210617T1100Z-1623927657.1879-EO-8642-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210617T085717Z LAST-MODIFIED:20210831T211250Z DTSTART;TZID=Australia/Sydney:20210831T190000 DTEND;TZID=Australia/Sydney:20210831T203000 SUMMARY: 10 AGENTS OVER 10 MONTHS #6 // POLLUTANTS X-ALT-DESC;FMTTYPE=text/html:
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Pollutant is a mysterious agent. It is infiltrating your museum from the outside\, but ca n surprise you by been in your display case or even been released by your l oved objects. It shows up as old known problem but can hit on the back of y our ego with unexpected damages on objects while you have done everything t o prevent it. Three speakers from different time zones will talk about thei r experiences on pollutant control and monitoring followed by a Q&A session .
David Thickett: Managing pollutant gases
Pol lutant gases can rapidly deteriorate some objects\, whilst others are unaff ected. Many gases can be detected and so far\, 40 have been reported to dam age objects. Detection methods have suffered from being expensive\, but cos ts are reducing and low tech indicators are available. Interpretation of da maging and ‘safe’ levels is needed to act on measurements. There are severa l options to reduce the impact of pollutant gases on sensitive collections. A decision support tool has been developed to aid in measurement\, assessm ent and mitigation for the four most commonly reported pollutant gases and will be presented. It is available to download (under guidance notes/management of showcases )
More explanatory text is available here
Jean Tétreault: Pollutant control guidelines: past and present
Since the late 19 70’s\, the conservation community has set standards or guidelines to help m useums manage the pollutant level in their institutions. This lecture will briefly review some of these guidelines and will show in more detail the la test guidelines developed for museum chapter in the American Society of Hea ting\, Refrigerating and Air-Conditioning Engineers (ASHRAE) 2019 handbook. These guidelines were also included in the latest C CI technical bulletin #37 on Control of Pollutants in Museums and Archi ves.
In January 2021\, Jean gave a lecture on “Materials used i n storage and exhibition” for the Centro de Investigación y Conservació n del Patrimonio – UTEC\, Peru.
Lisa Addison: Monitoring of sm oke during the 2019 bushfires
Compared to many cities in the world\, Canberra has less outdoor pollution because heavy manufacturing industries are not present. Most of the NGA’s pollutant problems have been generated i nternally from building materials\, activities\, and some artworks. That wa s\, until 20th December 2019 when bushfires in surrounding areas blanketed Canberra in thick smoke for approximately a month. The smoke was so concent rated that Canberra was ranked at the top of the polluted major cities worl dwide for 16 days during this time.
Significant amounts of smoke and ash entered the NGA building on New Year’s Eve 2019\, despite many actions already being taking to reduce smoke ingress and keep the building open to visitors. NGA conservators implemented the collection incident response to smoke in the gallery working closely with the air conditioning team to miti gate the risks with a range of practical measures.
Numerous resou rces about the issue of pollutants can be found on the Indoor Air Qualit y Working Group website
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Tuesday 31 August 2021
7pm-8:30pm
FREE EVENT
Registrations have now closed
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David Thickett is Senior Conservation Scientist at English Heritage and has wor ked on a number of pollution related problems in several collections and se veral research projects in this area.
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Jean Tétreault is a Senior Conservation Scientist at the Canadian Conservation Institute. He serves as an advisor and researcher on environmental guidelines for the care of collections\, an d display and storage products. Publication of the author can be found in < a href="https://www.researchgate.net/profile/Jean-Tetreault/research" targe t="_blank" rel="noopener noreferrer">Research
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Lisa Addison is the Preventive Con servator at the National Gallery of Australia where she applies and promote s the guidelines and standards for air quality for collection care within a dynamic gallery environment.
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-6-pollut ants/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AOC_6_150x150pixels.jpg END:VEVENT BEGIN:VEVENT UID:20210807T1053Z-1628333636.4417-EO-8865-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210807T053128Z LAST-MODIFIED:20210912T034449Z DTSTART;TZID=Australia/Sydney:20210916T190000 DTEND;TZID=Australia/Sydney:20210916T203000 SUMMARY: 10 AGENTS OVER 10 MONTHS #7 // THEFT\, VANDALS\, REPATRIATION X-ALT-DESC;FMTTYPE=text/html:
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This forum will be moderated by Professor Robyn Sloggett and will take the format of a panel discussion around provocations connected to The ft\, Vandalism and Repatriation.
To ignore\, dismiss or r eject requests from indigenous peoples who seek the return of cultural obje cts that they require to assist in the processes of cultural renewal would suggest that museum professionals are more concerned with preserving artefa cts than supporting communities in their efforts to perpetuate the distinct cultures\, beliefs and practices that led to the creation of the artefacts . If the return of ceremonial objects can assist indigenous peoples in cont inuing or renewing the values and practices essential to their cultural and ceremonial life and can contribute to community healing as part of contemp orary life\, then the act of repatriation is surely the ultimate form of cu ltural preservation. (Simpson\, Moira 2009 Museums and restorative justice: heritage\, repatriation and cultural education Museum International No 241 -242 Vol 61 No 1-2. Page 121 - 129. UNESCO Publishing and Blackwells Publis hing Ltd.)
Where do conservators fit in repatriatio n processes?
Repatriation is going to empty our museums!
Finders keepers - why should museums have to look after something that’s on ly going to be returned?
What does it mean for communities if conse rvators do not properly engage in repatriation?
Leading to the ques tion – so what does it then mean for repatriation to be done properly?

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Thursday 16 Septemb er 2021
7pm-8:30pm
FREE EVENT
Register here
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Professor Robyn Sloggett AM is the Cripps Fo undation Chair in Cultural Materials Conservation and Director of the Grimw ade Centre for Cultural Materials Conservation at the University of Melbour ne. Her research interests include attribution and authentication of Austra lian paintings\, the investigation of the materials and techniques of artis ts collection development and history\, and the preservation of cultural ma terials held in Australian Indigenous communities.
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Dr Lyndon Ormond Parker is Senior Research Fellow and expert on indigenous cultural heritage Dr Lyndo n Ormond-Parker of Alyawarra descent and Honorary Senior Lecturer\, Centre for Heritage and Museum Studies\, ANU\, with expertise in the area of cultu ral heritage\, materials conservation\, and repatriation.
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borderradius="" align_medium="none" align_small="none" align="center" marg in_top="" margin_right="" margin_bottom="" margin_left="" lightbox="no" gal lery_id="" lightbox_image="" lightbox_image_id="" alt="" link="" linktarget ="_self" hide_on_mobile="small-visibility\,medium-visibility\,large-visibil ity" sticky_display="normal\,sticky" class="" id="" animation_type="" anima tion_direction="left" animation_speed="0.3" animation_offset="" filter_hue= "0" filter_saturation="100" filter_brightness="100" filter_contrast="100" f ilter_invert="0" filter_sepia="0" filter_opacity="100" filter_blur="0" filt er_hue_hover="0" filter_saturation_hover="100" filter_brightness_hover="100 " filter_contrast_hover="100" filter_invert_hover="0" filter_sepia_hover="0 " filter_opacity_hover="100" filter_blur_hover="0"]https://aiccm.org.au/wp- content/uploads/2021/08/Dany-Williams-200x196.jpeg[/fusion_imageframe][/fus ion_builder_column][fusion_builder_column type="3_4" type="3_4" layout="3_4 " 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center" linear_angle="180" background_color="" background_image=" " background_image_id="" background_position="left top" background_repeat=" no-repeat" background_blend_mode="none" animation_type="" animation_directi on="left" animation_speed="0.3" animation_offset="" filter_type="regular" f ilter_hue="0" filter_saturation="100" filter_brightness="100" filter_contra st="100" filter_invert="0" filter_sepia="0" filter_opacity="100" filter_blu r="0" filter_hue_hover="0" filter_saturation_hover="100" filter_brightness_ hover="100" filter_contrast_hover="100" filter_invert_hover="0" filter_sepi a_hover="0" filter_opacity_hover="100" filter_blur_hover="0" last="true" bo rder_position="all" first="false"][fusion_text columns="" column_min_width= "" column_spacing="" rule_style="default" rule_size="" rule_color="" conten t_alignment_medium="" content_alignment_small="" content_alignment="" hide_ on_mobile="small-visibility\,medium-visibility\,large-visibility" sticky_di splay="normal\,sticky" 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Dany Williams is a Dau’wai (stringy bark tree) Kau’bvai (Native Bee) man from the Northern Sunshine C oast section of the Mary River Watershed. I have spent many years working with senior elders from across Queensland in the field of cultural heritage \, sacred site preservation and the preservation of ancestral remains and I am now the Repatriation Manager for Queensland Museum.
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t_position="0" gradient_end_position="100" gradient_type="linear" radial_di rection="center center" linear_angle="180" background_color="" background_i mage="" background_image_id="" background_position="left top" background_re peat="no-repeat" background_blend_mode="none" animation_type="" animation_d irection="left" animation_speed="0.3" animation_offset="" filter_type="regu lar" filter_hue="0" filter_saturation="100" filter_brightness="100" filter_ contrast="100" filter_invert="0" filter_sepia="0" filter_opacity="100" filt er_blur="0" filter_hue_hover="0" filter_saturation_hover="100" filter_brigh tness_hover="100" filter_contrast_hover="100" filter_invert_hover="0" filte r_sepia_hover="0" filter_opacity_hover="100" filter_blur_hover="0" last="fa lse" border_position="all" first="true" spacing_right=""][fusion_imageframe image_id="8866|fusion-200" max_width="150px" sticky_max_width="" style_typ e="" blur="" stylecolor="" hover_type="none" bordersize="" bordercolor="" b orderradius="" align_medium="none" align_small="none" align="center" margin _top="" margin_right="" margin_bottom="" margin_left="" lightbox="no" galle ry_id="" lightbox_image="" lightbox_image_id="" alt="" link="" linktarget=" _self" hide_on_mobile="small-visibility\,medium-visibility\,large-visibilit y" sticky_display="normal\,sticky" class="" id="" animation_type="" animati on_direction="left" animation_speed="0.3" animation_offset="" filter_hue="0 " filter_saturation="100" filter_brightness="100" filter_contrast="100" fil ter_invert="0" filter_sepia="0" filter_opacity="100" filter_blur="0" filter _hue_hover="0" filter_saturation_hover="100" filter_brightness_hover="100" filter_contrast_hover="100" filter_invert_hover="0" filter_sepia_hover="0" filter_opacity_hover="100" filter_blur_hover="0"]https://aiccm.org.au/wp-co ntent/uploads/2021/08/Amber-Aranui-200x199.jpeg[/fusion_imageframe][/fusion _builder_column][fusion_builder_column type="3_4" type="3_4" layout="3_4" a 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Dr Amber Aranui (Ngāti Kahung unu\, Ngāti Tūwharetoa) is the former project lead for Ngākahu – National R epatriation Project\, which supports New Zealand museums and iwi in the ret urn of ancestral remains held in museums collections. She is a founding mem ber and former chair of the New Zealand Repatriation Research Network\, set up to assist repatriation researchers to work collaboratively with the aim of proactively returning ancestral remains back to iwi\, hapū and other co mmunities around the world. Amber has worked to develop the national policy on repatriation for the New Zealand museum sector. She is also working wit h her own iwi (tribal group) on repatriation initiatives relating to the re turn of taonga (objects of cultural significance).
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Thank you to our Session Sponsor DataComIT
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-7-theft- vandals-repatriation/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AOC_7_150x150pixels.jpg END:VEVENT BEGIN:VEVENT UID:20210726T1122Z-1627298565.3401-EO-8827-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210726T035440Z LAST-MODIFIED:20210726T035700Z DTSTART;TZID=Australia/Sydney:20210920T130000 DTEND;TZID=Australia/Sydney:20210920T140000 SUMMARY: AICCM Annual General Meeting 48 DESCRIPTION: Sorry\, but you do not have permission to view this content. X-ALT-DESC;FMTTYPE=text/html:
AICCM AGM 48
1pm AEST\, Monday 20 September 2021
Once again the AICCM A GM will be held online via Zoom. Meeting details will be emailed to registe red participants on the day.
Please register online for the meeting (register button above) or email your apology to Amy Bartlett secretary@aiccm.org.au before 5pm\, Friday 1 7 September 2021. If you cannot attend\, you may nominate a proxy to vote o n your behalf. Only members of the AICCM may register for the AGM.
We encourage members to nominate for a position on the National Council. If y ou have any questions\, please contact the Secretary.
AGM 48 Agenda
AGM 47 Minutes DRAFT< /a>
Nomination form
Proxy voting form
CATEGORIES:Meeting ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-annual-general-meeting-48/ END:VEVENT BEGIN:VEVENT UID:20210923T0910Z-1632388244.3991-EO-9084-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210923T071202Z LAST-MODIFIED:20210925T215634Z DTSTART;TZID=Australia/Sydney:20211013T110000 DTEND;TZID=Australia/Sydney:20211013T120000 SUMMARY: DISASTER PREPAREDNESS CALENDAR LAUNCH X-ALT-DESC;FMTTYPE=text/html:
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CATEGORIES:Meeting LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/disaster-preparedness-calendar-la unch/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/09/CalendarLaunch_Square_1.jpeg END:VEVENT BEGIN:VEVENT UID:20210912T0900Z-1631437258.1671-EO-8957-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210910T004516Z LAST-MODIFIED:20210910T132452Z DTSTART;TZID=Australia/Sydney:20211021T130000 DTEND;TZID=Australia/Sydney:20211021T160000 SUMMARY: Beyond the walls – Identifying Decision Makers during Disasters X-ALT-DESC;FMTTYPE=text/html:
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CATEGORIES:10 Agents 10 Months,Workshop LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/beyond-the-walls-identifying-deci sion-makers-during-disasters/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/09/DolasWorkshop_Square.jpeg END:VEVENT BEGIN:VEVENT UID:20211013T1256Z-1634129801.6458-EO-9165-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20211013T065204Z LAST-MODIFIED:20211207T013625Z DTSTART;TZID=Australia/Sydney:20211023T100000 DTEND;TZID=Australia/Sydney:20211023T113000 SUMMARY: Introduction to Rigid Gels for Paper Conservation DESCRIPTION: This special AICCM Books & Paper SIG event is presented by est eemed colleague Michelle Sullivan\, the Associate Conservator of Drawings a t the J. Paul Getty Museum. The presentation will provide an introduction t o the use of rigid polysaccharide gels—specifically agarose and gellan gum— in the conservation of works on paper. Following an overview of gel chemist ry X-ALT-DESC;FMTTYPE=text/html:
Thi s special AICCM Books & Paper SIG event is presented by esteemed colleague Michelle Sullivan\, the Associate Conservator of Drawings at the J. Paul Ge tty Museum.
The presentation will provide an introduction to the use of rigid polysaccharide gels—specifically agarose and gellan gum—in the con servation of works on paper. Following an overview of gel chemistry and pre paration methods\, case studies will illustrate overall and local gel treat ments. This presentation will also briefly address the issue of gel residue s and determining whether or not gels are the best tool for a given treatme nt problem. Q&A will follow.
Michelle Sullivan is Associate Conservat or of Drawings at the J. Paul Getty Museum. She holds an M.S. and Certifica te of Advanced Study in Art Conservation from the Winterthur/University of Delaware Program in Art Conservation and a B.A. in the Art History and Stud io Art from the University of California at Santa Barbara. Her training has included graduate internships at the National Gallery of Art in Washington \, D.C. and Smithsonian American Art Museum. Michelle’s research interests include the use of rigid polysaccharide gels to conserve works of art on pa per\, a topic on which she has published\, lectured\, and instructed worksh ops for the University of Delaware\, Yale University Preservation Departmen t\, and the Foundation for the American Institute for Conservation.
D ate: Saturday 23 October 2021
Time: 10am–11.30am AEDT
FREE event
Registrations have c losed
CATEGORIES:Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/introduction-to-rigid-gels-for-pa per-conservation/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/10/Michelle_Sullivan_Gels_Square.jpeg END:VEVENT BEGIN:VEVENT UID:20210715T1149Z-1626349785.4871-EO-8772-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210715T081220Z LAST-MODIFIED:20211003T223619Z DTSTART;TZID=Australia/Sydney:20211028T190000 DTEND;TZID=Australia/Sydney:20211028T203000 SUMMARY: 10 AGENTS OVER 10 MONTHS #8 // DISASTERS X-ALT-DESC;FMTTYPE=text/html:
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Our countr y\, like others\, is experiencing more frequent and more intense natural di sasters. This session will revisit the devastating 2019 bushfires\, discove r how recovery networks are building\, uncover the community response and l ook beyond the traditional response and recovery.
How we can respond better.
Jennifer Thompson - Bundanon and Bushfire.
In the summer of 2019-20 Australian experienced intense bushfire activ ity which impacted the Bundanon properties. Existing emergency art relocat ion plans were implemented\, however\, as Bundanon became ringed by fire\, it was clear that the enormity of the impending disaster required rapid ada ption of existing plans and action. Jennifer and a small team of Bundanon s taff members were onsite during this time to ensure the safety of the uniqu e and valuable Bundanon Collections.
Scotia Monkivitch - Creative Recovery Network
Life is full of surprises\, twists and turns that trip us up or enable growth and new opportunity. Our response t o these challenges\, as individuals and communities\, is as varied as the c ontext in which they occur.
Creative Recovery Network is building a n etwork of creatives in every town\, city and region ready to be activated t o support us in the building of capacity for prepared\, connected and activ ated communities. Arts\, culture and creativity can open doorways for a res ilient and connected future. We fight for\, support and encourage laughter\ , dance\, tears\, music\, touch\, connection\, stillness\, participation\, imagination and hope.
Art is a way of sharing stories\, connecting\, reducing isolation\, making sense of and preparing for the unimaginable. Al l essential for preparedness and recovery.
Galleries and Museums play a critical role in the social and cultural lives of our communities\, supp orting wellbeing and strengthening a sense of identity and place.
In developing Risk Mitigation and Preparedness Plans where do we connect the p eople – the communities we live within\, our visitors regular and incidenta l\, the people who are truly the owners of our institutions?
Dr Dolapo Fakuade - Director of Resilespur Consulting.
Response and recovery to community-wide disasters
Response to past disasters and anthropogenic conditions suggest there is need for better coo peration between agencies\, organisations and communities. However\, lack o f engagement between stakeholders and limited interactions with appropriate organisation peacetime continue to limit preparedness efforts and increase risks to collection. This presentation highlights the importance of extern al influencers\, and raises awareness of measures taken by Christchurch Art Gallery (CAG) to strengthen disaster preparedness plan post-Christchurch q uake sequence. Collaborative disaster preparedness measures implemented by CAG has since improved relationships with emergency response organisations\ , local and regional stakeholders. This session concludes with recommendati ons for a collaborative disaster preparedness arrangement ahead of future d isruptive events and unanticipated crises.
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Thursday 28th October 2021
7pm-8:30pm
FREE EVENT
R egister here
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Jen nifer Thomson - Bundanon Trust.
Jennifer Thompson is Collect ions & Exhibitions Manager for Bundanon\, where she has worked for nearly 2 0 years. Her work includes managing the Trust’s collection and archive\, co nducting and facilitating research\, developing and touring exhibitions\, c aring for the heritage precinct and providing physical and online access to the Collections.
Bundanon Trust - Bundanon.com.au
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Scotia Monkivitch - Creative Recovery Net work
Scotia is currently Manager of the Creative Recovery Network\, t he national agency advocating for and supporting the role of culture and th e arts in disaster management - preparedness\, response and recovery. The C reative Recovery Network aims to gather\, critique\, develop and share the knowledge gained nationally and internationally for engagement of the arts in disaster recovery\, along with developing tools and support for artists working in this field.
Creative Recovery Network- creativerecovery.net.au
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Dr Dolapo Fakuade- Director of Resilespur Consulting.
Dr Dolapo Fakuade (Dolas) is a Crisis Managem ent Expert. She is an Assistant Professor at Rabdan Academy\; the Security and Safety Institution in the UAE\, as well as visiting Professor at Univer sities in Australia and the United States of America.
Dolas obtained her MSc in Disaster Management from the United Kingdom and a PhD in Hazard and Disaster Management from New Zealand. She is a UNESCO ‘looking beyond d isaster’ ambassador and a champion of ‘all things’ safety and security of t he society. Dolas developed an EM capability development framework for Otag o Civil Defence and Emergency Management (CDEM) in 2018. Dolas served at th e New Zealand Department of the Prime Minister and Cabinet (DPMC) working w ith the National Security Workforce team for 6 months. She was part of a sp ecial evaluation committee which required her emergency management expertis e in reviewing response and recovery leadership processes for the country.
https://www.linkedin.com/ in/dolapo-fakuade-26112563/
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Thank y ou to our session sponsor DataComIT and session supporters Steamatic and Prolab
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-8-disast ers/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AOC_8_150x150pixels.jpg END:VEVENT BEGIN:VEVENT UID:20210930T2328Z-1633044487.3205-EO-9101-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210930T140057Z LAST-MODIFIED:20210930T220309Z DTSTART;TZID=Australia/Sydney:20211115T090000 DTEND;TZID=Australia/Sydney:20211203T170000 SUMMARY: AICCM Paintings Special Interest Group VIRTUAL FORUM X-ALT-DESC;FMTTYPE=text/html:
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CATEGORIES:Special Interest Group Symposium LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/paintings-sig-virtual-forum/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/10/Australian-Made-1.jpeg END:VEVENT BEGIN:VEVENT UID:20210617T1100Z-1623927657.2035-EO-8646-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20210617T090530Z LAST-MODIFIED:20211003T225509Z DTSTART;TZID=Australia/Sydney:20211118T190000 DTEND;TZID=Australia/Sydney:20211118T203000 SUMMARY: 10 AGENTS OVER 10 MONTHS #9 // COVID X-ALT-DESC;FMTTYPE=text/html:
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This session will explore how the conser vation profession has been affected by COVID at an International\, State an d local level. We are engaging Prof Jane Henderson to present a pape r from the UK and are looking to include State and local organisations to p rovide input and perspectives.
Summary of presentations.
Eli zabeth McCartney - Museums Victoria
Elizabeth will be discussing Museums Victoria's (MV) experience of managing the conservation of the Stat e Collection during Melbourne's prolonged 2020 lockdown. She will discuss t he process and challenges of prioritising work\, the strategies for dealing with changing levels of restricted access to MV's sites\, managing expecta tions and communicating the impact on work programs both within and outside MV\, and the sometimes unexpected silver linings that came from the experi ence.
Rebekah Butler - Museums &Galleries Queensland.
Th is presentation will provide a broad overview of Museums & Galleries Queens land’s (M&G QLD) response to COVID-19 and how the organisation continues to support our state’s public museum and gallery sector through these challen ging times. M&G QLD’s Executive Director\, Rebekah Butler\, will also discu ss how the sector has modified its work practices to maintain connectivity with its audiences and community during the pandemic\; its resilience\; and touch on some of the ongoing challenges.
Prof Jane Henderson - Professor in Conservation at Cardiff University
This presentation a ims to draw conclusions from the experience of caring and sharing collectio ns under a pandemic. I will talk about how we have woven together strategie s to adapt and grow\, how we have revised our goals and plans become more p ragmatic and more\, how we've had to rethink our priorities but the pandemi c has also created opportunities to start or complete previously impossible projects. We have tried to identify what is essential and how to respond w hen we lose things that we used to rely upon. For many in collections manag ement the separation from their collections and the loss of an ability to c ontrol and manage the environment is barely mediated by the ability to moni tor from afar. Nonetheless the lack of ability to connect to the physical o bjects is contrasted with the opportunities to connect with people not just in our own teams but around the world have put their energy into meaningfu l things into sharing ideas and into inspiring others. The pandemic has exp osed that our resilience is no more neutral than the rest of our museum exp erience.
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Thursday 18 Novembe r 2021
7pm-8:30pm
FREE EVENT
Register Here
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Jane Henderson\, Professor in Conservation at Cardiff University
Jane Henderson\, BSc\, MSc\, PACR\, FIIC\, is a Professor of Conservation and the Secretary General International Institute for Conservation. Jane serves on the edito rial panel of the Journal of the Institute for Conservation\, is a co-opted member on the trustee board of the Welsh Federation of Museum and Art Gall eries and is a visiting Researcher of the Scientific Conservation Institute in Beijing. Jane serves on the European standards body CEN TC 346 WG11 and on the BSI standard group B/560 concerned with the conservation of Tangibl e Cultural heritage.
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Rebekah Butler
Reb ekah Butler is the Executive Director of Museums & Galleries Queensland (M& G QLD)\, the peak professional body for Queensland's public museum and gall ery sector. She has over 20 years’ experience working in the sector\, inclu ding as Director of the Broken Hill Regional Art Gallery\, NSW\, and Direct or of Umbrella Studio contemporary arts in Townsville\, QLD. She has a Grad uate Diploma of Arts (Art History and Curatorship) Australian National Univ ersity\, and a Bachelor of Visual Arts (Major in Printmaking) Monash Univer sity. Rebekah has been Executive Director of M&G QLD since 2007.
[/fu sion_text][/fusion_builder_column][fusion_builder_column type="1_4" type="1 _4" layout="1_4" align_self="auto" content_layout="column" align_content="f lex-start" content_wrap="wrap" spacing="" center_content="no" link="" targe t="_self" min_height="" hide_on_mobile="small-visibility\,medium-visibility \,large-visibility" sticky_display="normal\,sticky" class="" id="" order_me dium="0" order_small="0" hover_type="none" border_color="" border_style="so lid" box_shadow="no" box_shadow_blur="0" box_shadow_spread="0" box_shadow_c olor="" box_shadow_style="" background_type="single" gradient_start_positio n="0" gradient_end_position="100" gradient_type="linear" radial_direction=" center center" linear_angle="180" background_color="" background_image="" b ackground_image_id="" background_position="left top" background_repeat="no- repeat" background_blend_mode="none" animation_type="" animation_direction= "left" animation_speed="0.3" animation_offset="" filter_type="regular" filt er_hue="0" filter_saturation="100" filter_brightness="100" filter_contrast= "100" filter_invert="0" filter_sepia="0" filter_opacity="100" filter_blur=" 0" filter_hue_hover="0" filter_saturation_hover="100" filter_brightness_hov er="100" filter_contrast_hover="100" filter_invert_hover="0" filter_sepia_h over="0" filter_opacity_hover="100" filter_blur_hover="0" first="true" last ="false" spacing_right="" border_position="all"][fusion_imageframe image_id ="8910|thumbnail" max_width="" sticky_max_width="" style_type="" blur="" st ylecolor="" hover_type="none" bordersize="" bordercolor="" borderradius="" align_medium="none" align_small="none" align="none" lightbox="no" gallery_i d="" lightbox_image="" lightbox_image_id="" alt="" link="" linktarget="_sel f" animation_type="" animation_direction="left" animation_speed="0.3" anima tion_offset="" hide_on_mobile="small-visibility\,medium-visibility\,large-v isibility" sticky_display="normal\,sticky" class="" id="" filter_hue="0" fi lter_saturation="100" filter_brightness="100" filter_contrast="100" filter_ invert="0" filter_sepia="0" filter_opacity="100" filter_blur="0" filter_hue _hover="0" filter_saturation_hover="100" filter_brightness_hover="100" filt er_contrast_hover="100" filter_invert_hover="0" filter_sepia_hover="0" filt er_opacity_hover="100" filter_blur_hover="0"]https://aiccm.org.au/wp-conten t/uploads/2021/08/Elizabeth-McCartney-head-shot-150x150.jpeg[/fusion_imagef rame][/fusion_builder_column][fusion_builder_column type="3_4" type="3_4" l ayout="3_4" align_self="auto" content_layout="column" align_content="flex-s tart" content_wrap="wrap" spacing="" center_content="no" link="" target="_s elf" min_height="" hide_on_mobile="small-visibility\,medium-visibility\,lar ge-visibility" sticky_display="normal\,sticky" class="" id="" order_medium= "0" order_small="0" hover_type="none" border_color="" border_style="solid" box_shadow="no" box_shadow_blur="0" box_shadow_spread="0" box_shadow_color= "" box_shadow_style="" background_type="single" gradient_start_position="0" gradient_end_position="100" gradient_type="linear" radial_direction="cente r center" linear_angle="180" background_color="" background_image="" backgr ound_image_id="" background_position="left top" background_repeat="no-repea t" background_blend_mode="none" animation_type="" animation_direction="left " animation_speed="0.3" animation_offset="" filter_type="regular" filter_hu e="0" filter_saturation="100" filter_brightness="100" filter_contrast="100" filter_invert="0" filter_sepia="0" filter_opacity="100" filter_blur="0" fi lter_hue_hover="0" filter_saturation_hover="100" filter_brightness_hover="1 00" filter_contrast_hover="100" filter_invert_hover="0" filter_sepia_hover= "0" filter_opacity_hover="100" filter_blur_hover="0" first="false" last="tr ue" border_position="all"][fusion_text columns="" column_min_width="" colum n_spacing="" rule_style="default" rule_size="" rule_color="" font_size="" l ine_height="" letter_spacing="" text_color="" content_alignment_medium="" c ontent_alignment_small="" content_alignment="" animation_type="" animation_ direction="left" animation_speed="0.3" animation_offset="" hide_on_mobile=" small-visibility\,medium-visibility\,large-visibility" sticky_display="norm al\,sticky" class="" id=""]Elizabeth McCartney
Elizabeth McCar tney is the Manager of Conservation at Museums Victoria. She is responsible for the management of Conservation programs across Museums Victoria’s exhi bition and storage sites\, including Melbourne Museum\, Scienceworks and th e Immigration Museum. Elizabeth holds a Masters in the Conservation of Cult ural Materials\, University of Melbourne and a Masters in the Principles of Conservation\, University College\, London.[/fusion_text][/fusion_builder_ column][fusion_builder_column type="1_1" type="1_1" align_self="auto" conte nt_layout="column" align_content="flex-start" content_wrap="wrap" spacing=" " center_content="no" link="" target="_self" min_height="" hide_on_mobile=" small-visibility\,medium-visibility\,large-visibility" sticky_display="norm al\,sticky" class="" id="" type_medium="" type_small="" order_medium="0" or der_small="0" dimension_spacing_medium="" dimension_spacing_small="" dimens ion_spacing="" dimension_margin_medium="" dimension_margin_small="" margin_ top="" margin_bottom="" padding_medium="" padding_small="" padding_top="" p adding_right="" padding_bottom="" padding_left="" hover_type="none" border_ sizes="" border_color="" border_style="solid" border_radius="" box_shadow=" no" dimension_box_shadow="" box_shadow_blur="0" box_shadow_spread="0" box_s hadow_color="" box_shadow_style="" background_type="single" gradient_start_ color="" gradient_end_color="" gradient_start_position="0" gradient_end_pos ition="100" gradient_type="linear" radial_direction="center center" linear_ angle="180" background_color="" background_image="" background_image_id="" background_position="left top" background_repeat="no-repeat" background_ble nd_mode="none" animation_type="" animation_direction="left" animation_speed ="0.3" animation_offset="" filter_type="regular" filter_hue="0" filter_satu ration="100" filter_brightness="100" filter_contrast="100" filter_invert="0 " filter_sepia="0" filter_opacity="100" filter_blur="0" filter_hue_hover="0 " filter_saturation_hover="100" filter_brightness_hover="100" filter_contra st_hover="100" filter_invert_hover="0" filter_sepia_hover="0" filter_opacit y_hover="100" filter_blur_hover="0" last="true" border_position="all" first ="true"][fusion_text columns="" column_min_width="" column_spacing="" rule_ style="default" rule_size="" rule_color="" content_alignment_medium="" cont ent_alignment_small="" content_alignment="" hide_on_mobile="small-visibilit y\,medium-visibility\,large-visibility" sticky_display="normal\,sticky" cla ss="" id="" font_size="" fusion_font_family_text_font="" fusion_font_varian t_text_font="" line_height="" letter_spacing="" text_color="" animation_typ e="" animation_direction="left" animation_speed="0.3" animation_offset=""]
Thank you to our Session Sponsor DataComIT
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-9-covid/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AOC_9_150x150pixels.jpg END:VEVENT BEGIN:VEVENT UID:20211122T2053Z-1637614394.017-EO-9327-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20211120T020412Z LAST-MODIFIED:20211120T020412Z DTSTART;TZID=Australia/Sydney:20211125T100000 DTEND;TZID=Australia/Sydney:20211125T110000 SUMMARY: Monitoring Ageing Processes of Paper Artefacts by Means of Quantit ative Hyperspectral Imaging X-ALT-DESC;FMTTYPE=text/html:
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Presented by Roberto Padoan\, Principal Conservator Paper & Books\, Artlab Australia.
Free
Register Here
Can this object go in an exhibition? For how long? Has this exhibition caused a damage to the object? How can I asses in a quantitative way the risk of a damage that has already occurred or that might occur in the future? This presentation aims to offer a possible path to answer these questions. A report on some pract ical experiences in the use of quantitative hyperspectral imaging for the m onitoring of ageing process in works of art on paper and archival material during exhibitions.
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CATEGORIES:Conference LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/monitoring-ageing-processes-of-pa per-artefacts-by-means-of-quantitative-hyperspectral-imaging/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/11/sa-nt-webinar-image.jpeg END:VEVENT BEGIN:VEVENT UID:20211102T0222Z-1635819721.9924-EO-9191-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20211101T050048Z LAST-MODIFIED:20211122T060455Z DTSTART;TZID=Australia/Sydney:20211209T190000 DTEND;TZID=Australia/Sydney:20211209T210000 SUMMARY: 10 AGENTS OVER 10 MONTHS #10 // MASTER MINDS X-ALT-DESC;FMTTYPE=text/html:
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Isolation and the silver linings - How do w e prevent isolation becoming the 11th risk.
Through the isolated filt er we see the faults in the profession and we have challenged five experts from our profession to create a new environment for the conservator of the future.
We have determined three key elements within the overarching theme of isolation\, - Collaboration\, Education and Sustainability. Thes e themes intersect\, overlap and influence each other. How do we approach these themes with hope\, positivity and clear direction for the conservator of the future?
The format of the evening will be a panel discussion engaging the speakers and audience to dissect and debate the themes and cre ate opportunities for our profession.
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Thursday 9 December 2021
7pm-9pm
FREE EVENT
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MaryJo Lelyveld - Coordinating Conservator at the Nationa l Gallery Victoria
Mary-Jo coordinates a team of 25 conservators and technicians across six sections\, to deliver the NGV exhibition\, colle ction care and outreach programs. She served as President of the Australian Institute for the Conservation of Cultural Materials (AICCM) (2013-2017) a nd is now chair of the AICCM Sustainable Collections Committee (2017-presen t). She holds a Bachelor of Applied Science in the Conservation of Cultural Materials (Paintings) from the University of Canberra (2002) and a Master of Strategic Foresight from Swinburne University (2012).
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align_medium="none" align_small="none" align="none" margin_top="" margin_right="" margin_bottom="" margin_left="" lightbox="no" gallery_id=" " lightbox_image="" lightbox_image_id="" alt="" link="" linktarget="_self" hide_on_mobile="small-visibility\,medium-visibility\,large-visibility" stic ky_display="normal\,sticky" class="" id="" animation_type="" animation_dire ction="left" animation_speed="0.3" animation_offset="" filter_hue="0" filte r_saturation="100" filter_brightness="100" filter_contrast="100" filter_inv ert="0" filter_sepia="0" filter_opacity="100" filter_blur="0" filter_hue_ho ver="0" filter_saturation_hover="100" filter_brightness_hover="100" filter_ contrast_hover="100" filter_invert_hover="0" filter_sepia_hover="0" filter_ opacity_hover="100" filter_blur_hover="0"]https://aiccm.org.au/wp-content/u ploads/2021/10/Becky-150x150.jpeg[/fusion_imageframe][/fusion_builder_colum n][fusion_builder_column type="3_4" type="3_4" layout="3_4" align_self="aut o" 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Becky Fifield - Head of Collection Management New York Pu blic Library.
Becky Fifield joined The New York Public Library in 2016 as Head of Collection Management. Ms. Fifield has over 30 years exper ience working with art and history collections\, including the Metropolitan Museum of Art and the Museum of Fine Arts\, Boston. She is former Chair of AIC’s Collection Care Network and Chair of Alliance for Response\, NYC\, a nd currently serves on the Technical Committee of National Fire Protection Association’s Code 909\, Code for the Protection of Cultural Resource Prope rties - Museums\, Libraries\, and Places of Worship. She holds an M.A. in M useum Studies from The George Washington University and is a Fellow of the American Institute of Conservation.
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borderradius="" align_mediu m="none" align_small="none" align="none" margin_top="" margin_right="" marg in_bottom="" margin_left="" lightbox="no" gallery_id="" lightbox_image="" l ightbox_image_id="" alt="" link="" linktarget="_self" hide_on_mobile="small -visibility\,medium-visibility\,large-visibility" sticky_display="normal\,s ticky" class="" id="" animation_type="" animation_direction="left" animatio n_speed="0.3" animation_offset="" filter_hue="0" filter_saturation="100" fi lter_brightness="100" filter_contrast="100" filter_invert="0" filter_sepia= "0" filter_opacity="100" filter_blur="0" filter_hue_hover="0" filter_satura tion_hover="100" filter_brightness_hover="100" filter_contrast_hover="100" filter_invert_hover="0" filter_sepia_hover="0" filter_opacity_hover="100" f ilter_blur_hover="0"]https://aiccm.org.au/wp-content/uploads/2021/08/J-Hend erson-150x150.jpeg[/fusion_imageframe][/fusion_builder_column][fusion_build er_column type="3_4" type="3_4" layout="3_4" 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Jane Henderson\, Professor in Conservation at Cardiff University

Jane Henderson\, BSc\, MSc\, PACR\, FIIC\, is a Professor of Conservatio n and the Secretary General International Institute for Conservation. Jane serves on the editorial panel of the Journal of the Institute for Conservat ion\, is a co-opted member on the trustee board of the Welsh Federation of Museum and Art Galleries and is a visiting Researcher of the Scientific Con servation Institute in Beijing. Jane serves on the European standards body CEN TC 346 WG11 and on the BSI standard group B/560 concerned with the cons ervation of Tangible Cultural heritage.
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borderradius="" align_m edium="none" align_small="none" align="none" margin_top="" margin_right="" margin_bottom="" margin_left="" lightbox="no" gallery_id="" lightbox_image= "" lightbox_image_id="" alt="" link="" linktarget="_self" hide_on_mobile="s mall-visibility\,medium-visibility\,large-visibility" sticky_display="norma l\,sticky" class="" id="" animation_type="" animation_direction="left" anim ation_speed="0.3" animation_offset="" filter_hue="0" filter_saturation="100 " filter_brightness="100" filter_contrast="100" filter_invert="0" filter_se pia="0" filter_opacity="100" filter_blur="0" filter_hue_hover="0" filter_sa turation_hover="100" filter_brightness_hover="100" filter_contrast_hover="1 00" filter_invert_hover="0" filter_sepia_hover="0" filter_opacity_hover="10 0" filter_blur_hover="0"]https://aiccm.org.au/wp-content/uploads/2021/05/Dr -Athanasios-Velios-150x150.jpeg[/fusion_imageframe][/fusion_builder_column] [fusion_builder_column type="3_4" type="3_4" layout="3_4" 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Dr. Athanasios Velios is a Reader in Documentation in C amberwell\, Chelsea and Wimbledon and Ligatus at the University of the Arts London. He is a keen supporter of open source software and open distributi on of knowledge.
Dr Velios’ research focuses on documenting practice with a particular interest in conservation and archiving. He currently lead s an international consortium on conservation documentation: Linked Conserv ation Data. Linked Data technologies allow the publication of records/data in such a way that they can be linked to other resources and enable re-use and discovery (Ligatus\, UAL 2021)
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borderradius="" align_medium ="none" align_small="none" align="none" margin_top="" margin_right="" margi n_bottom="" margin_left="" lightbox="no" gallery_id="" lightbox_image="" li ghtbox_image_id="" alt="" link="" linktarget="_self" hide_on_mobile="small- visibility\,medium-visibility\,large-visibility" sticky_display="normal\,st icky" class="" id="" animation_type="" animation_direction="left" animation _speed="0.3" animation_offset="" filter_hue="0" filter_saturation="100" fil ter_brightness="100" filter_contrast="100" filter_invert="0" filter_sepia=" 0" filter_opacity="100" filter_blur="0" filter_hue_hover="0" filter_saturat ion_hover="100" filter_brightness_hover="100" filter_contrast_hover="100" f ilter_invert_hover="0" filter_sepia_hover="0" filter_opacity_hover="100" fi lter_blur_hover="0"]https://aiccm.org.au/wp-content/uploads/2021/10/Julian- 150x150.jpeg[/fusion_imageframe][/fusion_builder_column][fusion_builder_col umn type="3_4" type="3_4" layout="3_4" align_self="auto" 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Jul ian Bickersteth -CEO International Conservation Services
Julian Bickersteth is the current President of IIC\, and the CEO of International Conservation Services\, based in Sydney. After taking a degree in Theology at Oxford\, Julian trained as a furniture conservator and worked at the Pow erhouse Museum\, Sydney. He established ICS in the late 1980s and has work ed in many parts of the world on conservation projects from Dubai to Antarc tica. He is particularly focused on sustainability issues\, and recently l aunched the joint IIC\, ICOM-CC\, ICCROM commitment for climate action.

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Thank you to our se ssion sponsor Museum Study
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CATEGORIES:10 Agents 10 Months,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/10-agents-over-10-months-10-maste r-minds/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/03/AOC_10_150x150pixels.jpg END:VEVENT BEGIN:VEVENT UID:20211124T1443Z-1637764983.7723-EO-9345-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20211124T104720Z LAST-MODIFIED:20211124T104720Z DTSTART;TZID=Australia/Sydney:20211214T200000 DTEND;TZID=Australia/Sydney:20211214T220000 SUMMARY: AICCM Awards and Christmas Celebration 2021 X-ALT-DESC;FMTTYPE=text/html:
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CATEGORIES:Meeting LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-awards-and-christmas-celebr ation-2021/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2021/11/AAICCM_Awards_1_Square.jpeg END:VEVENT BEGIN:VEVENT UID:20220214T0929Z-1644830969.1574-EO-9781-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20220214T060822Z LAST-MODIFIED:20220214T061049Z DTSTART;TZID=Australia/Sydney:20220216T180000 DTEND;TZID=Australia/Sydney:20220216T190000 SUMMARY: AICCM x SC@M: Physical Health in the Labs with Dr Beth Yule X-ALT-DESC;FMTTYPE=text/html:
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Welcome to our first AICCM x SC@M Webinar for 2022\, Physical Hea lth in the Labs with Dr Beth Yule. This will be presented at 6pm on Wednesd ay 16th of February.
Please join us by registering here
Dr Beth is a Melbourne-based Osteopath who specialises in chronic pain an d migraines. She is joining us to discuss our physical health while working and studying in the labs. In our formative years in the sector\, it is so important to learn ways to avoid putting our bodies under unnecessary strai n and manage repetitive strain injuries and similar\, if they do occur.

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CATEGORIES:Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/physical-health-labs/ END:VEVENT BEGIN:VEVENT UID:20220321T0243Z-1647830620.9148-EO-9904-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20220321T021128Z LAST-MODIFIED:20220321T021251Z DTSTART;TZID=Australia/Sydney:20220330T100000 DTEND;TZID=Australia/Sydney:20220330T103000 SUMMARY: SA/NT Chinwag # 4 -The Oleograph Conundrum: A complex treatment th rough the hands of multiple conservators DESCRIPTION: Presented by Laura Daenke – Paper Conservator at Artlab Austra lia Abstract In 2015 a framed oleograph of a port scene in Lyme Regis found its way to Artlab for assessment and conservation. Over the years the con servation treatment of the oleograph was started and worked on by several c onservators and completed in 2021 by paper X-ALT-DESC;FMTTYPE=text/html:
Presented by Laura Daenke – Paper Conserva tor at Artlab Australia
Abstract
In 2015 a fra med oleograph of a port scene in Lyme Regis found its way to Artlab for ass essment and conservation. Over the years the conservation treatment of the oleograph was started and worked on by several conservators and completed in 2021 by paper conservator Laura Daenke. Along the way\, she encountered many ethical considerations and treatment difficulties. For this chinwag La ura will discuss the challenges faced during the treatment\, from both the ethical and practical points of view. Varnish: to remove or not to remove? Tylose: a substitute for varnishing? Backing removal and washing: advantage s and disadvantages.
Save the date
The fourth Chinwag of this series is from 10.00 AM to 10.30 AM (Adelaide Time) on the 30th of March 2022.
Please register in advance for t his Chinwag:
https://us02web.zoom.us /webinar/register/WN_a6T-k18YTc2mh7u5ukO_MQ
After registering\, y ou will receive a confirmation email containing information about joining t he webinar.
Feel free to share this invitation.
Recordi ngs
This and the previous Chinwags will be available on the State Division Webinars of the AICCM
CATEGORIES:Webinar ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/sa-nt-chinwag-4-the-oleograph-con undrum-a-complex-treatment-through-the-hands-of-multiple-conservators/ END:VEVENT BEGIN:VEVENT UID:20220818T1127Z-1660822036.1702-EO-10375-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20220815T235039Z LAST-MODIFIED:20220815T235217Z DTSTART;TZID=Australia/Sydney:20220825T103000 DTEND;TZID=Australia/Sydney:20220825T110000 SUMMARY: SA/NT Chinwag # 5 – The Australian Cultural Collection Rehousing S torage Project at the South Australian Museum X-ALT-DESC;FMTTYPE=text/html:
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[caption id="attachment_10376" alig n="aligncenter" width="1200"] Justin Gare\, Senior Object s Conservator\, working on a section of ‘Sandbar and Hairbelt’ Ilma by Roy Wiggan. Collection of the South Australian Museum[/caption]
Presented by Renita Ryan – Senior Objects Conservator and Acting Assistant Director at Artlab Australia
Abstract
Renita Ryan will discuss and show photos of a recent project to upgrade the storage furnitur e and housing of the South Australian Museum’s Australian collection.
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Save the date
10.30 AM to 11.00 AM (ACST)
Thursday the 25th of August 2022.
Please register here
[/fusion_text][fusion_text columns="" column_min_width="" colu mn_spacing="" rule_style="default" rule_size="" rule_color="" content_align ment_medium="" content_alignment_small="" content_alignment="" hide_on_mobi le="small-visibility\,medium-visibility\,large-visibility" sticky_display=" normal\,sticky" class="" id="" font_size="" fusion_font_family_text_font="" fusion_font_variant_text_font="" line_height="" letter_spacing="" text_col or="" animation_type="" animation_direction="left" animation_speed="0.3" an imation_offset=""]
After registering\, you will receive a confirmatio n email containing information about joining the webinar.
Feel free t o share this invitation.
Recordings
This and t he previous Chinwags will be available on the State Division Webi nars page of the AICCM
What is a Chinwag?
The South Australia and Northern Territory division of the AICCM is promoti ng a series of Chinwags on conservation experiences\, projects and research for all the AICCM members and external attendees.
Chinwags are short informal moments for conservators and conservation scientists to share the ir experiences\, findings\, questions and solutions encountered during thei r work. Presentations can be of 15/20 minutes followed by questions and ans wers.
Interested in presenting at a Chinwag?
Please get in cont act with Roberto Padoan – SA/NT P resident
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CATEGORIES:Meeting LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/sa-nt-chinwag-5/ END:VEVENT BEGIN:VEVENT UID:20220823T0409Z-1661227773.5133-EO-10386-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20220822T120303Z LAST-MODIFIED:20220822T214316Z DTSTART;TZID=Australia/Sydney:20220922T100000 DTEND;TZID=Australia/Sydney:20220923T160000 SUMMARY: Communicating Conservation Workshop X-ALT-DESC;FMTTYPE=text/html:
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CATEGORIES:Workshop LOCATION:Museum of Applied Arts and Sciences GEO:-33.879356;151.199496 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/communicating-conservation-worksh op/ END:VEVENT BEGIN:VEVENT UID:20220921T0335Z-1663731356.4301-EO-10460-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20220920T102024Z LAST-MODIFIED:20220925T042427Z DTSTART;TZID=Australia/Sydney:20220929T103000 DTEND;TZID=Australia/Sydney:20220929T110000 SUMMARY: SA/NT Chinwag # 6 – Captain S.A. White Eggs Labels – Iron Gall Ink s and a Bridge Between Conservation and Contemporary Art X-ALT-DESC;FMTTYPE=text/html:
[fusion_builder_container hundred_percent= "no" equal_height_columns="no" hide_on_mobile="small-visibility\,medium-vis ibility\,large-visibility" background_position="center center" background_r epeat="no-repeat" fade="no" background_parallax="none" parallax_speed="0.3" video_aspect_ratio="16:9" video_loop="yes" video_mute="yes" border_style=" solid" type="legacy"][fusion_builder_row][fusion_builder_column type="1_1" type="1_1" layout="1_1" background_position="left top" background_color="" border_color="" border_style="solid" border_position="all" spacing="yes" ba ckground_image="" background_repeat="no-repeat" padding_top="" padding_righ t="" padding_bottom="" padding_left="" margin_top="0px" margin_bottom="0px" class="" id="" animation_type="" animation_speed="0.3" animation_direction ="left" hide_on_mobile="small-visibility\,medium-visibility\,large-visibili ty" center_content="no" last="true" min_height="" hover_type="none" link="" border_sizes_top="" border_sizes_bottom="" border_sizes_left="" border_siz es_right="" first="true"][fusion_text columns="" column_min_width="" column _spacing="" rule_style="default" rule_size="" rule_color="" content_alignme nt_medium="" content_alignment_small="" content_alignment="" hide_on_mobile ="small-visibility\,medium-visibility\,large-visibility" sticky_display="no rmal\,sticky" class="" id="" font_size="" fusion_font_family_text_font="" f usion_font_variant_text_font="" line_height="" letter_spacing="" text_color ="" animation_type="" animation_direction="left" animation_speed="0.3" anim ation_offset=""][caption id="attachment_10461" align="aligncenter" width="1 200"] A sample of the egg clutches of Captain S.A. White collection at the ornithology department of the South Australian Museum. Photo G. Han cock\, Copyright J. Gardener.[/caption]
Presented by Jorji Gardener – Printmaker Artist and volunteer at the South Australian Museum & Artlab Au stralia
Abstract
Jorji Gardener will be presen ting her experience with the treatment of a large scale of historical museu m labels of the egg collection of Captain S.A. White from the South Austral ian Museum. The labels are mainly written with iron-gall inks but also grap hite pencils\, ballpoint pen inks and copying pencils. The technical challe nges and organization of the conservation project will be reported in this presentation. Jorji’s interest in the production of iron-gall ink and ornit hology has brought her to develop a unique art project that has recently re sulted in an exhibition at the Hamra Auditorium Gallery and the publication of a book. This Chinwag is intended as a fusion of conservation\, craftsma nship\, ecology\, sustainability\, and art.
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Sav e the date
10.30 AM to 11.00 AM (ACST)
Thursday the 29th of Se ptember 2022.
Please register here
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After registering\, you will receive a confirmation email con taining information about joining the webinar.
Feel free to share thi s invitation.
Recordings
This and the previous Chinwags will be available on the State Division Webinars pa ge of the AICCM
What is a Chinwag?
The South A ustralia and Northern Territory division of the AICCM is promoting a series of Chinwags on conservation experiences\, projects and research for all th e AICCM members and external attendees.
Chinwags are short informal m oments for conservators and conservation scientists to share their experien ces\, findings\, questions and solutions encountered during their work. Pre sentations can be of 15/20 minutes followed by questions and answers.
Interested in presenting at a Chinwag?
Please get in contact with Roberto Padoan – SA/NT President
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CATEGORIES:Meeting LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/sa-nt-chinwag-6/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2022/09/3.jpg END:VEVENT BEGIN:VEVENT UID:20210726T1122Z-1627298565.3401-EO-8827-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20220823T012507Z LAST-MODIFIED:20220920T100652Z DTSTART;TZID=Australia/Sydney:20221004T200000 DTEND;TZID=Australia/Sydney:20221004T210000 SUMMARY: AICCM Annual General Meeting 49 DESCRIPTION: Sorry\, but you do not have permission to view this content. X-ALT-DESC;FMTTYPE=text/html:
AICCM AGM 49
8pm\, AEST Tuesday 4 October 2022
Once again the AICCM AGM will be held online via Zoom. Meeting details will be emailed to registere d participants on the day.
Please register online for the meeting (r egister button above) or email your apology to Amanda Wild secretary@aiccm.org.au before 5pm\, Friday 27 S eptember. If you cannot attend\, you may nominate a proxy to vote on your b ehalf. Only members of the AICCM may register for the AGM.
We encoura ge members to nominate for a position on the National Council. If you have any questions\, please contact the Secretary.

AGM 49 Agenda
< a href="https://aiccm.org.au/wp-content/uploads/2022/08/AGM48_2021-AICCM-AG M-Minutes-Draft-1.docx" target="_blank" rel="noopener">AGM 48 Minutes DRAFT
Nomination form

Proxy voting form
CATEGORIES:Meeting LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-annual-general-meeting-49/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2022/08/AGM-2022.jpeg END:VEVENT BEGIN:VEVENT UID:20220921T0335Z-1663731356.4448-EO-10453-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20220920T100205Z LAST-MODIFIED:20220920T100717Z DTSTART;TZID=Australia/Sydney:20221013T190000 DTEND;TZID=Australia/Sydney:20221013T200000 SUMMARY: Launch of the AICCM 2023 Disaster Preparedness Calendar. X-ALT-DESC;FMTTYPE=text/html:
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CATEGORIES:Meeting LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/disaster-prep-calendar-2023/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2022/09/CalendarCover_2023.jpg END:VEVENT BEGIN:VEVENT UID:20221023T2237Z-1666564639.3169-EO-10454-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20220920T012536Z LAST-MODIFIED:20221013T081821Z DTSTART;TZID=Australia/Sydney:20221013T190000 DTEND;TZID=Australia/Sydney:20221013T200000 SUMMARY: AICCM 2023 Disaster Preparedness Calendar Launch DESCRIPTION: Australia continues to experience more than its fair share of natural disasters. Following on from its success in 2022\, the AICCM is proud to present the 2023 Disaster Preparedness Calendar. Please join u s online for the launch on the International Day for Disaster Risk Reductio n\, Thursday 13 October at 7 pm\, Australian X-ALT-DESC;FMTTYPE=text/html:
Australia continues to experience more tha n its fair share of natural disasters.

Following on from its success in 2022\, the AICCM is proud to present the 2023 Disaster Preparedn ess Calendar.

Please join us online for the launch on the Inte rnational Day for Disaster Risk Reduction\, Thursday 13 October at 7 pm\, A ustralian Eastern Daylight Savings Time.

The event will incorp orate presentations and a discussion about the response and recovery of cul tural material following the Lismore flood.

Speakers include Brett Adlington (CEO Museums and Galleries NSW)\, Kay Söderlund (Preservati on Australia)\, Julie McCarthy (Papers Past Conservation)\, Julian Bickerst eth (International Conservation Services)\, Joan Kelly (Museum Advisor)\, C hris Ianna (disaster recovery and conservation specialist)

Date: Thursday 13 October 2022
Time: 7pm–8pm (AEDT)
Location: Online via zoom. Click here to join the webinar at 7pm AEDT
https://us02web.zoom.us/j/86406758450?pwd=alpwanZXa2YyVkxH R1Erb3owVHpGQT09
Passcode: 553511
CATEGORIES:Meeting LOCATION:Online GEO:-25.274398;133.775136 ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/copy-of-disaster-preparedness-cal endar-launch/ END:VEVENT BEGIN:VEVENT UID:20221008T1209Z-1665230989.715-EO-10502-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20221005T081228Z LAST-MODIFIED:20221007T065927Z DTSTART;TZID=Australia/Sydney:20221018T180000 DTEND;TZID=Australia/Sydney:20221018T200000 SUMMARY: Collaboration Exhibitions: Building Inclusive & Sustainable Pract ices X-ALT-DESC;FMTTYPE=text/html:
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tuesday 18 october 2022 · 6-8pm (aedt: canberra\, syd ney\, melbourne)
free event
register
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summary
Collaboration comes in many forms and provides the opportunity f or us to come together\, connect and understand each other in a more comple x light. Collaboration includes the ways we work together as professionals within and outside of institutions\, cultural spaces and digital platforms\ ; and the ways we work with our communities who guide\, consult\, co-create \, deliver and activate exhibitions in a range of spaces. This session cent res around bringing diverse voices together to talk about processes\, chall enges\, negotiations\, and the journey to the outcome.
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moderator
Maggie White - National Research Collections Relocation Manager\, CSIRO
Having joined CSIRO in 2021\, Maggie leads the National Research Collectio ns Relocation Project\, managing a team of curatorial technicians preparing 12 million natural sciences specimens for their move to the new National C ollections Precinct in Canberra.
She began her c areer in Collections management at the British Museum\, working on the Muse um’s largest ever storage and move project\, rehousing 400\,000+ culturally significant objects. This project ignited a passion not only for registrat ion\, but for collections management and logistics more broadly.
Returning to Australia in 2019\, Maggie spent three years in Sydney in various registration roles at the Australian Museum and Powerh ouse Museum working on large-scale collection relocation and digitisation p rojects. These projects offered unique opportunities to work collaborativel y with diverse and multi-disciplinary teams to positively impact collection s whilst improving accessibility to wider audiences.
She holds an MPhil in Archaeology\, specialising in Museum Studies and Archaeological Heritage from the University of Cambridge.
[/fusion_t ext][fusion_text columns="" column_min_width="" column_spacing="" rule_styl e="default" rule_size="" rule_color="" content_alignment_medium="" content_ alignment_small="" content_alignment="" hide_on_mobile="small-visibility\,m edium-visibility\,large-visibility" sticky_display="normal\,sticky" class=" " id="" font_size="32" fusion_font_family_text_font="Kumbh Sans" fusion_fon t_variant_text_font="400" line_height="" letter_spacing="" text_color="" an imation_type="" animation_direction="left" animation_speed="0.3" animation_ offset=""]
[fusion_fontawesome icon="fa-file-pdf fas" size="" flip="" rotate="" spin=" no" link="" linktarget="_self" alignment="" hide_on_mobile="small-visibilit y\,medium-visibility\,large-visibility" sticky_display="normal\,sticky" cla ss="" id="" margin_top="" margin_right="" margin_bottom="" margin_left="" i concolor="" iconcolor_hover="" circle="" circlecolor="" circlecolor_hover=" " circlebordersize="" circlebordercolor="" circlebordercolor_hover="" icon_ hover_type="" animation_type="" animation_direction="left" animation_speed= "0.3" animation_offset=""][/fusion_fontawesome]Speaker Bios [PDF 269 KB ]
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Mana ngarli - Exhibition as Agency
Brendan Kennedy
The Victorian Aborigin al Corporation for Languages (VACL) and Museums Victoria in 2019 launched ngulu wurneet\, galada-al wurrung-u\, parniwaru tyalingi\, waran woorroong-ee\, barringgi dyaling - River of La nguage exhibition in the Birrarung G allery. The exhibition was in celebration of UNESCO’s International Year of Indigenous Languages and VACL's 25th Anniversary. VACL curators Vicki Couz ens and Brendan Kennedy\, asked visitors to take the time and\, "learn to s ee the world through our eyes\, through our words\, stories and images."
The exhibition filtered visitors thro ugh the spears and shields\, where they were Welcomed to Country\, and list ened to and learnt from the laws of the Bunjil being offered. A collaborati on between young indigenous creatives and the exhibition curators resulted in the wall of the Birrarung Gallery coming to life with a striking 28-metr e mural depicting Ancestral Creation Beings and honouring Victoria's 44 lan guage groups. Our aim was to invite people to Walk in respect. Enter our space. Listen. Learn. This idea was often harder to maintain in practice. A busy museum space of school groups\, families\, corporate events and much more puts pressure on the team and the exhibition space. In creating such a personal and cultural place\, that is handed over to the public\, we felt uplifted\, compromised\, respected\, and disrespected\, strength and vulner ability.
Despite these challenges\, the m ain exhibition infrastructure\, the spears\, and shield installation were r eclaimed and reinvigorated in subsequent community-driven exhibitions.
In this presentation\, Brendan Kennedy will share so me experiences and processes of letting go and regaining ownership.
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Building a Museum Community in Hong Kong
J ulie Traitsis & Jo-Fan Huang
M+ is Hong Kong’s new museum of visual culture that opened to the public on 12 Novemb er 2021. It is one of the largest museums of modern and contemporary visual culture in the world\, boasting 17\,000 square meters of exhibition space\ , a collection of over 6400 works and a dedicated conservation and collecti on storage facility.
But building M+ was much mo re than erecting a building and filling it with objects. Prior to 2012\, M+ had no pre-existing collection\, staff or local museum suppliers to draw f rom. As senior staff in the Collection & Exhibitions team were recruited\, we realized that for the museum to achieve a high standard of exhibitions\, we needed to deliver ongoing training programs to staff\, and collaborate with local suppliers willing to service the very specific needs of a museum . This presentation will look at the methods used to achieve this\, enablin g M+ exhibitions to be delivered at standards aligned with international mu seums. It will also address how our approach to collaboration created a pat hway for more environmental and culturally sustainable practices and a grea ter network of museum professionals across Asia.
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Un settled: A case study of Firs t Nations-led exhibition and methodologies for community-centered collectio ns care and conservation
Dr Mariko Smith\, Kyra Kim & Rehan Sch arenguivel
The Australian Museum’s First Nations Collections & Engagement team work closely with the Collection Care & Conservation (CC&C) team to care for Aboriginal and Torr es Strait Islander cultural heritage material in line with best practice an d culturally appropriate collections management and conservation requiremen ts. First Nations Collections & Engagement Manager and Exhibition Assistant Curator Dr Mariko Smith\, along with CC&C conservators Kyra Kim and Rehan Scharenguivel will discuss together as a panel about the ground-breaking Unsettled exhibition\, covering the significance of community-led consultat ion and exhibition development processes. The panel will explore specific c onservation-related challenges faced by collections\, exhibitions\, and con servation staff during the preparation\, install\, and deinstall of this im portant exhibition. These case studies include community informed pest mana gement treatments of new acquisitions\, the heat treatment of a wooden scul pture and the gendered handling of objects during install and de-install. S uch discussions emphasize the significance of prioritizing the needs of obj ects through the recognition of the primary rights and responsibilities of those who know the objects best – the First Nations makers and their commun ities.
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Working collaboratively in an exhibition environment at the Nat ional Film and Sound Archive of Australia
Pippa Thorogood McLennan
In 2018 the National Fil m and Sound Archive in Australia (NFSA) relaunched their exhibition program me and I was hired as the Exhibitions Registrar. The exhibitions team is sm all and required a collaborative effort across teams and skills set to deve lop and deliver exhibitions suited for a national institution. In 2022 the NFSA launched a collection management system for exhibitions\, enabling the organisation to build on already created relationships across teams and bu ild skills for exhibition development. Teams work together to enhance exhib ition development\, design\, and production in the areas of conservation\, audit\, documentation of loans\, exhibition labelling and overall layout. A long the way setting new goals\, creating new practices\, and challenging t he concept of what exhibition development is about for registration and con servation.
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Roots\, plants\, cures\, and affecti on: a museological exhibition in Brazil
Jéssica Tarine Moi tinho de Lima & Thayana Campos Silva
Approaching the healing properties\, local importance and ancestry of t he native medicinal plants present in the metropolitan area of Belém do Par á\, in Brazil\, the exhibition Raizes: plantas\, curas e afetos (Roots: pla nts\, cures\, and affection) addresses how these plants are inserted into t he daily lives of those who live here and how they are significant when it comes to the shaping of memories and identities. This exhibition is the res ult of an evaluative subject\, mandatory to obtain a bachelor's degree in M useology at the Universidade Federal do Pará\, planned and executed between 2021 and 2022. Focusing on the influence it has on the economic\, medicina l\, and religious spheres\, it relies heavily on the narratives of people w ho have medicinal herbs as an essential part of their lifestyle. The displa ys’ layout and content were based on five interviews with representatively diverse people\, members of the community\, who each had their unique persp ectives. It influenced how the objects were made and displayed across the p roject's major themes. As sustainable approaches were one of the exhibition s themes\, most of the objects on display were handmade\, recycled\, or mad e of wood.
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Sustainability is the future
Caitlin Southwick
Sustainability is the future. We know this\, but we may not know exactl y what this looks like yet. And even more to the point\, we may not know ho w we\, as cultural professionals\, can help get there. The exciting part is that culture is the key to a sustainable future. Art and heritage have the capacity to drive the paradigm shift our society needs by connecting peopl e to contemporary issues through deep emotional and personal understanding. Through the stories we tell and the works we display\, we can impact our a udiences\, our communities\, and the public at large to illustrate not only why sustainability matters\, but what we can do.
However\, it is important for us to not only feel comfortable in addressi ng these issues\, but also to lead by example. An exhibition on climate cha nge is only effective if we are transparent about the exhibition's carbon f ootprint. An exhibition about Indigenous knowledge is only authentic if the community which is addressed is included.
So ho w do we start to tackle these issues\, and what is our role in these larger conversations? Every job is a climate job\, and every cultural professiona l has the power to make a huge difference. From our own daily practice\, to our global impact\, this session will explore how we\, as individuals and institutions\, can shape the future through culture.
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re turn to exhibitions: building inclusive & sustainable practices
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CATEGORIES:Special Interest Group Symposium,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/collaboration/ ATTACH;FMTTYPE=image/png:https://aiccm.org.au/wp-content/uploads/2022/10/collaboration_feature.png END:VEVENT BEGIN:VEVENT UID:20221008T1209Z-1665230989.7737-EO-10506-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20221005T084351Z LAST-MODIFIED:20221006T234917Z DTSTART;TZID=Australia/Sydney:20221019T180000 DTEND;TZID=Australia/Sydney:20221019T200000 SUMMARY: Display Exhibitions: Building Inclusive & Sustainable Practices X-ALT-DESC;FMTTYPE=text/html:
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wednesday 19 october 2022 · 6-8pm (aedt: canberra\, sydney\ , melbourne)
free event
register
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summary
From the sublime to the powerful\, the point at which design meets materials and displays provides a plethora of exciting new possibilities\, as well as some frustrations. This session looks at some practical ways to display your collection - from magnets on tiles\, book cradles and paper tabs\, to the trials of hanging pandanus mat s. Helping to find inventive\, safe\, and sustainable display solutions is often at the core of our role.
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moderat or
Shelly Uhlir - Exhibits Specialist\, Mountmaker\, Conse rvation Department\, National Museum of the American Indian
Shelly Uhlir is the staff mountmaker in the conservati on department at the Smithsonian's National Museum of the American Indian w here she has fabricated exhibition mounts and mannequins and taught worksho ps since 2001. She originally apprenticed with Benchmark and has been a mou ntmaker for almost 35 years. She loves to solve a good mounting challenge. She is also on the International Mountmakers Forum Steering Committee.
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[fusion_fontawesome icon="fa-file-pdf fa s" size="" flip="" rotate="" spin="no" link="" linktarget="_self" alignment ="" hide_on_mobile="small-visibility\,medium-visibility\,large-visibility" sticky_display="normal\,sticky" class="" id="" margin_top="" margin_right=" " margin_bottom="" margin_left="" iconcolor="" iconcolor_hover="" circle="" circlecolor="" circlecolor_hover="" circlebordersize="" circlebordercolor= "" circlebordercolor_hover="" icon_hover_type="" animation_type="" animatio n_direction="left" animation_speed="0.3" animation_offset=""][/fusion_fonta wesome]Speaker Bios [PDF 261 KB]
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Ideas to reduce waste\, and re use resources arou nd your objects
Andrew Foster
A general discussion based on our experience on how to ma ximise your resources and reduce waste in the museum and art world. We will discuss modular display components\, art and object crating and the reuse of suitable materials.
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Installation as co nservation: Preserving artists’ intent
Rhiannon W alker & Rebecca Negri
It’s easy for co nservators to think that the safest place for a work of art is stored in a crate on a shelf\, with no risk of it being damaged. It’s true that sometim es display can lead to damage of a work. But what happens when a work sits on a shelf\, not displayed\, for so long that no-one remembers how it goes together? Dissociation can be a real threat to installation artworks\, espe cially when install manuals haven’t been routinely saved to file. This pres entation looks at how the requirement to install works for the Collection O nline photography project at QAGOMA has identified gaps in our knowledge\, and provided the impetus and opportunity to dive deep into the archives to discover how artists originally intended their works to be shown. Installin g a work completely can therefore help towards ensuring it’s longevity and be an important part of the conservation process.
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Book Cradles and Supports – Displayi ng 130 rare books at the SLNSW
Jochen Letsch
In 2022\, the State Library of NSW i s staging an exhibition centred around the display of 130 rare books. Kill or Cure? A taste of Medicine\, looks at the history of medicine pre 1900 as documented within the library’s collection.
The preparation for this exhibition presented an opportunity to revi sit how we make book supports and to look at ways to refine and streamline our process. Every book requires a custom support/cradle\, which we general ly make from mount board lined with soft archival foam. We have developed E xcel spreadsheets to calculate measurements which we then transfer to our c omputerized mount cutter in order to speed up and standardise our technique .
In the course of the talk\, the author will de scribe the process of creating these supports. Starting with taking the mea surements for each book through to cutting and construction.
Often angled display is required and we have introduced the ma nufacture and use of lips made from 1mm thick synthetic polymer sheeting. T hese lips keep the book from sliding off the angled supports and aid in sup porting the text block.
We are conscious of bala ncing the need for custom supports with a more sustainable approach to moun t making. The methodology we have developed does allow the potential for si mple modification for reuse. We have plans of how to better store the suppo rts once they come off display so they can have more than one use and/or pa rts can be recycled. This project has served as both an opportunity to impr ove our current methodologies but also an impetus for more exploration into alternate approaches.
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Murals and Magnets: Trials in mounting ceramic tile murals
Margaret Barclay
Chara the Fireman\, a cera mic tile mural artwork by Thanakupi (Dhaynagwidh/Thaynakwith people) is a n ew acquisition to the Queensland Art Gallery | Gallery of Modern Art (QAGOM A) collection which has required an experimental mounting method for displa y. This paper outlines the testing\, challenges and outcomes of collaborati vely devising a novel tile mounting system. The mural consists of twenty ha nd-built ceramic tiles mounted to a chipboard backing using a commercial co nstruction adhesive. Water damage to the backing board caused damage and di slodgment of the tiles\, prompting the replacement of a visually distractin g and unsafe mounting system. This paper will share the extensive discussio n and trialling undertaken to remove the damaged mount and design a new mou nting system without using restrictive frames\, clips or shelves. The outco me is a hanging system which can be displayed horizontally or vertically\, using magnets to hold the individual tiles onto a fully hidden backing boar d\, allowing the mural to be displayed safely and visually unencumbered. Th is system also assists with the safe installation\, packing and transport o f artworks composed of fragile materials. By sharing the challenges pertine nt to Chara the Fireman\, this paper endeavours to continue the discourse of developing tile mounting methods which maintain the physical\, visual a nd cultural integrity of an artwork.
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Tabs – tiny\, and temporary
Louise Bradley
The potentia l for waste in the art exhibition industry is great. The mounts\, frames\, crates\, and plinths used in exhibitions are often removed and disposed of. How can we make exhibitions more sustainable by reducing waste? If an artw ork can be displayed unframed waste can be reduced.
Velcro®\, magnets\, hanging straps\, and tabs are some methods us ed to display unframed art. For an exhibition at Buxton Contemporary\, at t he request of artist Takehito Koganezawa\, very small tabs would be used to hang 275 drawings\, including Mounta ins 2009\, composed of 250 drawings. My work had to be done on location within a short window of time so I made tabs of Mylar® and Japanese tissue off-site\, then attached them on locati on with starch paste. An art installer hung the works on the gallery walls by piercing the tabs with tiny nails. Mountains 2009 was housed in four c ustom-made boxes so the tabs were removed after the exhibition.
My presentation will describe this low cost\, low wa ste method\, the process of making the tabs\, working on location in a shor t timeframe\, reversing the work\, and re-packing the artwork.
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Wet Specimens in Glycer ol: An update\, new challenges\, and new discoveries
Sheldon Teare\, Silvia Da Rocha & Sophie Phillips
The practice of mounting wet specimens in glycerol in lieu of ethanol or formaldehyde is a relatively recent one\, and possibly due to an ongoing dearth of research is not as popular or widespread as the afore mentioned solvent solutions. However\, glycerol as a mounting agent has gai ned more and more attention in recent years\, as restrictions on traditiona l mounting fluids tighten. Already in use at the Australian Museum since 20 12\, glycerol specimen preparation has again become a focus due to its use in the upcoming Sharks exhibition. However\, the specimen preparations requ ired for this exhibition introduced new challenges: large specimens with un ique physical attributes such as rough or jelly-like skin\, the logistics o f storing and transporting oversized specimens during preparation\, and saf ely mounting specimens. Decisions about the preparation\, treatment\, and m ounting of the specimens were made while also keeping sustainability and en vironmental issues in mind. Ultimately\, the end product of the exhibition display was a collaborative effort dependent on previous technical knowledg e\, materials research\, and communication between curatorial\, conservatio n\, and technical staff.
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Mounting Australian Indigenous Mats
Eliana (Ellie) Urrutia-Bernard
While t he mounting and strapping of bark paintings is now widely understood throug hout the conservation profession it has become apparent that there are mult iple gaps in the knowledge for the mounting of Australian indigenous woven artifacts\, specifically woven fibre mats. Most woven artifacts are unique in shape requiring a specifically designed custom mount to best support wei ght distribution during display. Indigenous fibre mats are typically simila r and only really vary in size. Therefore\, a mounting system that could be generalised to woven mats was developed by the conservation staff at the M useum and Art Gallery of the Northern Territory. This talk will demonstrate the issues faced by MAGNT conservators and how hanging systems have been m odified over the last 20 years.
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The importance of a professional network when creating sustainable exhibitions.
Amine Skousgaard
On August 24th the International Council of Museums decided on a new museum definition for all of its members which inc luded the phrase: “Museums foster diversity and sustainability.” With one p hrase ICOM made it obvious that the climate responsibility is also laying h eavily on the shoulders of museums. But many museums have only just started thinking about being more sustainable. So can a museum be sustainable in o ne of the most common practices that museums hold - creating exhibitions?
In this presentation\, Amine Skousgaard fro m Museums For Future will walk you through an explanation of three spheres that museums have to be aware of when creating sustainable exhibitions - wh ile highlighting examples of her colleagues at Museums For Future. The thre e spheres include the backstage where no museum visitors ever venture\, b ut the sustainable mindset is just as important. The front stage where so me visitors might think that museums should be the most sustainable - after all isn’t an exhibition just showing old stuff you have lying around? And the encouraging sphere\, where Amine will show the importance of inspirin g others to live a more sustainable life helped along by our relationship w ith cultural\, natural and\, art history.
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return to exhibitions: building inclusive & sustainable practices
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CATEGORIES:Special Interest Group Symposium,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/display/ ATTACH;FMTTYPE=image/png:https://aiccm.org.au/wp-content/uploads/2022/10/display_feature.png END:VEVENT BEGIN:VEVENT UID:20221008T1209Z-1665230989.824-EO-10511-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20221005T090118Z LAST-MODIFIED:20221006T234804Z DTSTART;TZID=Australia/Sydney:20221020T180000 DTEND;TZID=Australia/Sydney:20221020T200000 SUMMARY: Documentation Exhibitions: Building Inclusive & Sustainable Pract ices X-ALT-DESC;FMTTYPE=text/html:
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thursday 20 octob er 2022 · 6-8pm (aedt: canberra\, sydney\, melbourne)
free event
register
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summary
Accurate documentation is integral to the planning and delivery of exhibi tions. This session reflects on the meaning and purpose of different documentation met hods in the development of exhibitions. A combination of personal re flections and case studies are included from both Australian institutions a nd international cultural organisations to discuss new documentation tools and approaches and the possibilities for future development.
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moderator & presente r
Vesna Živković – Senior Conservator - Preventive Conserv ation Kaitauwhiro Ārai Tupuheke Matua Alexander Turnbull Library\, National Library of New Zealand Te Puna Mātauranga o Aotearoa
Vesna Živković graduated archaeology at University of Belgra de\, Faculty of Philosophy\, Department of Archaeology (2000) and obtained master’s degree in preventive conservation at University Paris 1\, Pantheon Sorbonne (2006). She holds PhD in History and Philosophy of Natural Scienc es and Technology\, University of Belgrade (2022).
From 2001 she worked at the National Museum\, Belgrade\, as a preventive conservator and has been instrumental in developing preventive conservatio n services and activities in Serbia. Vesna participated in the establishmen t of the Department for Preventive Conservation at the National Museum in B elgrade and was responsible for the Centre for the Preventive Conservation in the Central Institute for Conservation in Belgrade. Currently\, Vesna is working in the National Library of New Zealand as Senior Conservator - Pre ventive Conservation.
Vesna has been working on planning the environmental management for heritage collections and generati ng preservation plans and terms of reference for the preventive conservatio n aspect of the heritage institutions reconstruction projects and storage r eorganization projects. At present Vesna is a subject matter expert on prev entive systems and processes used to preserve or protect collections and pr ovides advice on the development of preservation policy and strategy for Al exander Turnbull Library collections.
[/fusion_text][fusion_text colu mns="" column_min_width="" column_spacing="" rule_style="default" rule_size ="" rule_color="" content_alignment_medium="" content_alignment_small="" co ntent_alignment="" hide_on_mobile="small-visibility\,medium-visibility\,lar ge-visibility" sticky_display="normal\,sticky" class="" id="" font_size="32 px" fusion_font_family_text_font="Kumbh Sans" fusion_font_variant_text_font ="" line_height="" letter_spacing="" text_color="" animation_type="" animat ion_direction="left" animation_speed="0.3" animation_offset=""]
[fusion_fontawesome icon="fa-file-pdf fas" size="" flip="" rotate="" spin="no" link="" linktarget="_self" alignment="" hide_on_mobile="small-vi sibility\,medium-visibility\,large-visibility" sticky_display="normal\,stic ky" class="" id="" margin_top="" margin_right="" margin_bottom="" margin_le ft="" iconcolor="" iconcolor_hover="" circle="" circlecolor="" circlecolor_ hover="" circlebordersize="" circlebordercolor="" circlebordercolor_hover=" " icon_hover_type="" animation_type="" animation_direction="left" animation _speed="0.3" animation_offset=""][/fusion_fontawesome] Speaker Bios [PDF 27 6KB]
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Ou r collections matter: sustainable transformation in use\, development\, and conservation of heritage collections
Vesna Živko vić
It is considered that collections and their conservation\, besides being an effective way of safeguarding and transmitting cultural and natural heritage\, provide the basis for enablin g a wide range of activities and programmes\, such as learning\, education\ , participation and research\, and advancement of sustainability in its dif ferent pillars.
To meet the goals of the United Nation’s 2030 Agenda ICCROM (International Centre for the Study of the Pres ervation and Restoration of Cultural Property) launched an initiative to su pport collections-based institutions to make concrete contributions towards sustainable development focusing on any of the five Ps (People\, Planet\, Prosperity\, Peace\, and Partnerships). The Our Collections Matter includes activities on compiling and developing meaningful practical methods and to ols that these organizations could use in their operations and for their co mmunities of users. An essential component of this project is training and capacity building and involves a change of mindsets and behaviours within a nd beyond the cultural heritage sector\, as well as recognition that collec tions and conservation work are a valued actor in sustainable development.
The purpose of this presentation is to highlight the role of different tools already in use by cultural heritage organisati ons to accomplish sustainable development in the context of putting on exhi bitions.
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Rites: Dancing towards a shared future
Margot Ande rson\, Megan Williams & Chrissy Chan
Rites: Dancing towards a shared history was a First Nations led project celebrating the 25th anniversa ry of the first collaboration between The Australian Ballet and Bangarra Da nce Theatre. Consisting of an online exhibition\, a podcast\, an education resource and a live Q&A event\, this project took collaboration to a new le vel for the project team while continuing to demonstrate our commitment to documenting performing arts history in a sustainable way.
This presentation will explore the process of working in a collaborative and inclusive way to reach a broader audience through digita l content. It will also highlight our efforts to include multiple voices un der the guidance of proud Bidjara woman and former Bangarra dancer\, Yoland e Brown. The ongoing benefits of documenting the creative process of the pe rformers who helped bring Rites to the stage through recorded interviews wi ll also be explored as an example of sustainable storytelling.
Just as Rites brought two companies of diverse backgrounds t ogether\, this project relied heavily on the spirit of true collaboration a nd inclusivity\, gathering the reflections of dancers from both companies. It led us from Arnhem Land to New York and by necessity\, the entire projec t was undertaken online.
We reveal the challenge s and rewards that came with letting go as well as the tools and methods we developed along the way to build and manage a finely balanced collaborativ e space.
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Wh ere the wild things are not.
Charlotte Walker\, D anielle Measday & Elizabeth McCartney
Wild: Amazing Animals in a Changing World (2009-2021) and Darwi n to DNA (2000-2021)\, were long- te rm exhibitions at Melbourne Museum. The galleries displayed almost 800 spec imens from Museums Victoria’s natural sciences collection\, mostly taxiderm y mounts. Darwin to DNA’s preservation challenges involved the prolonged ex hibition of specimens associated with the historical collectors including C harles Darwin\, Alfred Russell Wallace and John and Elizabeth Gould. The Wi ld gallery’s preservation challenges relating to open display have been pre viously documented (see Babister and Measday 2016) and responding to incide nts of physical and pest-related damage were a regular feature of gallery m aintenance. Despite these challenges Wild was one of the Museum’s most love d exhibitions\, and the closure was mourned by the public. The de-installat ion of these galleries and processing of the hundreds of fragile specimens was a challenging task and required significant collaboration between museu m departments and specialisations. This presentation will address the respo nse to the gallery closures and conservation’s role in communicating with t he public as well as the impact of Covid-19 lockdowns. A discussion of the process of de-installation and rehousing of specimens onto new storage base s\, hazards testing with XRF\, condition documentation of specimens using A rticheck condition reporting software\, photography and triaging for repair s\, cleaning of specimens\, cycling specimens through freezers for IPM trea tment and reintegrating specimens back into taxonomic storage in their home collections will also be included. Finally\, the health monitoring of staf f working for prolonged periods with taxidermy treated with heavy metals su ch as arsenic and mercury will be discussed along with hazards management o n the worksite\, cleaning and disposal of gallery built form. Future work o n this project will be the stabilisation of specimens in need of immediate repair and analysis of the condition data to understand and quantify the im pact of extended display for these valuable specimens.
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Remote streaming | Virtu al condition reports
Catherine Earley
The worldwide lockdowns in 2020-21 were responsib le for hurried experimentation and quickly convened regional summits. The s ubject was technology\, to allow condition reporting of loaned artworks whe n either lender or borrowed was unable to be present in person. Initially i t involved those loans needing to be brought home\, but then also provided methods for proposed loans to go ahead without couriers. In 2020 the NGV wa s hosting a multinational collection of works in the large Haring|Basquiat exhibition and relied on basic phone and iPad streaming to connect with tho se wishing to have a presence at pack up. Fortunately\, trust in the staff engendered at install led to high levels of trust at deinstall with only on e or two lenders requesting visual oversight of packing and crating. Since then there have been numerous instances of virtual condition reporting but it was the 2021 Goya: Drawings from the Prado Museum exhibition that first formalised our technical approach as it was both installed and deinstalled with Prado conservator and registrar looking on from a distance. This short presentation will describe the purposefully simple methods we used for the Goya install and the modified approach at deinstall. It discusses the insu rance implications of new approaches and will share some universal observat ions that have arisen from attempts to look in microscopic detail at a surf ace 1000s of kilometres away.
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Stranger than Kindness\, a Nick Cave exhibition: Innovat ing digital condition reporting to enhance sustainability of travelling exh ibitions
Carmela Lonetti\, Ria Green & Megan Will iams
Documentation of object condition is a vital component of travelling exhibitions. Stranger Than Kindness: Th e Nick Cave Exhibition - a collaboration between Arts Centre Melbourne (ACM ) and the Royal Danish Library (RDL) - opened at The Royal Danish Library i n June 2020. Early in the project\, digital condition reporting was propose d to promote sustainability. In the absence of existing digital tools that met our requirements\, the team decided to innovate using a combination of software and our EMu database.
The challenges in implementing a digital reporting system were evident early in the process and related predominantly to a lack of integration between the different so ftware components. The ‘Concepts’ app for Windows used to produce annotated images was easy to use and had the advantage of allowing images to be zoom ed in without loss of resolution. However\, the files were large and had to be shared via the cloud. The process required technical knowledge to insta ll software and downloading image files and PDF format condition reports wa s time consuming. A separate process for ‘signing off’ each condition repor t using Microsoft Forms added further complexity.
Ultimately\, our thorough pre-planning and the willingness of our collabo rators to trial a new system\, meant that we did experience a level of succ ess and interesting learnings. This paper discusses the advantages of this digital reporting system\, the challenges it presented but also the possibi lities for further development.
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Putting on Picasso. Two Conservators of Exhibitions fr om the National Gallery of Victoria reflect critically on documentation wit hin the institutional context of a blockbuster exhibition
Janelle Borig & Camielle Fitzmaurice
The National Gallery of Victoria’s recent Melbourne Wi nter Masterpieces exhibition ‘The Picasso Century’ will be used as a case s tudy to explore various forms of documentation and the impact they have in practice. This will demonstrate how NGV Exhibition Conservation are require d to be open and flexible to new processes and sudden changes\, all while a dhering to the loan agreement. Despite conservators and institutions explor ing and using digital condition reporting technologies for some time\, this was our first occurrence where most of a show arrived with only digital co ndition reports\, driven by the lenders’ desire to be paperless. Although t here was initial hesitation on our part due to unfamiliarity and the time c onstraints of a huge install\, the French-developed ArtReport application l eft our exhibition conservators impressed with its ease of use and clever f eatures. This has inspired us to look critically at a wider role for digita l condition reports in our processes going forward. At the same time\, our priorities remain to ensure that information is correct\, is easily stored and accessible\, and meets the requirements of our insurer. The hardware\, software and network needs are discussed along with the pros and cons. We w ill also consider the concept of the digital footprint as we address the is sue of sustainability in our field. Other documentation including the loan agreement\, design layout and risk assessment will be discussed in terms of how they dictated the practical aspects of the exhibition space. Whilst st rict lender requirements are considered non-negotiables\, we show how sudde n changes in layout to accommodate curator wishes necessitated us implement ing a framing and glazing project during the install. This was only possibl e due to our ability to draw on our skilled conservation technician and exc ellent resources built up from years of experience.
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Bruno Contenotte’s Translumen East : A unique and challenging piece in the lab and on display
Silvia Da Rocha & Madeleine Snedden
The Conservation of the Bruno Contenotte kinetic artwork Tran slumen East was a study in patience\, collaboration\, hope\, and ultimately – failure. The sculpture was only briefly displayed in the 2022 exhibition Light and Darkness at the Chau Chak Wing Museum before the sum total of its previous battles with gravity\, repairs\, and possibly a flawed initial design led to its removal from temporary display. Approaches to conservati on were throughout guided by previous documentation\, original letters to a nd from the artist\, and current approaches to the treatment and display of modern and contemporary artwork. On the way collaboration with several ind ividuals including specialist time-based media conservators\, art curators\ , and art technicians led to unusual conservation techniques and ultimately difficult decisions about this interesting and unique piece.
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Sustainable Museu m
Choi Sangho
There is widespread social discussion over the environmental crisis\, and the transition to eco-friendly energy has become an important issue in many nations. Politicians tout myriad new environmental policies\, and countles s meetings of experts are held\, proffering complex solutions to the enviro nmental crisis. In the field of education\, the environment and sustainabil ity have become established parts of the curriculum. Even the corporate wor ld is increasingly concerned. It is undeniable that environmental destructi on is occurring rapidly\, as studies and reports continually present dire w arnings.
Sustainable Museum: Art and Environment begins with the observation that there is no mention of exhibitions\, of r esource-intensive spectacles and the museum system that enables such exhibi tions\, in the era of growing awareness of the environmental crisis. The in tention is not to highlight the hardships facing museums\, nor to condemn t hem. The key point is to acknowledge the reality of the situation facing mu seums\, which have been protected by the capitalist world order. In other w ords\, the fact must be recognized that current museum system\, created und er capitalism and now near universal\, are maintained at the cost of violen ce towards and destruction of the environment. The future envisioned by thi s exhibition must emerge from that which exists in the present and\, in gen eral\, that which exists in the present must first be properly understood i f we are to reach the future.
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retur n to exhibitions: building inclusive & sustainable practices
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CATEGORIES:Special Interest Group Symposium,Webinar LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/documentation/ ATTACH;FMTTYPE=image/png:https://aiccm.org.au/wp-content/uploads/2022/10/documentation_feature.png END:VEVENT BEGIN:VEVENT UID:20221029T1121Z-1667042482.5081-EO-10671-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20221029T032117Z LAST-MODIFIED:20221030T204357Z DTSTART;TZID=Australia/Sydney:20221115T070000 DTEND;TZID=Australia/Sydney:20221115T210000 SUMMARY: AICCM Awards Celebration X-ALT-DESC;FMTTYPE=text/html:
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Please join us on Tuesday 15 November for the AICCM Awards Celebration on Zoom starting at 7pm. There will be lu cky 'door' prizes\, presentation of our annual awards\, a short quiz and ti me for a social catch up if you wish to stick around. Register now and we' ll send you a link to the zoom meeting closer to the date.
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7:00 PM to 9:00 PM A EDT
15 November 2022
Register Here
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CATEGORIES:Meeting LOCATION:Online GEO:0.000000;0.000000 ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/awards-2022/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2022/10/AICCM-Awards-Celebration-time-to-party-15-November-scaled.jpg END:VEVENT BEGIN:VEVENT UID:20221108T0542Z-1667886147.8677-EO-10713-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20221107T001446Z LAST-MODIFIED:20221123T001831Z DTSTART;TZID=Australia/Sydney:20221125T100000 DTEND;TZID=Australia/Sydney:20221125T160000 SUMMARY: Masterclass: Conservation for non-conservators. From Preventive C onservation to Display Methods X-ALT-DESC;FMTTYPE=text/html:
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Registration fo r this event has now closed.
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This workshop is being delivered in Adelaide by Artlab Aus tralia as part of AICCM Exhibitions SIG symposium Exhibitions: Inclusive an d Sustainability Practice. The day will consist of a presentation and discu ssion focusing on the preventive care of collections\, and basic mount maki ng techniques with 3 hands on activities.
The 3 techniques that will be covered are:
1. Ma king paper corners for displaying photography
2. Making T-bar hinge for mounting flat artwork
3. Making a book cradle
The cost of the one-day workshop is: $75.00 (Incl. GST)
Location: Jervois Room\, State Library of South Aust ralia\, Adelaide
Date: 25th November 2022
Time: 10am - 4pm
The committee would also like to thank State Library of South Australia\, AMaGA SA for their kind support and Conservation Supplies for sponsoring the event.

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CATEGORIES:Workshop ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/conservation-for-non-conservators / END:VEVENT BEGIN:VEVENT UID:20230813T2029Z-1691958557.3734-EO-11637-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20230812T044459Z LAST-MODIFIED:20230812T044459Z DTSTART;TZID=Australia/Sydney:20230726T160000 DTEND;TZID=Australia/Sydney:20230726T170000 SUMMARY: PHOTON SIG Lecture: What’s a Darkroom? – Growing up in Photo Conse rvation X-ALT-DESC;FMTTYPE=text/html:
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PHOTON is excited to announce a series of free online Zoom lectures by Australian and internatio nal conservators and heritage practitioners\, running across 2023 and 2024.
Our first speaker is esteemed photographic conservator Cheryl Jackso n (Senior Conservator\, Preservation for Digitisation\, National Library of Australia). In this session called ‘What’s a Darkroom? – Growing up in Pho to Conservation’\, Cheryl will talk about the changing nature of photograph ic conservation in Australia over the last 30 years. She’ll tell us about t he changing nature of her approach to photographic conservation\, some succ essful treatments\, and a maybe a (recoverable!!!) failure.
A bout the Speaker:
Cheryl has worked in Paper and Photo Conse rvation since 1987. She was fortunate enough to be at the Canberra College of Advanced Education when they offered a Photographic Conservation subject for the first time – she says it paid to fail chemistry and hang around fo r an extra semester.
Cheryl has had the privilege of working at the N ational Archives of Australia\, the Australian War Memorial\, the National Library of Australia\, and short sessions at the National Museum of Austral ia and the Australian Institute of Aboriginal and Torres Strait Islander St udies. She has been a member of the AICCM since 1984 (with a hiatus in the 2000s while helping raise two kids).
Cheryl has sought out additional training regularly\, both in Australia\, thanks to PHOTON\, and in the US. The training has covered black and white\, colour and digital materials an d the preservation of large scale collections. She enjoys passing her knowl edge on to current and emerging colleagues. Esteemed photographic conservat or Cheryl Jackson\, Senior Conservator\, Preservation for Digitisation at t he National Library of Australia\, will be presenting a talk titled The Evo lution of Photographic Conservation in Australia Over the Last Thirty Years ”.
Cheryl has worked in Paper and Photo Conservation since 1987. She was fortunate enough to be at the Canberra College of Advanced Education wh en they offered a Photographic Conservation subject for the first time – sh e says it paid to fail chemistry and hang around for an extra semester.

Cheryl has had the privilege of working at the National Archives of Aust ralia\, the Australian War Memorial\, the National Library of Australia\, a nd short sessions at the National Museum of Australia and the Australian In stitute of Aboriginal and Torres Strait Islander Studies. She has been a me mber of the AICCM since 1984 (with a hiatus in the 2000s while helping rais e two kids).
Cheryl has sought out additional training regularly\, bo th in Australia\, thanks to PHOTON\, and in the US. The training has covere d black and white\, colour and digital materials and the preservation of la rge scale collections. She enjoys passing her knowledge on to current and e merging colleagues.
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CATEGORIES:Special Interest Group Symposium ORGANIZER;CN="Paul Coleman":MAILTO:colemanp94@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/photon-sig-lecture-whats-a-darkro om-growing-up-in-photo-conservation/ END:VEVENT BEGIN:VEVENT UID:20230821T1443Z-1692628987.9594-EO-11675-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20230820T234709Z LAST-MODIFIED:20231003T002758Z DTSTART;TZID=Australia/Sydney:20231004T193000 DTEND;TZID=Australia/Sydney:20231004T203000 SUMMARY: AICCM Annual General Meeting 50 DESCRIPTION: Only members of the AICCM may register for the AGM.\nPlease lo gin to register X-ALT-DESC;FMTTYPE=text/html:
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AICCM A GM 50
7.30pm - 8.30pm\, AEST Wednesday 4 October 202 3
Register Here (T his link will take you directly to zoom to register for the AGM)
Once again the AICCM AGM will be held online via Zoom. Meeting details will be emailed to registered participants on the day.
Please register online for the meeting (above) or email your apology to Michelle Berry secretariat@aiccm.org.au before 5pm\, Fr iday 29 September. If you cannot attend\, you may nominate a proxy to vote on your behalf. Only members of the AICCM may register for the AGM.
We encourage members to nominate for a position on the National Council. If you have any questions\, please contact Michelle at the Secretariat.
Revised Agenda
Draft minutes from AGM 49
Nomination form
Proxy voting form
Code of Ethics proposal
Statement on the Voice to Parliament

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CATEGORIES:Meeting LOCATION:Online GEO:-25.274398;133.775136 ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/agm-50/ END:VEVENT BEGIN:VEVENT UID:20230821T1443Z-1692628987.9709-EO-11681-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20230821T025720Z LAST-MODIFIED:20231113T064250Z DTSTART;TZID=Australia/Sydney:20231115T090000 DTEND;TZID=Australia/Sydney:20231117T173000 SUMMARY: AICCM 50+/-50 National Conference 2023 X-ALT-DESC;FMTTYPE=text/html:
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AICCM 50+/-50 National Conference
We've been overwhelmed by enthus iastic uptake of places and unfortunately registration for the conference i s now closed.
Quick Facts
When: Wedne sday 15 – Friday 17 November 2023
Location: National Gallery of Australia\, 30 Parkes Place East\, Parkes ACT 2600
Themes: Reflection\, Recognition\, Realisations
< big>Welcome event: Wednesd ay 15 November\, 5:30pm - 8pm Gandel Hall\, National Gallery of Australia\, access via the Gallery’s main entrance
Dinner: Thursday 16 November\, 6:30 - 11pm\, Members’ Dining Room\, Old Parliament House\, access via the terrace on Que en Victoria Terrace.
Expected weather: Warm days and cool nights.
In -person registration includes:
< ul>

All programmed sessions – see presentation listing (15-17 November\, NGA)
All morning teas\, lunches\, and afternoon teas
Printed abstract and program booklet
Welcome event\, in cluding AICCM Awards ceremony (15 November\, NGA)
Conference dinner\, including three courses\, bever ages\, and birthday cake (16 November\, Old Parliament House)
The conference dinner has been made possible through the support of our fabulous Premier Event Partners.
Many thanks to our Premier Event Partners:
ECE Fast
IAS Logistics
International Conservation Services
Portable Spectral Services
T rusted Pest Management
Live streaming< /big>
Live streaming will be offered for many presentation sessions through a separate Virtual registrat ion created for those who are unable to attend in person. Please note\, liv e streaming will not be recorded or available later.
Prices inc lude GST
AICCM and NZCCM member ful l registration\, early bird before 13 October 
Full
AICCM and NZCCM memb er full registration\, after 13 October
Full
AICCM and NZCCM student and concession member registr ation
Full
Non-member f ull registration\, early bird before 13 October
Full
Non-member full registration
Full
Non-member student and concession registration
Full
Virtu al registration (live Zoom webinar stream)
< /td>
Full
Guest dinner ticket (friends and famil y)
Full
Guest welcome e vent tickets
Full
In-person registrations close on 27 October\, 2023
Online registrations close 10 November\, 2023
There are limited spaces so get in early
< /li>
For registration questions\, please contact secretariat@aiccm.org. au
Day registrations are n ot available
Registrations are not transferrable or shareable\, except by prior arrangement with AICC M.
After registering\, sh ould your circumstances change\, you may nominate a substitute delegate – c ontact secretariat@aiccm.org.au. Unfortunately\, refunds will not be possible if you wi sh to cancel within 7 days of the event.< /div>
Student bursaries
This year\, with the support of our Student Sponsors\, we are able to offer a number of bursaries that cover student registration. A morning tea will be offered so that successful bursary applicants can meet with the spo nsors to discuss mutual interests and future possibilities.
Many thanks t o our student sponsors:
Testo
Metrohm
DatacomIT
Stude nts of any tertiary course may apply
Bursaries will be awa rded on the basis of merit\, with the assistance of the tertiary institutio n from which the students apply
Only AICCM student members are eligible. Applications that do not mee t this criteria or provide the information specified above will not be cons idered.
*****If you are interested in receiving a student bursary\, please complete the Bursary Application Form attac hed here and s end to secretariat@aiccm.org.au by COB Sept 30^th 2023*

Please also sent a letter of support from your academic supervisor or course coordinator
Associated workshops and events~~~~
A small number of free workshops and special events have been organise d in association with the conference and are available to AICCM and NZCCM m embers only. Numbers are limited and places will be allocated on a first-co me\, first-served basis.

Event
Places
< div style="margin-top: 10px\; margin-bottom: 10px\;">Workshop: X-ray Flo rescence Spectroscopy - from introduction to operation

~~~~< big>from Portable Spectral Service (Portaspecs) < /big>(now closed but please contact the secretariat@aiccm.org.au to be plac ed on a wait list)~~~~

~~~~National Portrait Gallery\, Tuesday 14th November\, 10-4pm~~~~

topics include:
Fundamentals of XRF
Applications of handheld XRF
Tracer o peration
~~Making ARTAX software work for you~~
~~Sample Anal ysis Session – Instrument Hands On~~

~~~~~~2 5~~~~~~

~~~~~~< div style="margin-top: 10px\; margin-bottom: 10px\;">Workshop: Raman spe ctroscopy - Making light work for conservation~~~~~~

Floor tal k: Clarice Beckett in the NGA - due to exhibition date change this is now a presentation in the conference program.< /div>
15
Floor talk: L.E.D.ing the way in galle ry lighting By
Natio nal Gallery of Australia\, Thursday 16th November\, 5.15pm (now closed but please contact the secretariat@aiccm.org.au to be placed on a wait list)
20
Accommodation

There are numerous hotels within 10-15 mins of the NGA. We have had good experiences at:
The Hyatt Canberra. 120 Commonwealth Ave\, Canberra
 Canberra Rex Hotel. 50 Northbourne Ave\, Canbe rra
The Avenue Hotel. 80 Northbourne Ave\, Braddon
Alivio Tourist Pa rk. 20 Kunzea St O’Connor

Event Parking
Ticketed parking is available beneath the National Gallery of Australia and beneath the National Portrait Gallery.
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CATEGORIES:Conference LOCATION:National Gallery of Australia GEO:0.000000;0.000000 ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-national-conference-2023/ ATTACH;FMTTYPE=image/png:https://aiccm.org.au/wp-content/uploads/2023/03/National-Conference-2023-sq.png END:VEVENT BEGIN:VEVENT UID:20240414T2309Z-1713136180.463-EO-12331-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20240412T005245Z LAST-MODIFIED:20240612T090823Z DTSTART;TZID=Australia/Sydney:20240626T081500 DTEND;TZID=Australia/Sydney:20240628T170000 SUMMARY: Textile Special Interest Group Symposium 2024: Culture Cloth Conne ction DESCRIPTION: Culture Cloth Connection 26 th -28 th June 2024 NGV: Internati onal\, Naarm/Melbourne Australia Registrations for the 2024 AICCM Textile S pecial Interest Group Symposium have now closed. We are pleased to invite y ou to the National Gallery of Victoria in Naarm/Melbourne from Wednesday 26 th to Friday 28 th of June 2024 for this year’s symposium themed X-ALT-DESC;FMTTYPE=text/html:
Culture Cloth Connection
26 th -28 th June 2024
NGV: International\,
Naarm/Melbourne Australia
Registrations for the 2024 AICCM Textile Special Interest Group Symposium have now closed.
We are pleased to invite you to the National Gallery of Victoria in Naarm/Melbourne from
Wednesday 26th to Friday 28 th of June 2024 for this year’s symposium themed Culture Cloth Connectio n
The TSIG Symposium is an opportunity for Australian and Inte rnational textile conservators
to get together\, share knowledge and m ake new connections. The three days will be held at
the NGV: Internati onal and will be chock full of interesting content which includes:
16 twenty-minute presentations and 6 lightening talks with content divided into themes of history\, mounting\, analysis\, remedial treatments and storage of textiles
Special guest speaker Kirsten Lyttle : “Feathers\, Fibers and Pixels: The Story of making a Digital Māori Cloak called Kahu Whakaahua"
Special guest speakers Mitch Mahoney a nd Kerri Clarke
NGV curators of Fashion and Textiles Danielle Whitfield and Charlotte Botica will present a special introductory lecture to Africa Fashion\, an exhibition developed by the Victoria and Albert Mus eum\, London and presented in partnership with the NGV. Link to this wonde rful exhibition is here: https://www.ngv.vic .gov.au/exhibition/africa-fashion/
Tours of new NGV conse rvation labs with a special presentation on mannequinage (mannequin padding ) techniques used by NGV textile conservators and display specialists.
A self-guided tour through the Africa Fashion exhibition with the cost of the exhibition being covered by registration fees.
T he opportunity for two groups of 12 people to tour the new conservation and storage facilities at Arts Centre Melbourne. Tours will run for 45 minutes on Thursday 27th June at either 3.30 or 4.15. Places on this tour can be booked here and we apologise for the limited numbers that can attend.
Please download the current draft programme here.

Your registration incl udes all symposium sessions\, morning teas (Wednesday-Friday)\,
aftern oon teas (Wednesday- Thursday) and a hard copy programme containing symposi um
abstracts. Attendees will need to bring or purchase their own lunch es for the three days as well as afternoon tea on Friday.
Please note that it is essential for all participants including presenters to register.
The conference committee understands that circumstances can change. At any point\, prior
to the event\, you are welcome to con tact us to nominate a substitute delegate. Due to
catering commitments \, refunds will not be possible if you wish to cancel within 14 days of
the event.
Don't forget that attendance at AICCM conferences contributes to existing Professional
Members annual points system for their renewal.

Registration Fees - All Registrations have now closed
AICCM Member Early Bird (up t o 29 May 2024) $320.00 (includes GST of $29.09) now closed
AICCM Memb er Late (after 29 May 2024) $370.00 (includes GST of $33.64) now closed
Non Member Registration $544.00 (includes GST of $49.46) now closed
Non Member Student/Concession Registration $174.00 (includes GST of $15 .82) now closed
AICCM Member Student/Concession $90.00 (includes GST of $8.18) now closed
Art Centre Tour 1 (27 June 3.30 - 4.15pm) $0.00 (includes GST of $0.00)
Registration to the 3.30 tour is now closed
Art Centre Tour 2 (27 June 4.15 -5.00 pm) $0.00 (includes GST of $0. 00)
Registration to the 4.15 tour is now closed
Image: Coverlet (c.1830- 1850s) Elizabeth Smith\, England/Australia
Collection of National Gall ery of Victoria
Gift of Jocelyn Boardman in memory of Joan Lavender Cu mbrae-Stewart (née Francis)
CATEGORIES:Conference LOCATION:NGV International GEO:-37.822784;144.968842 ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/textile-sig-symposium-2024-cultur e-cloth-connection/ ATTACH;FMTTYPE=image/jpeg:https://aiccm.org.au/wp-content/uploads/2024/04/Coverlet.jpeg END:VEVENT BEGIN:VEVENT UID:20240819T0739Z-1724053195.584-EO-12759-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20240818T233759Z LAST-MODIFIED:20240818T234608Z DTSTART;TZID=Australia/Sydney:20241001T193000 DTEND;TZID=Australia/Sydney:20241001T203000 SUMMARY: AICCM Annual General Meeting 51 DESCRIPTION: Sorry\, but you do not have permission to view this content. X-ALT-DESC;FMTTYPE=text/html:
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AICCM AGM 51
7.30pm – 8.30pm\, AEST Tuesday 1 October 2023
Register Here (This l ink will take you directly to zoom to register for the AGM)
Once agai n the AICCM AGM will be held online via Zoom. Meeting details will be email ed to registered participants on the day.
Please register online for the meeting (above) or email your apology to Emma Dacey on secretary@aiccm .org.au or Michelle Berry on secretariat@aiccm.org.au before 5pm\, Tuesday 3 September 2024. If you cannot attend\, you may nominate a proxy to vote o n your behalf. Only members of the AICCM may register for the AGM.
W e encourage members to nominate for a position on the National Council. If you have any questions\, please contact Emma Dacey or Michelle Berry.
Agenda
Draft minutes from AGM 50
Nomination form
Proxy voting form

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CATEGORIES:Meeting LOCATION:Zoom GEO:0.000000;0.000000 ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-annual-general-meeting-51/ END:VEVENT BEGIN:VEVENT UID:20241004T0145Z-1728006336.7298-EO-12820-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20240930T041222Z LAST-MODIFIED:20241010T091920Z DTSTART;TZID=Australia/Sydney:20241014T140000 DTEND;TZID=Australia/Sydney:20241014T150000 SUMMARY: AICCM 2025 Disaster Preparedness Calendar Launch X-ALT-DESC;FMTTYPE=text/html:
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What d oes 2025 have in store for Australia? The potential for floods\, bushfires\ , storms and cyclones are all possibilities we should prepare for. Please join us for the online launch of AICCM’s 2025 Disaster Preparedness Calenda r in conjunction with International Day for Disaster Risk Reduction on Mond ay 14 October at 2pm Australian Eastern Daylight Savings time.
The ev ent will include a discussion around the question
“When faced wit h recovering cultural material following a major disaster event Should we s ave everything? Can we save everything?”
Speakers include Kings ley Mundey (Executive MBA IAS Fine Art Logistics) and Zola Maddison (Direct or of Training and events Australian Library and Information Association an d ALIA representative on Blue Shield Australia).
Date: Monday 14 October
Time: 2pm–3pm (AEDT)
Locati on: Online via zoom.
To register for the webinar please go here: https://us02web.zoom.us/webinar/register/ WN_lwN9N901TIeYbsntXN6Edw
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CATEGORIES:Meeting ORGANIZER;CN="Michelle Berry":MAILTO:m.berry6@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-2025-disaster-preparedness- calendar-launch/ ATTACH;FMTTYPE=image/png:https://aiccm.org.au/wp-content/uploads/2024/09/DPC2025-CoverIllus-Final-1.png END:VEVENT BEGIN:VEVENT UID:20250823T2235Z-1755988525.4241-EO-13933-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20250818T051030Z LAST-MODIFIED:20250826T013457Z DTSTART;TZID=Australia/Sydney:20250912T123000 DTEND;TZID=Australia/Sydney:20250912T133000 SUMMARY: Conserving synthetic papers: types\, troubles and techniques DESCRIPTION: Event Title: Conserving synthetic papers: types\, troubles and techniques Time and Date: 12:30-1:30pm AEST\, 12 September 2025 Venue: Onl ine Webinar (this event will not be recorded) Presenters: Dr Cancy Chu Cost : $10 AICCM Member\, $20 Non-Member\, $0 AICCM Student Member From the ear ly twentieth century\, paper and plastic material components have been pair ed to achieve X-ALT-DESC;FMTTYPE=text/html:
Event Title: Conserving s ynthetic papers: types\, troubles and techniques
Time and Dat e: 12:30-1:30pm AEST\, 12 September 2025
Venue: Online Webinar (this event will not be recorded)
Present ers: Dr Cancy Chu
Cost: $10 AICCM Member\, $20 Non-Member\, $0 AICCM Student Member
From the early twentieth ce ntury\, paper and plastic material components have been paired to achieve n ew functions and product types. These paper and plastic composites\, as wel l as fully synthetic paper-like materials\, have been collected as a reflec tion of their everyday use in journals\, sketchbooks\, and paperback books. Techniques traditionally used for paper conservation are not necessarily s uitable for plastic-containing books and documents\, due to the chemical an d physical properties introduced by the synthetic component. This talk aims to introduce the audience to identifying synthetic paper types\, understan ding properties and deterioration pathways\, and formulating compatible int erventive techniques based on a study of the repair of matte laminated pape rs.
This talk will be followed by a Q&A and discussion time\, during which participants can bring questions for the speaker and share relevant e xperiences and observations.
This event is facilitated by the AICCM B ook and Paper Special Interest Group.
CATEGORIES:Webinar LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/conserving-synthetic-papers-types -troubles-and-techniques/ END:VEVENT BEGIN:VEVENT UID:20250907T0913Z-1757236396.5524-EO-13985-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20250818T035612Z LAST-MODIFIED:20250915T033045Z DTSTART;TZID=Australia/Sydney:20250924T193000 DTEND;TZID=Australia/Sydney:20250924T203000 SUMMARY: AICCM Annual General Meeting 52 DESCRIPTION: AICCM AGM 52 Wednesday 24 September 2025 from 7.30 PM to 8.30 PM AEST Register Here (This link will take you directly to Zoom to register for the AGM) The 52nd AICCM AGM will be held online via Zoom. Meeting deta ils will be emailed to registered participants on the day. Please register online for the meeting X-ALT-DESC;FMTTYPE=text/html: AICCM AGM 52
Wednesday 24 September 2025 from 7.30 PM to 8.30 PM AE ST
Register Here (This link will take you directly to Zoom to register for the AGM)
~~The 52^nd AICCM AGM will be held online via Zoom. Meeting details wil l be emailed to registered participants on the day.~~
Please register online for the meeting (above) or email your a pology to Jessica O’Brien secretariat@aiccm.org.au befo re 5pm\, Friday 19 September.
If you c annot attend\, you may nominate a proxy to vote on your behalf. Only membe rs of the AICCM may register for the AGM.
We encourage members to nominate for a position on the National Council. If you have any questions\, please contact the Secretariat (secretariat@aiccm.org.au)
Agenda
~~Draft minutes from AGM 51~~
~~Nomination form~~
~~< li style="margin-bottom:11px\;margin-left:8px\;">Proxy voting form~~
CATEGORIES:Meeting LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/aiccm-annual-general-meeting-52/ END:VEVENT BEGIN:VEVENT UID:20251007T2148Z-1759873725.9832-EO-14053-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20251003T004035Z LAST-MODIFIED:20251003T032246Z DTSTART;TZID=Australia/Sydney:20251013T150000 DTEND;TZID=Australia/Sydney:20251013T160000 SUMMARY: Water Risks to Collections: Assessment and Mitigation Webinar DESCRIPTION: 13 October 2025 is the International Day for Disaster Risk Red uction (IDDRR). October is also the beginning of bushfire season in Austral ia and a time when many of us are preparing for the storm season\, northern wet season and a higher risk of cyclones. The theme for IDDRR this year is Fund Resilience not Disasters. In support of this theme\, US based company Conserv is providing a webinar Water Risks to Collections: Assessment and Mitigation. X-ALT-DESC;FMTTYPE=text/html:
Water Risks to Collections: Assessment and Mitiga tion
Water emergencies such as floods\, leaks\, and s evere storms pose serious risks to cultural collections—but the level of ri sk varies by institution. Effective protection begins with identifying haza rds both in your region and within your building. This webinar will guide m useums\, libraries\, and archives in assessing their specific water vulnera bilities using publicly available maps and hazard assessment tools. Partici pants will also learn about current mitigation strategies\, including early leak detection technologies.
The event will close with th e launch of AICCM’s 2026 Disaster Preparedness calendar. This calendar is f unded through the generous support of Blue Shield Australia\, International Art Services\, Archival Survival and Museums and Galleries NSW.
Register here: https://us02web.zoom.us/webinar/register/WN_OSP1DUg2TG-3G81GbTbrZw
Date: Monday 13th October 2025
Time: 3:00-4:00pm
Event Host: Sarah-Jane Ren nie\, AICCM Disaster Preparedness Committee Chair\, with an introduction fr om AICCM President Samantha Hamilton and Ania Korba\, Chair of Blue Shield Australia.
Speaker Profiles:
Madeline (Maddie) Cooper (she/her) is the owner and Principal Preventive Conservator at M.C. Conservation Services. Maddie has extensive experience in surveys\, assessments\, and teaching. She was t he Associate Preventive Conservator at the Conservation Center for Art & Hi storic Artifacts from 2021-2025 where she completed assessments\, developed and taught workshops\, and project managed initiatives like Preserv ation Services in Puerto. Maddie has over 10 years of professional coll ections care experience. She held roles in conservation and collections at Vizcaya Museum and Gardens and the Wolfsonian-FIU prior to specializing in preventive conservation in graduate school. Through her graduate career\, s he worked with the Disaster Research Center\, the Robert Rauschenberg Found ation\, and the Midwest Art Conservation Center. Maddie holds an MS in Art Conservation from the Winterthur/University of Delaware Program in Art Cons ervation\, a BA in Chemistry from the University of Delaware\, and a BA in Art Conservation with a minor in Art History from the University of Delawar e.
Melissa King is a preventive con servator and the VP of Customer Experience for Conserv\, a company that pro vides IPM and environmental monitoring equipment and software to conservato rs and collections professionals. She is a graduate of the Winterthur/Unive rsity of Delaware Program in Art Conservation where she held graduate fello wships at English Heritage\, the Smithsonian\, and the Brooklyn Museum. She has a special interest in working with contemporary artists\, visualizatio n of environmental data\, and enjoys learning about biodeterioration and wa ys to prevent it.

CATEGORIES:Webinar ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/water-risks-to-collections-assess ment-and-mitigation-webinar/ END:VEVENT BEGIN:VEVENT UID:20250907T0913Z-1757236396.5643-EO-13986-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20250804T232406Z LAST-MODIFIED:20251117T001231Z DTSTART;TZID=Australia/Sydney:20251112T083000 DTEND;TZID=Australia/Sydney:20251117T170000 SUMMARY: AICCM National Conference 2025 DESCRIPTION: More than Materials: Collaborative Approaches in Cultural Heri tage Conservation The 2025 AICCM National Conference will take place at Ku rilpa (South Brisbane) on the unceded lands of the Turrbal and Yuggera/Jage ra peoples who we acknowledge as the Original Custodians of this Country. W e pay our respects to Elders past and present. We recognise First Nations e nduring X-ALT-DESC;FMTTYPE=text/html:
More than Materials: Collaborat ive Approaches in Cultural Heritage Conservation
The 2025 AICCM National Conference will take place at Kurilpa (South Brisbane) on th e unceded lands of the Turrbal and Yuggera/Jagera peoples who we acknowledg e as the Original Custodians of this Country. We pay our respects to Elders past and present. We recognise First Nations enduring connection to lands\ , waters\, culture\, and community and extend that respect to all First Nat ions peoples.
Cultural heritage conservation is a complex field that involves many diverse communities. It is built on material expertise\, cont ext and the relationships that shape our work. Whether we analyse pigments\ , stabilise historic textiles\, design exhibition displays\, or work direct ly with communities to safeguard living traditions\, we recognise that cult ural materials are deeply connected to people\, place\, and knowledge syste ms.
As AICCM continues to learn and grow in its cultural responsibili ties\, this conference is an opportunity to bring together all aspects of o ur work – scientific\, material\, ethical\, cultural and relational. It mar ks an important step in strengthening relationships with First Nations and all communities to embed cultural perspectives and build stronger\, more cu lturally informed conservation practices together.
This event is bein g developed in collaboration with First Nations partners\, including the In digenous Art Centre Alliance Queensland (IACA) and Caroline Martin of Yaluk it Marnang Consultancy. We are committed to creating space for respectful d ialogue\, community-led contributions\, and shared learning. The conference will comprise a three-day hybrid event with presentations\, PowerPoint Pos ter sessions\, panel discussions\, tours and events.
Participants can also register for the pre-conference tours and workshops offered from 12:3 0 - 4:30pm on Tuesday 11 November.
Early Bird Registrations close Tuesday 14th October
In-person registration end date: 28 October 2025
Virtual/online Registration end date: 7 November 2025
If you are a member of AICCM please log in before opening the registration form to access AICCM member rates: early bird $600\, late $790\, student $370.

CATEGORIES:Conference LOCATION:State Library of Queensland GEO:0;0 ORGANIZER;CN="admin":MAILTO:support@agileware.com.au URL;VALUE=URI:https://aiccm.org.au/events/aiccm-national-conference-2025/ END:VEVENT BEGIN:VEVENT UID:20250810T1301Z-1754830860.3372-EO-13781-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20250809T021016Z LAST-MODIFIED:20250905T013201Z DTSTART;TZID=Australia/Sydney:20251112T090000 DTEND;TZID=Australia/Sydney:20251114T170000 SUMMARY: AICCM National Conference 2025 – Virtual Attendance DESCRIPTION: More than Materials: Collaborative Approaches in Cultural Heri tage Conservation The 2025 AICCM National Conference will take place at Ku rilpa (South Brisbane) on the unceded lands of the Turrbal and Yuggera/Jage ra peoples who we acknowledge as the Original Custodians of this Country. W e pay our respects to Elders past and present. We recognise First Nations e nduring X-ALT-DESC;FMTTYPE=text/html:
More than Materials: Collaborat ive Approaches in Cultural Heritage Conservation
The 2025 AICCM National Conference will take place at Kurilpa (South Brisbane) on th e unceded lands of the Turrbal and Yuggera/Jagera peoples who we acknowledg e as the Original Custodians of this Country. We pay our respects to Elders past and present. We recognise First Nations enduring connection to lands\ , waters\, culture\, and community and extend that respect to all First Nat ions peoples.
Cultural heritage conservation is a complex field that involves many diverse communities. It is built on material expertise\, cont ext and the relationships that shape our work. Whether we analyse pigments\ , stabilise historic textiles\, design exhibition displays\, or work direct ly with communities to safeguard living traditions\, we recognise that cult ural materials are deeply connected to people\, place\, and knowledge syste ms.
As AICCM continues to learn and grow in its cultural responsibili ties\, this conference is an opportunity to bring together all aspects of o ur work – scientific\, material\, ethical\, cultural and relational. It mar ks an important step in strengthening relationships with First Nations and all communities to embed cultural perspectives and build stronger\, more cu lturally informed conservation practices together.
This event is bein g developed in collaboration with First Nations partners\, including the In digenous Art Centre Alliance Queensland (IACA) and Caroline Martin of Yaluk it Marnang Consultancy. We are committed to creating space for respectful d ialogue\, community-led contributions\, and shared learning. The conference will comprise a three-day hybrid event with presentations\, PowerPoint Pos ter sessions\, and panel discussions.
Virtual/online Registra tion end date: 7 November 2025

CATEGORIES:Conference LOCATION:State Library of Queensland GEO:0;0 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/copy-of-aiccm-national-conference -2025/ END:VEVENT BEGIN:VEVENT UID:20260213T2058Z-1771016317.0318-EO-14531-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260212T230941Z LAST-MODIFIED:20260212T231247Z DTSTART;TZID=Australia/Sydney:20260219T100000 DTEND;TZID=Australia/Sydney:20260219T150000 SUMMARY: Oddy Testing Workshop DESCRIPTION: Oddy Testing Workshop – Free Event presented by Powerhouse Con servation\, in collaboration with AICCM NSW Although extensive Oddy testin g data exists\, stemming from institutions in the UK\, Europe and the Unite d States\, Australia operates in a distinct geographic\, climatic and insti tutional context. Differences in environmental conditions\, material supply chains and cultural infrastructure make locally generated testing essentia l X-ALT-DESC;FMTTYPE=text/html: Oddy Testing Workshop - Free Event presented by Powerhouse Conservation\, in collaboration with AICCM NSW
Although extensive Oddy testi ng data exists\, stemming from institutions in the UK\, Europe and the Unit ed States\, Australia operates in a distinct geographic\, climatic and inst itutional context. Differences in environmental conditions\, material suppl y chains and cultural infrastructure make locally generated testing essenti al to ensure relevant\, reliable results and effective preventive conservat ion outcomes.
For the past year\, the Powerhouse has been building a n Australian-based library of suitable material for the display of cultural heritage objects. It is an on-going project\; to be shared with interested institutions and parties\, whose input is in turn welcomed.
As such \, you are invited to a day of practical training in Oddy testing using the techniques developed by Powerhouse conservators\, based on methodology use d by the AIC and British Museum.
Participants are asked to bring 1 or 2 samples per group. Powerhouse conservators will demonstrate and ask you to participate in the Oddy testing process:
sample pr eparation
apparatus preparation
coupon preparation
loading and sealing samples
weighing and data recording
sample incubation
the oven testing process
how results are analysed\, photographed and collated
The results a nd photographs of your samples will be emailed upon completion. If you are happy to share\, your results will be uploaded to the PH database with cred it given to the contributing institution/party.
Date: 19th February 2026
Time: 10 am – 3 pm
Location: Powerhouse Museum Discovery Centre Conservation Lab\, Castle Hill (see attached map). Please meet in the J Store foyer
Maximum number of participants: 20
Coffee is availabl e from the on-site café. Lunch will be provided.
RSVP: camilla.norman@powerhouse.com.au
Please advise of any dietary req uirements.
Once registered\, Jordan Aarson will be in contact regard ing sample selection & pre-preparation.
CATEGORIES:Workshop LOCATION:Powerhouse Museum Discovery Centre Conservation Lab GEO:-33.722700;150.975858 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/oddy-testing-workshop/ END:VEVENT BEGIN:VEVENT UID:20260220T2210Z-1771625417.5002-EO-14534-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260219T045728Z LAST-MODIFIED:20260219T220928Z DTSTART;TZID=Australia/Sydney:20260303T120000 DTEND;TZID=Australia/Sydney:20260303T124500 SUMMARY: AICCM Time-Based & Digital SIG Online Event DESCRIPTION: AICCM Time-Based & Digital SIG Online Event Please join the T ime-Based & Digital SIG for a discussion on Artist Questionnaires and Inter views. When: Tuesday 3 March\, 12-12:45 pm AEDT (Melbourne/Canberra/Sydney /Hobart) What: A discussion on Artist Questionnaires\, interviews and suppo rting documentation. We are interested in what processes\, templates and/or modes for knowledge transmission you are using to bring time-based works i nto X-ALT-DESC;FMTTYPE=text/html: AICCM Time-Based & Digital SIG Online Event
Please join the Time-Based & Digital SIG for a discussion on Artist Questionnaires and Interviews.
When: Tuesday 3 Ma rch\, 12-12:45 pm AEDT (Melbourne/Canberra/Sydney/Hobart)
What: A discussion on Artist Questionnaires\, interviews and supporting documentation. We are interested in what processes\, templates and/or modes for knowledge tra nsmission you are using to bring time-based works into your archives and/or for re-display purposes.
Topics of conversation:
Artist Questionnaires: their purpose\, h ow you're conducting them\, at what point in your process\, with which temp lates.
Artist Interviews: do you con duct these? At what stage? Do you use a template or are your interviews bes poke to the work and artist within your care? How have you advocated for ma king space for this process in your organisation?
Who: You! Come to listen\, or bring along examples you'd like to discuss and share. It would be great to hear about your success and/or w hat you would like to improve. We have also invited some people to kick off the conversation and share what they have embedded in their practices.
RSVP: Register for the Zoom meeting li nk here
CATEGORIES:Webinar LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-time-based-digital-sig-onli ne-event/ END:VEVENT BEGIN:VEVENT UID:20260220T2210Z-1771625417.5106-EO-14536-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260220T004937Z LAST-MODIFIED:20260303T060158Z DTSTART;TZID=Australia/Sydney:20260306T123000 DTEND;TZID=Australia/Sydney:20260306T133000 SUMMARY: AICCM QLD Division AGM Friday 6 March 2025 DESCRIPTION: The Queensland Division of the AICCM will be holding the delay ed 2025 AGM on Friday 6 March 2026\, from 12:30pm -1:30pm in GOMA Seminar R oom\, Level 2 and on-line. All positions are open for re-election. Please RSVP your attendance and return proxy voting or nomination forms by 5pm Tu esday 3 March 2026 If you have X-ALT-DESC;FMTTYPE=text/html:
The Queensland Division of the AICCM will b e holding the delayed 2025 AGM on Friday 6 March 2026\, from 12:30pm -1:30p m in GOMA Seminar Room\, Level 2 and on-line.
All positions are open for re-election.
Please RSVP your attendance and return proxy votin g or nomination forms by 5pm Tuesday 3 March 2026
If you have any que stions\, or would like to RSVP please email the AICCM Secretariat at secret ariat@aiccm.org.au.
CATEGORIES:Meeting LOCATION:Gallery of Modern Art GEO:0;0 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-qld-division-agm-friday-6-m arch-2025/ END:VEVENT BEGIN:VEVENT UID:20260220T2210Z-1771625417.5201-EO-14535-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260220T004240Z LAST-MODIFIED:20260306T024932Z DTSTART;TZID=Australia/Sydney:20260308T100000 DTEND;TZID=Australia/Sydney:20260308T130000 SUMMARY: AICCM ACT – Lanyon Homestead Conservation Tour (Postponed) DESCRIPTION: Please join us for AICCM ACT’s first big event of 2026 Lanyon Homestead Conservation Tour Come and explore the beautifully restored Lanyo n Homestead with heritage architect Pip Giovanelli. This site was first de veloped in 1835 and boasts some of the most amazing and unspoiled views in Canberra. Tour to be followed by a picnic in X-ALT-DESC;FMTTYPE=text/html:
Please join us for AICCM ACT’s fi rst big event of 2026
~~Lanyon Homestead Conser vation Tour~~
Come and explore the beautifully restored Lanyon Homestead with heritage architect Pip Giovanelli. This sit e was first developed in 1835 and boasts some of the most amazing and unspo iled views in Canberra. Tour to be followed by a picnic in the beautiful La nyon grounds.
~~From: 10 am Sunday 8 March~~
~~Cost: $20 waged / $10 unwaged~~
~~Bookings and further details in the link below~~

~~Lanyon Tour~~
CATEGORIES:Lecture LOCATION:Lanyon Homestead GEO:-35.444809;149.105762 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-act-lanyon-homestead-conser vation-tour/ END:VEVENT BEGIN:VEVENT UID:20260213T2058Z-1771016317.0413-EO-14530-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260212T225938Z LAST-MODIFIED:20260212T225938Z DTSTART;TZID=Australia/Sydney:20260312T180000 DTEND;TZID=Australia/Sydney:20260312T191500 SUMMARY: NGV Frame Talk with John Payne (Sold Out) DESCRIPTION: NGV Frame Talk with John Payne – 12 March 2026 AICCM’s Conserv ation Framing SIG invites you to join John Payne as he leads a short lectur e and discussion of significant artworks and frames within the NGV’s collec tion. John Payne is a long-serving paintings conservator at the NGV (since 1982)\, with conservation training in Canberra and X-ALT-DESC;FMTTYPE=text/html: NGV Frame Talk with John Payne - 12 March 2026
AICC M's Conservation Framing SIG invites you to join John Payne as he leads a s hort lecture and discussion of significant artworks and frames within the N GV’s collection.
John Payne is a long-serving paintings conservato r at the NGV (since 1982)\, with conservation training in Canberra and at t he Institut Royale du Patrimoine Artistique in Brussels. He is known for de ep specialist work on picture frames alongside paintings. He authored Frami ng the Nineteenth Century a reference that continues to contribute signific antly to our understanding of Australian Frame Makers.
RSV P: https://www.trybooking.com/events/landing/1538692
Cost: Free
Time & Date:6:00 PM - 7:1 5 PM\, Thursday 12 March 2026
Location: NGV Interna tional\, 180 St Kilda Rd\, Melbourne VIC 3006
Attendees are asked t o rendez-vous in the NGV International foyer at 5:50pm.
Nu mber of tickets available: 18
Queries: I f you have any questions please contact AICCM Conservation Framing co-conve ner Ben Pickard at info@artconservationframers.com.au or Charley-Lois Davis at charleylois@richanddavis.com.au.
CATEGORIES:Lecture ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/ngv-frame-talk-with-john-payne-so ld-out/ END:VEVENT BEGIN:VEVENT UID:20260324T0749Z-1774338545.8982-EO-14580-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260316T020152Z LAST-MODIFIED:20260316T020403Z DTSTART;TZID=Australia/Sydney:20260316T090000 DTEND;TZID=Australia/Sydney:20260327T235900 SUMMARY: Call for Expressions of Interest: AICCM ISO/TC 346 Working Group ( Members Only) DESCRIPTION: AICCM is establishing a Working Group to coordinate Australia' s participation in ISO Technical Committee 346 (ISO/TC 346) on Conservation of Cultural Heritage. This is your opportunity to contribute Australian co nservation expertise and perspectives to international standards developmen t. X-ALT-DESC;FMTTYPE=text/html:
Help shape international conservati on standards
AICCM is establishing a Working Group to coord inate Australia's participation in ISO Technical Committee 346 (ISO/TC 346) on Conservation of Cultural Heritage. This is your opportunity to contribu te Australian conservation expertise and perspectives to international stan dards development.
Why does this matter?
ISO /TC 346 develops international standards that influence how conservation is practiced\, taught\, and resourced globally. Australia holds 'P' (particip ating member) status through Standards Australia\, which means we have the opportunity—and responsibility—to actively shape these standards. Without c oordinated participation\, we risk losing this status and our voice in stan dards that affect Australian conservation practice.
Current standard s under development include topics like conservation terminology\, wall pai ntings deterioration\, damage classification for silk textiles and calligra phy/painting\, surface protection for stone\, characterisation of ancient c eramics\, and seismic protection of museum collections.
Two ways to get involved
1. Join the Working Group (Core positions)
We're seeking nominations for:
Chair (3-year term)
Deputy Chair (2-ye ar term)
Secretary (2-year term)
C ore Members (3-4 positions\, 2-year terms)
Ti me commitment: Quarterly video conference meetings\, plus particip ation in standards review cycles (typically 4-6 weeks for each standard\, a nticipated 2-4 per year).
What we're looking for: W e need representation across objects conservation\, natural science collect ions\, built heritage/archaeology\, conservation science\, and First Nation s cultural heritage perspectives. The Chair should have experience in conse rvation standards\, policy development\, or international collaboration.
To nominate yourself\, please provide:
Yo ur name and contact detail
Your area(s) of expertise/practice
< li>A brief statement (200-300 words) about your relevant experience and why you're interested in contributing
Confirmation that you can commit to the time requirements
Which position(s) you're interested in
2. Register as a Subject Matter Expert
Eve n if you can't commit to the Working Group\, we want to hear from you! We'r e building a register of Australian conservation professionals with special ised expertise who can be consulted to review draft standards in their area s.
Time commitment: Occasional (typically 4-6 weeks when a relevant standard is circulated for review\, possibly 1-2 times per year depending on your expertise areas).
To register\, plea se provide:
Your name and contact details
Your specific areas of expertise (e.g.\, wall paintings\, textiles\, stone cons ervation\, ceramics\, seismic protection\, natural science collections\, et c.)
Brief note on your relevant experience/qualifications
How to express your interest
Please send your n omination or expert registration to secretariat@aiccm.org.au by 27th March 2026.

Questions? Contact Heather Bleechmore at heather.bleech more@australian.museum
All Working Group members must be financ ial AICCM members. Nominations will be reviewed by AICCM National Council.
CATEGORIES:Open Call LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/call-for-expressions-of-interest- aiccm-iso-tc-346-working-group-members-only/ END:VEVENT BEGIN:VEVENT UID:20260324T0749Z-1774338545.9129-EO-14579-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260316T015418Z LAST-MODIFIED:20260316T020649Z DTSTART;TZID=Australia/Sydney:20260319T173000 DTEND;TZID=Australia/Sydney:20260319T193000 SUMMARY: ACT Division Social Event (Members Only) DESCRIPTION: ACT Division members are invited to 'Conservators Responsibly Enjoying Evening Drinks' (CREED) on Thursday 19 March\, from 5:30pm. X-ALT-DESC;FMTTYPE=text/html:
ACT Division members are invited to 'Conse rvators Responsibly Enjoying Evening Drinks' (CREED) on Thursday 19 March\, from 5:30pm.
CREED is a regular get-together of local conservators \, conservation students and fellow travellers where the conversation isn't just about conservation!
Details\, including the location\, were cir culated to ACT members via email on 16 March.
If you are a member and would like further information\, please email secretariat@aiccm.o rg.au
CATEGORIES:Social Event LOCATION:Lyneham GEO:-35.488350;149.002694 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/act-division-social-event-members -only/ END:VEVENT BEGIN:VEVENT UID:20260302T0141Z-1772415710.0481-EO-14555-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260301T231624Z LAST-MODIFIED:20260320T033522Z DTSTART;TZID=Australia/Sydney:20260401T130000 DTEND;TZID=Australia/Sydney:20260401T140000 SUMMARY: Heavy Metals in Books & Paper DESCRIPTION: The AICCM Book and Paper Special Interest Group are pleased to invite you to a special online event on 1 April 2026: \n\n'Heavy metals in books & paper: identification and management of hazardous substances in th e Museums Victoria Library collection' X-ALT-DESC;FMTTYPE=text/html: Overview
From 2020-2024\, Museums Victoria undertook a project to identify hazardous sub stances in pre-1900 book covers. The survey used X-ray fluorescence and Fou rier transform infrared spectroscopy to identify heavy metal pigments in bo ok covers. Results showed that arsenic\, mercury\, lead\, and chromium-base d pigments were present in book bindings of various colours. This talk will present some updates on the research recently published in the Studies in Conservation article 'Showing our Metal: Identifying and Managing Hazard ous Substances in Book Covers in the Museums Victoria Library'. It will also outline the library protocols used to improve identification and hand ling of affected items.
The talk will be followe d by a Q&A and discussion time\, during which participants can bring questi ons for the speaker and share relevant experiences and observations.
Time and Date: 1-2pm\, 1 April 2026 AEDT (Melbourne/Sydney/Canberra/Hobart)
Venue: Online Webinar (This event will be recorded. Registered participants can access t he recording up to three months)
Presenters: Hayley Webster and Dr Rosemary A Goodall
Cost: $0 AICCM Member\, $10 Non-Member.

Book ing Link: Please complete the booking form here
The link to the Zoom webinar will be sent to you in your booking confirmation.
Number of tickets available: 100
~~Speaker Bios:~~
Dr Rosemary A Goodall is an Honorary Associate at Museums Victoria where she worked as the Mater ials Scientist prior to retirement. She has been involved in the identifica tion of materials in the collections with a primary focus on the identifica tion of hazardous substances utilizing elemental and vibrational spectrosco py. Recent research includes heavy metal pigments in book covers\, completi ng surveys of the Rare Book collection\, main library and collection regist ers. Other research includes mercury vapour in collection cabinets\, pharma ceuticals and plastics in the Museum’s collections.
Hayley Webster (Manager\, Library at Museums Victoria) is a professional l ibrarian and historian with 15 years of experience in the GLAM sector. She has extensive experience in collection management and curation of rare book collections\, including experience in managing hazardous substances in her itage library collections. Hayley is Chair of the Australian Library & Info rmation Association's Government & Special Libraries sector group and Conve nor of ALIA Rare Books & Special Collections.
Questions?
If you have any questions or issues with your booking\, please contact the AICCM Secretariat at secretariat@aiccm.org.au. 
CATEGORIES:Webinar LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/heavy-metals-in-books-paper/ END:VEVENT BEGIN:VEVENT UID:20260315T1242Z-1773578540.5129-EO-14576-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260313T003331Z LAST-MODIFIED:20260326T231737Z DTSTART;TZID=Australia/Sydney:20260401T173000 DTEND;TZID=Australia/Sydney:20260401T193000 SUMMARY: VIC Division Social Event (Members Only) DESCRIPTION: AICCM Victorian Branch Members are invited to catch up with th eir conservation colleagues and make new friends at this casual social even t. X-ALT-DESC;FMTTYPE=text/html:
AICCM Victorian Branch Members are invited to catch up with their conservation colleagues and make new friends at this casual social event in Brunswick on Wednesday 1 April\, 5:30 – 7:30pm
Details\, including the location\, were circulated to Victorian members v ia email on 11 March.
If you are a member and would like further info rmation\, please email secretariat@aiccm.org.au
CATEGORIES:Social Event LOCATION:Carlton GEO:-36.598610;144.678005 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/vic-division-social-event-members -only/ END:VEVENT BEGIN:VEVENT UID:20260324T0749Z-1774338545.9446-EO-14581-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260317T224441Z LAST-MODIFIED:20260317T225149Z DTSTART;TZID=Australia/Sydney:20260401T173000 DTEND;TZID=Australia/Sydney:20260401T193000 SUMMARY: WA Division Social Event (Members Only) DESCRIPTION: AICCM Western Australian Branch Members are invited to a socia l catch-up in Perth on Wednesday 1 April from 5:30pm X-ALT-DESC;FMTTYPE=text/html: AICCM WA Branch Members are invited to a so cial catch-up in Perth on Wednesday 1 April from 5:30pm.
It will be a great chance to unwind\, reconnect\, and enjoy some time with fellow conse rvation colleagues. We’re looking forward to seeing you there.
Detail s\, including the location\, were circulated to members based in WA via ema il on 18 March.
If you are a member and would like further informatio n\, please email secretariat@aiccm.org.au

CATEGORIES:Social Event LOCATION:Perth GEO:-25.230301;121.018725 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/wa-division-social-event-members- only/ END:VEVENT BEGIN:VEVENT UID:20260329T0248Z-1774752498.8457-EO-14595-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260327T013941Z LAST-MODIFIED:20260327T014139Z DTSTART;TZID=Australia/Sydney:20260416T150000 DTEND;TZID=Australia/Sydney:20260416T160000 SUMMARY: NSW Division – Manta Ray Treatment and Lab Tour (Members Only) DESCRIPTION: Members are warmly invited to join the AICCM NSW Branch for an exclusive behind-the-scenes tour. X-ALT-DESC;FMTTYPE=text/html:
Members are warmly invited to join the AICC M NSW Branch for an exclusive behind-the-scenes tour of the Collection Care and Conservation Lab at the Australian Museum.
Project Conservator K erry Etherington will share insights into the ongoing conservation of a rem arkable four-metre taxidermy reef manta ray (Mobula alfredi) dating from 1868. As the holotype of its species—and one of only a handful of taxi dermied fish of this scale known to survive—this specimen presents a truly unique conservation challenge.
With few precedents to guide the work\ , the project has required the development of bespoke tools and innovative techniques to stabilise\, repair\, and ultimately return the specimen to a displayable condition. Along the way\, Kerry has uncovered unexpected disco veries\, including a trove of historic materials that offer rare insight in to nineteenth-century museum workshop practices.
The tour will contin ue with a visit to the scientific specimen preparation lab\, where scientif ic specimen preparator Katrina McCormick will discuss the intricate craft o f taxidermy—including the role of some of her more unusual “helpers”. Pleas e note this is a working taxidermy lab which houses specimens in various st ates of preparation.
Key Details: The location\, tim e and how to RSVP were circulated to NSW members via email on 27 March.

If you are a member and would like further information\, please email secretariat@aiccm.org.au
CATEGORIES:Tour LOCATION:Sydney GEO:-31.875984;147.286949 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/nsw-division-manta-ray-treatment- and-lab-tour-members-only/ END:VEVENT BEGIN:VEVENT UID:20260405T0401Z-1775361716.2754-EO-14672-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260401T043229Z LAST-MODIFIED:20260401T043229Z DTSTART;TZID=Australia/Sydney:20260417T160000 DTEND;TZID=Australia/Sydney:20260417T164500 SUMMARY: Emerging Conservators Catch-up DESCRIPTION: The Emerging Conservators SIG is excited to invite you to our first virtual catch up of the year — a free\, casual online event where we can come together\, get to know one another\, and talk all things conservat ion. X-ALT-DESC;FMTTYPE=text/html:
Attention students\, recent graduates\, and new professionals\,
The Emerging Conservators SIG is excited to inv ite you to our first virtual catch up of the year — a free\, casual online event where we can come together\, get to know one another\, and talk all t hings conservation.
Whether you are a current student\, a recent grad uate\, or a new professional finding your feet in the field\, this event is for you.
Join us on Friday\, 17 April at 4:00-4:45pm AEST to:
• Meet the AICCM Emerging Conservators SIG committee and hear a little abou t who we are
• Learn about the SIG — our purpose\, our goals\, and wha t we have planned
• Discover what the SIG can do for you — from networ king opportunities to professional development and spotlighting of the peer -reviewed journal\, SCROLL
• Connect with fellow emerging conservators from across Australia
This is a free event and open to all emerging conservation professionals\, so please come along\, even if you have never engaged with the SIG before. We would love to meet you.
Details at a glance:
📅 Date: Friday\, 17 April 2026
🕔 Time: 4:00-4:45pm AEST💻 Format: Virtual
💰 Cost: Free
Register Here: https ://www.trybooking.com/DLCOW
We also have more events planned throughout the year\, so this is just the beginning — stay tuned for furth er announcements.
If you have any questions in the meantime\, please don't hesitate to get in touch via our email: emergingsig@aiccm.org.au
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CATEGORIES:Meeting LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/emerging-conservators-catch-up/ END:VEVENT BEGIN:VEVENT UID:20260324T0749Z-1774338545.9548-EO-14578-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260316T013820Z LAST-MODIFIED:20260316T020555Z DTSTART;TZID=Australia/Sydney:20260417T163000 DTEND;TZID=Australia/Sydney:20260417T193000 SUMMARY: TAS Division Social Event (Members Only) DESCRIPTION: AICCM Tasmanian Branch Members are invited to a social catch-u p in Hobart on Friday 17 April\, 4:30pm – 7:30pm. X-ALT-DESC;FMTTYPE=text/html:
AICCM Tasmanian Branch Members are invited to a social catch-up in Hobart on Friday 17 April\, 4:30pm – 7:30pm.
It will be a great chance to unwind\, reconnect\, and enjoy some time with fellow conservation colleagues. We’re looking forward to seeing you there.
Details\, including the location\, will be circulated to members bas ed in Tasmania via email on 17 March.
If you are a member and would l ike further information\, please email secretariat@aiccm.org.au

CATEGORIES:Social Event LOCATION:Hobart GEO:-42.035067;146.636689 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/tas-division-social-event-members -only/ END:VEVENT BEGIN:VEVENT UID:20260419T1420Z-1776608452.9294-EO-14725-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260413T005123Z LAST-MODIFIED:20260413T005123Z DTSTART;TZID=Australia/Sydney:20260423T173000 DTEND;TZID=Australia/Sydney:20260423T193000 SUMMARY: ACT Division Social Event (Members Only) DESCRIPTION: ACT Division members are invited to 'Conservators Responsibly Enjoying Evening Drinks' (CREED) on Thursday 23 April\, from 5:30pm. X-ALT-DESC;FMTTYPE=text/html:
ACT Division members are invited to 'Conse rvators Responsibly Enjoying Evening Drinks' (CREED) on Thursday 23rd April \, from 5:30pm.
CREED is a regular get-together of local conservato rs\, conservation students and fellow travellers where the conversation isn 't just about conservation!
Details\, including the location\, were c irculated to ACT members via email on 13 April.
If you are a member a nd would like further information\, please email secretariat@aiccm .org.au
CATEGORIES:Social Event LOCATION:Lyneham GEO:-35.488350;149.002694 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/act-division-social-event-members -only-2/ END:VEVENT BEGIN:VEVENT UID:20260329T0248Z-1774752498.8982-EO-14594-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260326T230915Z LAST-MODIFIED:20260410T004630Z DTSTART;TZID=Australia/Sydney:20260430T173000 DTEND;TZID=Australia/Sydney:20260430T193000 SUMMARY: VIC Division – Off the Record Presentations (Members Only) DESCRIPTION: AICCM Victorian Branch Members are invited to the first ‘off t he record’ presentations for 2026. We will be kicking off with two fascina ting talks by conservators\, Noni Zachri and Peter Mitchelson. X-ALT-DESC;FMTTYPE=text/html:
AICCM Victorian Branch Members are invited to the first ‘off the record’ presentations for 2026.
We will be kic king off with two fascinating talks by conservators\, Noni Zachri and Peter Mitchelson. Come along in person and enjoy some refreshments before the t alks commence or stream online.
Noni Zachri \, Conservator\, Paper and Photographs
Cultural Context and Conservation Practice: Reflections from JPC 2025
This talk r eflects on Noni’s three-week experience at the International Course on the Conservation of Japanese Paper (JPC 2025). Noni will outline the programme\ , share practical insights\, and discuss how the course addressed potential misconceptions about Japanese paper and the conservation of Japanese cultu ral properties.
Noni is a Conservator at the University of Melbourne’ s Grimwade Conservation Services\, specialising in paper\, photograph and p reventive conservation.
Peter Mitchelson\, Paper & Book Conse rvator
Work Experience in a Book and Paper lab in Paris 2025
This presentation will share Peter's experiences and reflec tions from undertaking two weeks work experience in Paris.
Peter Mitc helson is a book and paper conservator working for Grimwade Conservation Se rvices\, the University of Melbourne. Prior to training as a conservator he studied art history\, and worked in the art industry.
When: Thursday 30 April\, 5:30pm for 6pm commencement
Details\, in cluding the location and zoom link\, were circulated to Victorian members v ia email on 27 March.
If you are a member and would like further info rmation\, please email secretariat@aiccm.org.au
CATEGORIES:Lecture LOCATION:Carlton GEO:-36.598610;144.678005 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/vic-division-off-the-record-prese ntations-members-only/ END:VEVENT BEGIN:VEVENT UID:20260419T1420Z-1776608452.9468-EO-14727-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260416T004726Z LAST-MODIFIED:20260416T005150Z DTSTART;TZID=Australia/Sydney:20260508T120000 DTEND;TZID=Australia/Sydney:20260508T140000 SUMMARY: Variable Media Lab Tour at the Powerhouse (Members Only) DESCRIPTION: The AICCM Time-based and Digital SIG are hosting a special tou r of the Powerhouse’s Variable Media Lab and latest conservation and stora ge facility\, led by Variable Media Conservator Chris Redman. X-ALT-DESC;FMTTYPE=text/html:
AICCM Members are invited to join Variable Media Conservator Chris Redman and colleagues for a dedicated tour of the P owerhouse’s Variable Media Lab and the new Building J (the Powerhouse’s lat est conservation and storage facility). Chris will discuss his preservation workflows\, digitisation techniques\, and the tools used at the Powerhouse to support these processes.
This tour offers participants a rare gli mpse into the evolving practices of variable media conservation at the Powe rhouse\, as well as an opportunity to engage directly with preservation spe cialists.
Chris Redman is the Variable Media Conservator at th e Powerhouse Museum\, where he leads the preservation and digitisation of t ime-based and digital media collections. He oversees the Variable Media Dig itisation Studio\, manages large-scale projects\, and advises on complex me dia care\, contributing to preservation standards\, digital infrastructure\ , and improved access to variable media collections.
Date: 8 M ay 2026
Time: 12–2 pm
Location: Powerhouse\, Castl e Hill\, Sydney
Cost: Free
Full details including a regis tration link were circulated via email to NSW-based members on 16 April 202 6.
If you need any further information\, please email secretariat@aic cm.org.au
CATEGORIES:Tour LOCATION:Castle Hill GEO:-33.869844;151.208285 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/variable-media-lab-tour-at-the-po werhouse-members-only/ END:VEVENT BEGIN:VEVENT UID:20260213T2058Z-1771016317.0492-EO-14532-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260212T231814Z LAST-MODIFIED:20260420T044402Z DTSTART;TZID=Australia/Sydney:20260515T090000 DTEND;TZID=Australia/Sydney:20260515T180000 SUMMARY: AICCM Book & Paper SIG and Emerging Conservators SIG Online Sympos ium DESCRIPTION: 'Emerging Questions: An Online Symposium' is an all-day virtua l event showcasing the work of students and recent graduates in book and pa per conservation. The symposium will explore emerging questions on new mate rials and techniques\, and share new ideas and approaches to conservation p ractice. X-ALT-DESC;FMTTYPE=text/html:
'Emerging Questions: An Online Symposium' is an all-day virtual event showcasing the work of students and recent grad uates in book and paper conservation. The symposium will explore emerging q uestions on new materials and techniques\, and share new ideas and approach es to conservation practice.
Each session includes a 20-minute presen tation followed by an interactive discussion\, designed to foster collabora tion and peer learning.
While the spotlight is on emerging profession als\, established conservators are warmly encouraged to attend in a mentors hip capacity\, to provide feedback and engage with the ideas shaping the fu ture of the field.
The symposium will be recorded and made available to registered attendees following the event.
Presentation Topics:
- Kimberley Chung - Washi production in the context of contemporary conse rvation practice.
- Sunita Lewis - What Lies Beneath the Print? Identi fication and Editioning of Picasso’s ‘La Suite des Saltimbanques.’
- F ei Stokes - In a bit of a bind: the bookbinding skill gap in Australia.
- Claudia Husband - Demystifying foxing
- Samantha Rogers - Explorin g gelatin sizing for the support of vintage posters.
- Nasim Kookesh - Protecting and treating objects with ultramarine pigment.
- Cody Coat es - A collaborative treatment of oleographs by Raja Ravi Varma.
- Vel ika Thomev - Conservation of modern\, mass-produced paper objects.
- C laire Hewitt & Hana Grace Remington - Use of hydrogels to humidify a parchm ent binding.
Tickets:
• Free for all AICCM mem bers
• $10 – Student non-members
• $25 – Non-members
Register Here: https ://www.trybooking.com/DLNOX
Timezone: Please not e the 9:00am - 6:00pm time zone is AEST (Melbourne/Sydney/Canberra/Brisbane /Hobart)
If you have any questions\, please email SIG convenors\, Yuh ong and Hanna at bookandpaper@ai ccm.org.au or Ffion and Angela at emergingsig@aiccm.org.au
A full program wit h session times will be sent to registered participants in advance.
CATEGORIES:Special Interest Group Symposium LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-book-paper-sig-and-emerging -conservators-sig-online-symposium/ END:VEVENT BEGIN:VEVENT UID:20260429T0508Z-1777439298.2482-EO-14760-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260429T020257Z LAST-MODIFIED:20260429T021205Z DTSTART;TZID=Australia/Sydney:20260528T114500 DTEND;TZID=Australia/Sydney:20260528T133000 SUMMARY: Tour of ‘Restoring the Past’ at the Tasmanian Museum and Art Galle ry (Members Only) DESCRIPTION: Members are warmly invited to join a tour of Restoring the Pas t at TMAG\, followed by lunch at the Hobart Town Hotel. X-ALT-DESC;FMTTYPE=text/html:
Members are warmly invited to join the Tasm anian division at their next event: a tour of 'Restoring the Past' at TMAG\ , followed by lunch at the Hobart Town Hotel.
Restoring the Past sho wcases the meticulous conservation treatment of three significant nineteent h‑century paintings and their ornate frames\, including the portraits of Th omas and Catherine Chapman and a landscape by John Glover. The exhibition o ffers a rare behind‑the‑scenes insight into the technical processes and res earch that preserve Tasmania’s artistic heritage.
Led by Jenny Bird\, Lisa Charleston and Kate McKay who developed the exhibition\, the floor ta lk will explore the balance of science\, craftsmanship and interpretation t hat underpins conservation practice.
Details\, including how to RSVP will be circulated via email to AICCM members in Tasmania.
If you ar e a member and would like further information\, please email secretariat@ai ccm.org.au
CATEGORIES:Tour LOCATION:Hobart GEO:-42.035067;146.636689 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/tour-of-restoring-the-past-tasman ian-museum-and-art-gallery-members-only/ END:VEVENT BEGIN:VEVENT UID:20260517T2017Z-1779049069.5034-EO-14762-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260511T035902Z LAST-MODIFIED:20260511T041105Z DTSTART;TZID=Australia/Sydney:20260611T173000 DTEND;TZID=Australia/Sydney:20260611T193000 SUMMARY: VIC Division – June ‘Off the Record’ Presentations (Members Only) DESCRIPTION: AICCM Victorian Branch Members are invited to the second ‘Off the Record’ presentations for 2026. X-ALT-DESC;FMTTYPE=text/html:
AICCM Victorian Branch Members are invited to the set of ‘Off the Record’ presentations for 2026.
We will hear presentations by conservators Peter Mitchelson and Caroline Fry\, both spea king about their experiences attending Attingham Trust courses. Come along in person and enjoy some refreshments before the talks commence or stream o nline.
Peter Mitchelson\, Paper & Book ConservatorReflections from the Attingham Royal Collections Tour 2025
This presentation will share Peter’s experiences and re flections from participating in the Attingham Royal Collections Studies tou r in 2025. He hopes to inspire other AICCM members to apply for the scholar ship in the future.
Peter Mitchelson is a book and paper conservator working for Grimwade Conservation Services\, the University of Melbourne. P rior to training as a conservator\, he studied art history and worked in th e art industry.
Caroline Fry\, Paintings Conservator
ATTINGHAM STUDY PROGRAM 2023: “Andrea Palladio\, Venice a nd the Veneto”.
Caroline will review this unique Study Program\, which focussed on the architecture of Andrea Palladio\, (b. 1508 -1580) one of the most influential architects of all time. Palladio worked exclusively in the Veneto\, the area in the north of Italy centred around t he wealth of Venice. Caroline will explain how she and delegates had unprec edented access into private Venetian homes\, Palladian villas and their col lections to learn alongside peer professionals from allied disciplines\, in the perfection of the Venetian lagoon as backdrop for ‘object-based learni ng’.
Caroline Fry is a paintings conservator with over four decades experience in the conservation and museum profession\, having worked as a c onservator and educator in major institutes in Victoria. She recently retir ed from her role as a conservator at Grimwade Commercial Services and is no w enjoying a return to conservation and fine art research.
W hen: Thursday 11 June\, 5:30pm for 6pm commencement
Details\ , including the location and zoom link\, will be circulated to Victorian me mbers via email on 14 May.
If you are a member and would like further information\, please email secretariat@aiccm.org.au

CATEGORIES:Lecture LOCATION:Carlton GEO:-36.598610;144.678005 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/vic-division-june-off-the-record- presentations-members-only/ END:VEVENT BEGIN:VEVENT UID:20260609T1007Z-1780999666.3121-EO-14985-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260609T015938Z LAST-MODIFIED:20260609T020532Z DTSTART;TZID=Australia/Sydney:20260617T173000 DTEND;TZID=Australia/Sydney:20260617T213000 SUMMARY: WA Division Social Event – Movie Night (Members Only) DESCRIPTION: Join the WA committee for a night at the movies! X-ALT-DESC;FMTTYPE=text/html: For our winter social catchup\, join the WA commit tee for a night at the movies!
Time and Date: Wedne sday\, June 17^th 2026 at 5:30 for a pre-movie catchup. The movie starts at 7:00
Synopsis:
From acc laimed director Steven Soderbergh\, THE CHRISTOPHERS is a sharp\, darkly co mic exploration of art\, legacy and deception\, led by Golden Globe winner Ian McKellen and Emmy winner Michaela Coel. At its centre is Julian Sklar ( McKellen)\, a once celebrated painter now living in reclusion\, whose unfin ished works become the focus of a covert scheme orchestrated by his estrang ed children. Hoping to secure their inheritance\, they enlist Lori (Coel)\, a skilled art restorer\, to quietly complete the paintings in his distinct ive style\, blurring the line between preservation and imitation. What begi ns as an act of forgery gradually unfolds into something more intricate\, a s Julian and Lori enter a shifting battle of intellect and influence. As th eir dynamic deepens\, questions of authorship\, authenticity and ownership come to the fore\, revealing the uneasy relationship between artistic creat ion and commercial value. Wry\, intimate and layered\, THE CHRISTOPHERS off ers a fascinating meditation on how art is created\, valued and ultimately claimed\, where legacy is as contested as the work itself.
Location and Fulll Details: Details were circulated to WA members via email on 9 June.
If you are a member and wou ld like further information\, please email secretariat@aiccm.org.au

CATEGORIES:Social Event LOCATION:Perth GEO:-25.230301;121.018725 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/wa-division-social-event-movie-ni ght-members-only/ END:VEVENT BEGIN:VEVENT UID:20260609T1007Z-1780999666.3198-EO-14984-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260609T005331Z LAST-MODIFIED:20260609T005909Z DTSTART;TZID=Australia/Sydney:20260625T160000 DTEND;TZID=Australia/Sydney:20260625T180000 SUMMARY: Wedgular in Action: A Show and Tell of the Modular Book Cradle Sys tem at SLNSW DESCRIPTION: The NSW Division invites you to an informal evening exploring the development of the Wedgular modular book cradle system. Beginning in th e Ainsworth Collection Care Lab\, the session will include a demonstration and discussion of how the system was developed to support a large and varie d exhibition program. X-ALT-DESC;FMTTYPE=text/html:
Join the NSW division at SLNSW for an infor mal evening exploring the development of the Wedgular modular book cradle s ystem. Beginning in the Ainsworth Collection Care Lab\, the session will in clude a demonstration and discussion of how the system was developed to sup port a large and varied exhibition program.
Designed as a safe\, reus able\, and efficient alternative to traditional bespoke cradles\, Wedgular provides a modular approach to supporting bound volumes across a wide range of sizes\, structures\, and opening angles. The system uses reusable black mountboard components that interlock on a baseplate\, allowing cradles to be configured quickly\, adjusted as needed\, repaired by replacing individu al parts\, and documented for repeat use.
Following the lab session\, attendees will be invited on a tour of Amaze 200\, where the system is currently in use\, offering a chance to see Wedgular in an exhibition s etting. Afterwards\, all are welcome to head up to the library bar for a dr ink and an informal chat.
When: Thursday 25 June 4-6 pm
Details will be circulated to NSW members via email on 11 June.
If you are a member and would like further information\, please email < a href="mailto:secretariat@aiccm.org.au" rel="noreferrer noopener" target=" _blank">secretariat@aiccm.org.au
CATEGORIES:Tour LOCATION:State Library of New South Wales GEO:-33.866495;151.213234 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/wedgular-in-action-a-show-and-tel l-of-the-modular-book-cradle-system-at-slnsw/ END:VEVENT BEGIN:VEVENT UID:20260701T1759Z-1782928757.2607-EO-15029-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260630T050417Z LAST-MODIFIED:20260630T050948Z DTSTART;TZID=Australia/Sydney:20260701T184500 DTEND;TZID=Australia/Sydney:20260701T214500 SUMMARY: Tasmanian Division Movie Night! DESCRIPTION: Tasmanian Division members are invited to a movie night on Wed nesday 1 July. X-ALT-DESC;FMTTYPE=text/html:
Tasmanian Division Members\, we’d love you to join us for a relaxed movie night at the State Cinema on 1 July!
T he evening will start with drinks at the Angelika Bar (rig ht next door)\, then we’ll head into the cinema together.
Fil m: The Christophers
The children of a once-famous ar tist (Ian McKellen) enlist a forger (Michaela Coel) to complete a series of long-abandoned paintings—hoping to secure their inheritance.
Details
Full details have been circulated to Tasmanian membe rs via email. For enquiries\, please contact: secretariat@aiccm.org.au
This event has been organised by the Tasmanian Division.

CATEGORIES:Social Event LOCATION:Hobart GEO:-42.035067;146.636689 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/tasmanian-division-movie-night/ END:VEVENT BEGIN:VEVENT UID:20260701T1759Z-1782928757.2704-EO-15030-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260630T053543Z LAST-MODIFIED:20260702T001444Z DTSTART;TZID=Australia/Sydney:20260707T123000 DTEND;TZID=Australia/Sydney:20260707T133000 SUMMARY: Conservation Conversations: Samantha Shellard – observations from ‘Paper Universe’ DESCRIPTION: AICCM-QLD Division members are invited to join us for our firs t in a series of Conservation Conversations. X-ALT-DESC;FMTTYPE=text/html:
AICCM-QLD Division members are invited to j oin us for our first in a series of Conservation Conversations wit h Conservator\, works on paper\, Samantha Shellard from Queensland Art Gall ery I Gallery of Modern Art as she shares her observations of the Artist Bo ok Exhibition – Paper Universe Exhibition at the State L ibrary of New South Wales (SLNSW). Samantha visited the exhibition and atte nded an artist talk at SLNSW earlier this year and will give a short presen tation on her visit\, followed by a discussion and artist book presentation with SLQ staff and a Q&A.
Please note that food and drink (bottl ed water excepted) cannot be brought into the White Gloves Room.
Date: 7 July 2026
Time: 12:30pm -1 :30pm (AEST)
Register: RSVP as soon as possible
Full details\, including how to register have been circulated to QLD Memb ers via email. For enquiries\, please contact: secretariat@aiccm.org.au

This event has been organised by the AICCM QLD Divison.
< /div> CATEGORIES:Talk LOCATION:Queensland Art Gallery of Modern Art (QAGOMA) GEO:-27.471554;153.017392 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/conservation-conversations-samant ha-shellard-observations-from-paper-universe/ END:VEVENT BEGIN:VEVENT UID:20260625T1052Z-1782384728.0027-EO-15021-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260624T234933Z LAST-MODIFIED:20260630T062717Z DTSTART;TZID=Australia/Sydney:20260714T120000 DTEND;TZID=Australia/Sydney:20260714T130000 SUMMARY: Tech Allies Talk: Creative Technologists and Time-based Conservati on (Members Only) DESCRIPTION: Join leading creative technologists\, Mark Hellar and Simon Lo ffler\, for an informal presentation on their respective practices. X-ALT-DESC;FMTTYPE=text/html:
Join leading creative technologists\, Mark Hellar and Simon Loffler\, for an informa l online presentation on their respective practices.
As cultural heri tage increasingly encompasses evolving technologies\, rapidly obsolete syst ems\, and ephemeral digital practices\, time-based and digital conservation professionals are collaborating across a broad range of disciplines to sup port preservation\, access\, and re-use.
Working at the intersection of art\, computer science\, and design\, creative technologists play a cri tical role in developing innovative tools\, digital access platforms\, and iterative prototypes that enable greater engagement with\, and sustainabili ty of\, digital collections across the GLAM sector.
In this session\, Mark and Simon will share perspectives from their current work across muse ums\, public art\, software\, and experimental technologies\, offering insi ghts into the diverse roles creative technologists play within the cultural sector and how they also collaborate with a diverse range of practitioners including time-based conservators.
Mark Hellar is a technology consultant and owner of Hellar Studios LLC\, specialising in di gital media and software-based solutions for multimedia artists and collect ing institutions. He has contributed to new media conservation initiatives at SFMOMA\, MoMA\, and the Guggenheim Museum\, with a focus on software-bas ed artworks.
Simon Loffler is a senior creative tech nologist at ACMI whose work spans digital experiences\, videogames\, machin e learning\, and software development for cultural institutions. He was a f ounding member of MOD. museum and Hackerspace Adelaide and has led projects exploring collections access and experimental technologies.
Presenta tions will be approximately 15 minutes each\, followed by discussion and au dience questions.
Date: 14 July 2026
Ti me: 12:00 pm (AEST)
Join: Register here to receive the Zoom link (AICCM Members Only)
This event has been organised by the AICCM Time-based and Digital Sp ecial Interest Group.
For enquiries\, please contact: tbadigital@aiccm.org.au

CATEGORIES:Webinar LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/tech-allies-talk-creative-technol ogists-and-time-based-conservation/ END:VEVENT BEGIN:VEVENT UID:20260701T1759Z-1782928757.2834-EO-15031-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260630T053857Z LAST-MODIFIED:20260713T023724Z DTSTART;TZID=Australia/Sydney:20260723T123000 DTEND;TZID=Australia/Sydney:20260723T133000 SUMMARY: Conservation Conversations: Emily Kelleher – learnings from ‘Fusio n 2: Asia Pacific’ (Members Only) DESCRIPTION: AICCM-QLD Division members are invited to join us for our seco nd event in a series of Conservation Conversations. X-ALT-DESC;FMTTYPE=text/html:
AICCM-QLD Division members are invited to j oin us for our second in a series of Conservation Conversations as Emily Kelleher\, Assistant Paintings Conservator\, shares her experience participating in Fusion 2: Asia-Pacific\, a professional developme nt workshop hosted by the Art Gallery of New South Wales in collaboration w ith the Getty Foundation’s Conserving Canvas initiative.
Delivered o ver three phases during 2024-25\, the workshop explored minimally invasive treatment methods for the structural repair of canvas paintings\, with a pa rticular focus on the single-thread bonding technique. Emily will provide a n overview of the workshop’s key concepts and practical applications and pr esent a case study of a tear-mending treatment undertaken as part of the pr ogram’s follow-up phase.
Bring your lunch and join us in person\, or attend online if you are unable to make it to the State Library Queensland.
Date: 23 July 2026
Time: 12: 30pm -1:30pm (AEST)
Register: RSVP by 20 July
Full details\, including how to register have been circulated to QLD Member s via email. For enquiries\, please contact: secretariat@aiccm.org.au
This event has been organised by the AICCM QLD Divison.
CATEGORIES:Talk LOCATION:State Library of Queensland GEO:0;0 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/conservation-conversations-emily- kelleher-learnings-from-fusion-2-asia-pacific/ END:VEVENT BEGIN:VEVENT UID:20260714T0712Z-1784013176.9541-EO-15072-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260712T234439Z LAST-MODIFIED:20260713T041642Z DTSTART;TZID=Australia/Sydney:20260723T173000 DTEND;TZID=Australia/Sydney:20260723T193000 SUMMARY: How to Apply for Jobs and Write Job Applications with Gerard Hogan (Members Only) DESCRIPTION: ACT Division presents 'How to Apply for Jobs and Write Job App lications with Gerard Hogan' on 23rd of July\, from 5:30pm. X-ALT-DESC;FMTTYPE=text/html:
ACT Division presents 'How to Apply for Job s and Write Job Applications with Gerard Hogan' on 23rd of July\, from 5:30 pm.
Overview
Writing for a job can be daunting\ , particularly when you least expect it. A great job crops up\, and you kno w you can do it - in a mad rush you throw in an application\, only to be di sappointed.
This presentation will discuss how to apply and write for a job to get the best chance of gaining an interview. We will discuss how you:
Maintain consistency from start to finish (for those pesky algorithms)
Prepare before drafting your application
Draft the application
Match your resume against each specific job
Prepare for the interview process and how that relates to what you wrote
Brief your referee so they know how to describe you in the best mann er possible for that job
Obtain feedback if unsuccessful by asking the right questions
Gerard Hogan has been helping people apply for jobs for at least 20 years in APS\, state government\, and non- governm ent roles\, including chairing panels. He will share what success looks lik e from an assessment perspective and show you how to utilise previous appli cations for when that last minute dream job arrives. You won’t be left unpr epared but able to rapidly send off a professional and sound application.
Time & Venue: Full details have been circulated to AC T Divison members via email. If you have any queries\, please contact secre tariat@aiccm.org.au.
Note: this will replace our re gular CREED drinks for July but don’t worry - the talk will be followed by drinks at a local bar\, depending on interest!
CATEGORIES:Talk LOCATION:Canberra GEO:-35.297591;149.101268 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/how-to-apply-for-jobs-and-write-j ob-applications-with-gerard-hogan/ END:VEVENT BEGIN:VEVENT UID:20260701T1759Z-1782928757.2901-EO-15032-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260630T054400Z LAST-MODIFIED:20260713T023546Z DTSTART;TZID=Australia/Sydney:20260731T123000 DTEND;TZID=Australia/Sydney:20260731T133000 SUMMARY: Exhibition Tour: ‘Dearly Departed’ (Members Only) DESCRIPTION: State Library of Queensland invites members of the AICCM-Qld D ivision to an exhibition tour of 'Dearly Departed: death in life'. X-ALT-DESC;FMTTYPE=text/html:
State Library of Queensland invites members of the AICCM-Qld Division to an exhibition tour of Dearly Departed: death in life at SLQ Gallery on 31 July 2026.
Death is a un iversal experience. It will come to us all. Yet the way we confront\, discu ss\, experience and ultimately reckon with death\, and the realities of dyi ng\, varies enormously. Culturally diverse traditions and practices around death offer unique insights into how communities around the world honour an d mourn their loved ones\, shaping vastly different experiences and underst andings of life’s final chapter.
Throughout the 20th century\, death became a quiet taboo\; something rarely spoken of\, despite touching every life. Positioned at the powerful intersection of history\, art and emotion \, Dearly Departed encourages audiences to reflect on what it mean s to live well\, die well and honour those who came before us. It reframes death not as an ending\, but as a profound and enduring part of Queensland’ s living story.
Disclaimer: This exhibition features images\, vi deos\, and objects associated with death and dying. These can evoke emotion s\, memories\, or personal reflections. Visitors are encouraged to move thr ough the space at their own pace and to take breaks whenever needed. This e xhibition contains photographs\, videos and recordings of people who have s ince passed\, including Aboriginal and Torres Strait Islander peoples.
Date: 31 July 2026
Time: 12: 30pm -1:30pm (AEST)
Register: Please RSVP by 28 July.
Full details\, including how to register have been circulated to QLD Members via email. For enquiries\, please contact: secretariat@aiccm.org.a u
This event has been organised by the AICCM QLD Divison.
CATEGORIES:Tour LOCATION:State Library of Queensland GEO:0;0 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/exhibition-tour-dearly-departed/ END:VEVENT BEGIN:VEVENT UID:20260716T1742Z-1784223723.254-EO-15097-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260715T043011Z LAST-MODIFIED:20260715T043506Z DTSTART;TZID=Australia/Sydney:20260731T173000 DTEND;TZID=Australia/Sydney:20260731T190000 SUMMARY: AICCM WA + AMaGA Mixer (Members Only) DESCRIPTION: AMaGA is kindly hosting a social event for both AICCM and AmaG A members to get together and talk all things conservation and collection c are. X-ALT-DESC;FMTTYPE=text/html:
Partnering with the WA Branch of the Austra lian Institute for the Conservation of Cultural Material (AICCM)\, AMaGA ar e putting together a chance to meet up and touch base with all members in o ne place! It is a chance to chat about all things conservation and collecti ons over some drinks and nibbles - the perfect way to spend an evening in t he colder months.
Time & Date: 5:30pm-7:00pm\, Frida y\, 31^st July\, 2026
Full details have been circulated to WA members via email. Please contact secretariat@aiccm.org.au for more info rmation.
CATEGORIES:Social Event LOCATION:Perth GEO:-25.230301;121.018725 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-wa-amaga-mixer-members-only / END:VEVENT BEGIN:VEVENT UID:20260707T0731Z-1783409516.4059-EO-15054-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260706T233947Z LAST-MODIFIED:20260720T042051Z DTSTART;TZID=Australia/Sydney:20260803T173000 DTEND;TZID=Australia/Sydney:20260803T193000 SUMMARY: AICCM Victorian Branch AGM (Members Only) DESCRIPTION: The 2026 AICCM Victorian Branch Annual General Meeting (AGM) w ill be held on Monday 3 August at 6:00pm. X-ALT-DESC;FMTTYPE=text/html:
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Th e 2026 AICCM Victorian Branch Annual General Meeting (AGM) will be held on Monday 3 August at 6:00pm. The AGM will be followed by an Off the Record pr esentation\, Glazing at the Allport Library and Museum of Fine Arts\, presented by Louise Bradley
When:
5.30pm - Refreshments
6pm - AGM
6.15pm - OTR presentation
Full deta ils have been circulated to Victorian Members via email. This includes:

Notice of 2026 AGM
2026 AGM Agenda
2025 AGM Minutes
Committee Nomination Form
Proxy Voting Form
Off the Record Presentation 'Glazing at the Allport Library and Museum of Fine Arts' by Louise Bradley\, Picture Framer\, Conservation Framing for Works of Art
The Allport Library and Museum of Fine Arts is a collection of Austr alian national significance that includes Tasmanian colonial paintings\, photographs\, rare book s\, manuscripts\, English and European decorative arts and furniture. In this presentatio n Louise will discuss her on-location work on the glazing project\, where Tru Vue Optium Museum Acrylic® \, spacers\, support frames\, and backing boards\, are fitted to protect the paintings.
Louise Bradley is a conservation framer in priv ate practice specialising in mounting and framing of work on paper\, with interests in period fr ames and decorated mounts. Her papers on these themes include\, Reproducing Decorative Mo unts\, published in “Art on Paper: Mounting and Housing”\, Archetype Books\, and A Fragil e Connection: the Artist’s Frame for a Work on Paper\, published in “On Paper? Preprint o f the AICCM 8th Book\, Paper and Photographic Materials Symposium”. Louise is a past conv ener of the AICCM Conservation Framers Special Interest Group. While in this role she hel ped to establish the triennial frame symposium\, AICCM – FRAME: Concept\, History and Con servation as an important event for the field of frame studies.
Please conta ct secretariat@aiccm.org.au for further details.
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CATEGORIES:Meeting LOCATION:Carlton GEO:-36.598610;144.678005 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-victorian-branch-agm/ END:VEVENT BEGIN:VEVENT UID:20260725T1520Z-1784992859.5266-EO-15142-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260723T233733Z LAST-MODIFIED:20260723T234007Z DTSTART;TZID=Australia/Sydney:20260812T183000 DTEND;TZID=Australia/Sydney:20260812T193000 SUMMARY: Reflections on Global Practices in Paper Conservation (Members Onl y) DESCRIPTION: Join Paper Conservators Wendi Powell and Kimberley Chung for a n online presentation of their respective experiences attending an internat ional workshop in Aotearoa New Zealand and a paper symposium in China. X-ALT-DESC;FMTTYPE=text/html:

Join Paper Conservators Wendi Powel l and Kimberley Chung for an online presentation of their respective experi ences attending an international workshop in Aotearoa New Zealand and a pap er symposium in China.
Nanocellulose in Art Conservation – Re my Dreyfuss-Deseigne – NZCCM Workshop at Te Papa Tongarewa\, Wellington
In October 2025\, Wendi Powell was fortunate en ough to attend a two-day in-person workshop with Remy Dreyfuss-Deseigne org anised through the NZCCM regarding Nanocellulose films and gels and their u se in conservation. This intensive workshop offered participants lectures about the hands-on experience using various Nanocellulose films and gels\; the making of MFC films\, CNC films\, and Nanocomposites\, and their applic ation on various materials (translucent and transparent supports\, various papers\, and even canvas). In addition\, participants gained a deeper under standing of Nanocellulose (types\, composition\, manufactures\, etc) throug h lectures and group discussions.
Approaches to Preserving Pa permaking in Asia
In 2025\, Kimberley Chung had the opportunity to participate in a Japanese washi-making tour and pape r symposium in China. Each experience offered distinct perspectives on pape rmaking traditions and practices\, yet both revealed a shared commitment to preserving papermaking as an intangible cultural craft through the careful use of local resources and knowledge systems. This presentation explores t he contrast between the highly individual practices of Japanese washi maste rs and the more collective approach of the Chinese papermaking industry. Bo th models work toward a common goal: safeguarding papermaking traditions fo r future generations of makers and users.
Presentations will be appro ximately 15 minutes each\, followed by discussion and audience questions.
Date: Wednesday\, 12th August 2026
Time: 6:30 pm (AEST)
Full details\, including a Zoom link have be en circulated via email on Friday 24 July.
This event has been organ ised by AICCM's NSW Division

CATEGORIES:Webinar LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/reflections-on-global-practices-i n-paper-conservation-members-only/ END:VEVENT BEGIN:VEVENT UID:20260609T1007Z-1780999666.3278-EO-14983-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260609T002252Z LAST-MODIFIED:20260720T062214Z DTSTART;TZID=Australia/Sydney:20260818T170000 DTEND;TZID=Australia/Sydney:20260819T203000 SUMMARY: Carbon Literacy for Conservation and Collections (Sold Out) DESCRIPTION: 'Carbon Literacy for Conservation and Collections' is an entry level course designed to build awareness of the carbon emissions associate d with conservation and collection care. The course will explore the scienc e of climate change\, how this can affect collections and conservators\, an d explore examples of actions that conservators and collections care profes sionals have taken to lower the carbon emissions of their work. X-ALT-DESC;FMTTYPE=text/html:
Course Overview:
'Carbon Literacy for Conservation and Collections' is an entry level course designed to build awareness of the carbon emissions associated with conser vation and collection care. The course will explore the science of climate change\, how this can affect collections and conservators\, and explore exa mples of actions that conservators and collections care professionals have taken to lower the carbon emissions of their work.
This interactive training is divided into four modules taught over two evening sessions:
-Tuesday 18 August 2026 - 5:00pm - 8:30pm AEST (Sydney/Melbourne/Brisban e)
-Wednesday 19 August 2026 - 5:00pm - 8:30pm AEST (Sydney/Melbou rne/Brisbane)
There will be one 15-minute break each evening.
Program:
Module 1: Introduction. Climate change sci ence. Impacts of climate change on conservation and collections.
Modu le 2: The role of conservation and collections care. Climate justice. Co-be nefits of taking climate action.
Module 3: The policy position. Carbo n footprints. Case studies of low carbon conservation and collections care.
Module 4: Action planning. Having conservations. Wrapping up.

Who should Attend:
This course is designed for pr ofessionals working in conservation and collections care who are interested in raising their awareness of the carbon emissions related to their work a nd workplace. This course is designed for beginners and you do not need to have prior knowledge in this area. Equally\, if you are experienced in this area it will be interesting and useful.
Meet your Instru ctor:
Lorraine Finch is director of LFCP\, which is accelera ting the cultural heritage sector’s sustainability through research\, knowl edge sharing and resource creation. Recognised as a national and internatio nal trailblazer demonstrating truly exemplary leadership\, she advocates fo r sustainability in cultural heritage\, participating in conferences\, lead ing workshops and training\, publishing books and articles and collaboratin g with other leaders in the field. She is co-founder and the Chair of the I nstitute of Conservation's Sustainability Group and works closely with the American Institute of Conservation Sustainability Committee.
Course Prices and Early Bird Registrations:
Early Bird AICCM Student or Concession Course Fee = $113.50 (Including certification)
Early Bird AICCM Member Course Fee = $148.50 (Including certification)
Early Bird Non-Member Student or Concession Course Fee = $138.50 (Inclu ding certification)
Early Bird Non-Member Course Fee = $198.50 (Inclu ding certification)
Early bird tickets will be available until 11:59 pm 21 July 2026. From 22 July all ticket prices will increase by $15.
Register Now: https://www.trybooking.com/DMWVV
Important Details: AICCM reserves the right to cancel the course and issue refunds if reg istrations do not meet the minimum threshold by 31 July 2026. AICCM will co ntact all registered participants by 5pm AEST\, 3 August 2026.
This e vent has been organised by AICCM's Emerging Conservators Special Interest G roup.

CATEGORIES:Workshop LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/carbon-literacy-for-conservation- and-collections/ END:VEVENT BEGIN:VEVENT UID:20260812T0324Z-1786505063.749-EO-15209-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260811T044841Z LAST-MODIFIED:20260811T050736Z DTSTART;TZID=Australia/Sydney:20260819T160000 DTEND;TZID=Australia/Sydney:20260819T170000 SUMMARY: Lab Tour\, International Conservation Services (Members Only) DESCRIPTION: International Conservation Services (ICS) Brisbane invites mem bers of the AICCM-Qld Division to their laboratory in Gaythorne for a Wedne sday afternoon of connection and insight into their conservation studio. X-ALT-DESC;FMTTYPE=text/html:
International Conservation Services (ICS) B risbane invites members of the AICCM-Qld Division to their laboratory in Ga ythorne for a Wednesday afternoon of connection and insight into their cons ervation studio. The event will include a behind-the-scenes look at the stu dio\, current projects\, and an opportunity to meet the ICS team and connec t with fellow registrars and AICCM colleagues. Drinks and nibbles will be p rovided.
RSVP here
If members are traveling from the Cultural Centre Precinct a nd would like to carpool\, please note this in your RSVP. AICCM-Q are happy to arrange a maxi cab to Gaythorne for those interested. Departure from th e loading zone at SLQ/QAGOMA at 3:30pm.
Full d etails have been circulated to QLD members via email. If you’re a member an d would like more details\, please contact secretariat@aiccm.org.au
CATEGORIES:Tour LOCATION:Queensland State Archives GEO:-27.468962;153.023501 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/lab-tour-international-conservati on-services/ END:VEVENT BEGIN:VEVENT UID:20260812T0324Z-1786505063.7563-EO-15210-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260811T050231Z LAST-MODIFIED:20260811T050859Z DTSTART;TZID=Australia/Sydney:20260903T093000 DTEND;TZID=Australia/Sydney:20260903T120000 SUMMARY: Lab Tour – Queensland State Archives (Members Only) DESCRIPTION: Queensland State Archives invites members of the AICCM-Qld Div ision to a morning of talks\, tours and connection at the Queensland State Archives. X-ALT-DESC;FMTTYPE=text/html: Queensland State Archives invites members o f the AICCM-Qld Division to a morning of talks\, tours and connection at th e Queensland State Archives.
Join us for morning tea\, followed by a back-of-house tour with the QSA Preservation team. Members are then welcom e to visit the exhibition Printed and Bound and join a public talk with historian Matthew Wengert (details here)
RSVP here
If members are traveling from the Cultural Centre Precinct and would lik e to carpool\, please note this in your RSVP. AICCM-Q are happy to arrange a maxi cab to and from Runcorn for those interested. Departure from the lo ading zone at SLQ/QAGOMA at 9:00am\, returning at approxi mately 12:30pm.
Full details have been circulated to QLD member s via email. If you’re a member and would like more details\, please contac t secretariat@aiccm.org.au

CATEGORIES:Tour LOCATION:Queensland State Archives GEO:-27.468962;153.023501 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/lab-tour-queensland-state-archive s-members-only/ END:VEVENT BEGIN:VEVENT UID:20260731T1008Z-1785492521.0369-EO-15172-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260731T002253Z LAST-MODIFIED:20260731T002515Z DTSTART;TZID=Australia/Sydney:20260903T110000 DTEND;TZID=Australia/Sydney:20260903T133000 SUMMARY: AICCM Tasmanian Division AGM & Richmond Gaol Tour (Members Only) DESCRIPTION: Join fellow AICCM members for a fascinating behind-the-scenes tour of one of Tasmania's most significant heritage sites\, followed by the 2026 AICCM Tasmanian Division Annual General Meeting. X-ALT-DESC;FMTTYPE=text/html: Join fellow AICCM members for a fascinating behind-the-scenes tour of one of Tasmania's most significant heritage site s\, followed by the 2026 AICCM Tasmanian Division Annual General Meeting.
Richmond Gaol Guided Tour
Date: Thursday 3 September 2026
Time and Location: Have b een circulated via email
Cost: Free
Enjoy a sp ecial 40-minute guided tour led by Katy Ross\, Built Heritage Specialist\, who will share insights into its history\, recent conservation projects\, a nd the heritage approaches used in preserving this important site.
~~Annual General Meeting~~
Time & Date: 1 2:30 pm\, Thursday 3 September 2026
Address & Venue: Details have been circulated to members via email
Reports will be pr esented during the AGM. We warmly encourage members to consider nominating themselves\, or re-nominating\, for a role on the Tasmanian Division Commit tee. Positions include President\, Secretary\, Treasurer and Public Officer . The nomination form for committee positions and the meeting agenda have b een circulated via email. Nominations will also be accepted on the day.

RSVP: Please RSVP your attendance to Kate McKay (Tas Di vision President) by 27^th August: Kate.McKay@tmag.tas.gov.au
Please contact secretariat@ai ccm.org.au if you have any questions
CATEGORIES:Meeting LOCATION:Hobart GEO:-42.035067;146.636689 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-tasmanian-division-agm-rich mond-gaol-tour/ END:VEVENT BEGIN:VEVENT UID:20260819T0906Z-1787130390.1425-EO-15353-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260819T035019Z LAST-MODIFIED:20260827T002841Z DTSTART;TZID=Australia/Sydney:20260910T173000 DTEND;TZID=Australia/Sydney:20260910T193000 SUMMARY: VIC Division – September ‘Off the Record’ Presentations (Members O nly) DESCRIPTION: Join the Victorian Divison for for the next 'Off the Record' p resentations. Hear presentations by conservators Holly McGowan-Jackson and Mar Cruz. Come along in person and\nenjoy some refreshments before the talk s commence or stream online. X-ALT-DESC;FMTTYPE=text/html:
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Presentation 1: Holly McGowan-Jackson\, Senior Conservator of Frames & Furniture\, Nation al Gallery of Victoria
A Monumental Frame and Treatment: Th e Return of the Frame to The Pilgrim Fathers
Relegated to the storage area known as “the graveyard” for many years\, the conservation of the massive frame for The Pilgrim Fathers: Departure of a Puritan family for New England by Charles Cope\, 1856\, was a major project for the t eam at the National Gallery of Victoria. The treatment included extensive r e-creation of missing parts\, cleaning the discoloured original glue coatin g (while retaining the coating) using Nanorestore Gel® Peggy 5 & 6\, and de vising a sympathetic method of re-joining the frame members to allow ease o f assembly/disassembly. Holly previously presented this talk at the FRAM E: Concept\, History and Conservation Symposium 3 in Hobart in February this year.
Holly is Senior Conservator of Frames & Furniture at the National Gallery of Victoria. Her work encompasses a range of artworks in t he NGV collection\, from decorative arts to contemporary design\, with a pa rticular focus on picture frames conservation and research.
Presen tation 2: Mar Cruz\, Digital and Time Based Media Conservator
The challenges of preserving time-based artworks at the Heritage Conserv ation Centre\, Singapore
This talk addresses the issues faced when working with the Heritage Conservation Centre in the conservation of i ts Time-Based Media collection\, which has unique needs such as changes in how an artwork is installed over time\, and the artist's own imperfect know eldge of their artworks. In addition\, the TBM collection is a very small s ubset of a larger collection that consists of more 'traditional' artworks s uch as paper\, paintings and sculptural objects. As such\, HCC's conservati on processes have been tailored to best suit their needs to the potential d etriment of the TBM artwork's own needs.
Mar was the Digital and Time Based Media Conservator at Singapore's Heritage Conservation Centre\, a ro le that included setting up HCC's time based media lab\, creating TBM-speci fic workflows and managing the collection. Prior to this\, he was a digital preservation technician at ACMI\, where he undertook the analysis and pres ervation of the collection.
Full details have been circulated via email to Victorian members. If you would like more details\, please co ntact secretariat@aiccm.org.au
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CATEGORIES:Talk LOCATION:Carlton GEO:-36.598610;144.678005 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/vic-division-september-off-the-re cord-presentations-2/ END:VEVENT BEGIN:VEVENT UID:20260820T0821Z-1787214116.6006-EO-15354-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260820T001747Z LAST-MODIFIED:20260820T002332Z DTSTART;TZID=Australia/Sydney:20260915T120000 DTEND;TZID=Australia/Sydney:20260915T130000 SUMMARY: In Conversation with Creative Technologist Mark Hellar DESCRIPTION: In this session\, Mark Hellar will share perspectives from his current work across museums\, public art\, software\, and experimental tec hnologies\, offering insights into the diverse roles creative technologists play within the cultural sector and how they also collaborate with a diver se range of practitioners including time-based conservators. X-ALT-DESC;FMTTYPE=text/html:
In Conversation with C reative Technologist Mark Hellar
As cultural herit age increasingly encompasses evolving technologies\, rapidly obsolete syste ms\, and ephemeral digital practices\, time-based and digital conservation professionals are collaborating across a broad range of disciplines to supp ort preservation\, access\, and re-use.
Working at the int ersection of art\, computer science\, and design\, creative technologists p lay a critical role in developing innovative tools\, digital access platfor ms\, and iterative prototypes that enable greater engagement with\, and sus tainability of\, digital collections across the GLAM sector.
In this online session\, Mark Hellar will share perspectives from his cur rent work across museums\, public art\, software\, and experimental technol ogies\, offering insights into the diverse roles creative technologists pla y within the cultural sector and how they also collaborate with a diverse r ange of practitioners including time-based conservators.
Ma rk Hellar is a technology consultant and owner of Hellar Studios LLC\, spec ialising in digital media and software-based solutions for multimedia artis ts and collecting institutions. He has contributed to new media conservatio n initiatives at SFMOMA\, MoMA\, and the Guggenheim Museum\, with a focus o n software-based artworks.
Join Mark Hellar for a presentation and di scussion on technology\, preservation and collaborative practices with AICC M’s Time-based and Digital Special Interest Group.
Date: 15 September 2026
Time: 12:00 pm (AES T)
Registration Link: https://us02web.zoom.us/meeting/register/pqcHB46RREKe6luX3O1RUw
This event has been organised by the AICCM Time-based an d Digital Special Interest Group.
For enquiries\, please c ontact: tbadigital@aiccm.org.au
CATEGORIES:Talk LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/in-conversation-with-creative-tec hnologist-mark-hellar/ END:VEVENT BEGIN:VEVENT UID:20260828T0047Z-1787878038.7438-EO-15370-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260827T232657Z LAST-MODIFIED:20260827T233051Z DTSTART;TZID=Australia/Sydney:20260916T123000 DTEND;TZID=Australia/Sydney:20260916T133000 SUMMARY: More Than Just Glue: Towards a Conservation Philosophy for Adhesiv e Bindings DESCRIPTION: What happens when we stop asking “How do we replace the adhesi ve?” and start asking “How do we conserve the structure?”\nDrawing on colla borative research and conservation work undertaken with Amalia Ranisau\, bo ok conservator Karen Vidler FIIC\, PMAICCM will explore the conservation of nineteenth-century caoutchouc (rubber adhesive) bindings through a detaile d case study recently published in the IADA Journal of Paper Conservation. X-ALT-DESC;FMTTYPE=text/html:
More Than Just Glue: Towards a Conservation Phi losophy for Adhesive Bindings
Presented by Karen Vi dler FIIC\, PMAICCM
Wednesday\, 16 September 2026
1 2:30–1:30 pm AEST | Online Webinar
What happens when w e stop asking “How do we replace the adhesive?” and start asking “How do we conserve the structure?”
Drawing on collabo rative research and conservation work undertaken with Amalia Ranisau\, book conservator Karen Vidler FIIC\, PMAICCM will explore the conservati on of nineteenth-century caoutchouc (rubber adhesive) bindings through a de tailed case study recently published in the IADA Journal of Paper Conser vation.
The presentation will consider how historical context\, structural understanding\, materials and deterioration\, conserva tion ethics\, and stewardship can shape treatment decisions. Rather than ap proaching adhesive bindings simply as failed sewn structures\, Karen will e xplore how we might recognise them as intentional historical technologies — and what this means for developing a conservation philosophy that preserve s their structural and technological significance.

The web inar will include a 45-minute presentation followed by 15 minutes of Q&A .
Can’t attend live? All registered participant s will receive access to the webinar recording for three months followin g the event\, so you can watch or revisit the presentation at a time th at suits you.
Registration fees:
Students — $5
AICCM Members — $10
Non-members — $20
Regist er here: https://www.trybook ing.com/DPIWB
This webinar will be particularly releva nt to book and paper conservators\, archivists\, librarians\, rare book collectors\, and anyone interested in the relationship between conserva tion ethics\, material history and treatment decision-making.
We hope you can join us for this thought-provoking exploration of struc ture\, ethics and decision-making in book conservation!
Th is event has been brought to you by AICCM's Book and Paper SIG
CATEGORIES:Webinar LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/more-than-just-glue-towards-a-con servation-philosophy-for-adhesive-bindings/ END:VEVENT BEGIN:VEVENT UID:20260909T1432Z-1788964371.5528-EO-15418-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260907T010254Z LAST-MODIFIED:20260907T010731Z DTSTART;TZID=Australia/Sydney:20261001T173000 DTEND;TZID=Australia/Sydney:20261001T190000 SUMMARY: Conservation tales from an interloper with Doug Rogan (Members Onl y) DESCRIPTION: ACT Members are invited to an evening presentation by Doug Rog an on 1 October 2026 X-ALT-DESC;FMTTYPE=text/html:
In this presentation\, Doug Rogan will give members a rundown of his life in the conservation world – how he got into it\, the weird and wonderful things he has been involved with over the year s\, and some thoughts on the future of conservation – in the ACT and beyond .
Doug is the Director Museum and Gallery Services\, and ACT at Inter national Conservation Services. He began his career as a botanist at Auckla nd Museum and now specialises in all areas of collections management\, relo cation and security\; and the conservation of public and outdoor art.
Date: Thursday 1 October 2026
Time : 5.30 for a 6.00 pm start
Venue: details have been circulated via email.
RSVP: to Vanessa.Roth@act.gov. au by 30 September – this will allow us to arrange the most suitable space Note: The talk will be followed by drinks at a local bar\, depending on interest!
If you have any questions please feel fr ee to email secretariat@aiccm.org.au
CATEGORIES:Talk LOCATION:Canberra GEO:-35.297591;149.101268 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/conservation-tales-from-an-interl oper-with-doug-rogan-members-only/ END:VEVENT BEGIN:VEVENT UID:20260911T2301Z-1789167662.902-EO-15428-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260910T010614Z LAST-MODIFIED:20260910T012111Z DTSTART;TZID=Australia/Sydney:20261002T123000 DTEND;TZID=Australia/Sydney:20261002T133000 SUMMARY: Objects SIG Member Catch-Up (Members Only) DESCRIPTION: The AICCM Objects Special Interest Group invites you to join a casual online catch-up and introduction to the Special Interest Group (SIG ). X-ALT-DESC;FMTTYPE=text/html: The AICCM Objects Special Interest Group in vites you to join us for a casual online catch-up and introduction to the S IG.
As Co-Convenors\, we would like to take the opportunity to introd uce ourselves\, share some of our ideas for the Objects SIG\, and hear from members about what you would like to see from the group over the coming 12 months.
Objects conservation is an incredibly broad field\, and our members are also geographically dispersed across Australia\, Aotearoa New Z ealand and further afield. We know that getting together in person isn't al ways possible\, so we would like to make greater use of informal online eve nts to help us connect\, share knowledge and experience\, and hear from peo ple working across different materials\, collections\, communities and area s of practice.
For this first catch-up\, we'd like to keep things rel axed and conversational. Come along to:
Meet the Objects SIG Co- Convenors and hear a little about us and our approach to the group
Hear some of our ideas for some exciting SIG activities we hope to share
Get a preview of our upcoming November event with the Australian Nati onal Maritime Museum\, including an online presentation on shipwreck archae ology and an onsite activity with the NSW Division
Tell us what you would like to see from the SIG - topics you are interested in\, skills or areas of practice you would like to explore\, and the kinds of events that would be useful to you
Share ideas for speakers\, presentations\, c ollaborations or activities - including things you might be interested in s haring yourself
Meet and connect with other Objects SIG members
You don't need to prepare anything\, and you don't need to have be en involved with the SIG before. Whether you are an objects conservator\, s tudent or emerging conservator\, work across multiple conservation speciali sations\, or your work intersects with the care of three-dimensional cultur al materials\, you are very welcome.
The Objects SIG is volunteer-led \, so our members and professional networks are an important part of what w e can do. We see the SIG as a space for sharing what we know\, asking quest ions\, making connections and drawing on the considerable knowledge and exp erience that already exists across our community.
So bring a cuppa\, your ideas\, or just come along and listen. We'd love to see you.
Details at a glance
Date: Friday Octobe r 2nd
Time: 12:30-1:30pm AEST
Format: Online
Cost: Free
Registration: The link has been circulated via email to members.
Q uestions?
Please email secretariat@aiccm.org.au

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CATEGORIES:Meeting LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/objects-sig-member-catch-up-membe rs-only/ END:VEVENT BEGIN:VEVENT UID:20260909T1432Z-1788964371.5633-EO-15427-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260909T054819Z LAST-MODIFIED:20261001T004230Z DTSTART;TZID=Australia/Sydney:20261013T123000 DTEND;TZID=Australia/Sydney:20261013T140000 SUMMARY: International Day for Disaster Risk Reduction – 2026 Panel Discuss ion DESCRIPTION: Each year AICCM and Blue Shield Australia host an online event to mark the day to promote a global culture of risk awareness and disaster reduction with the panel discussion 'Resilience starts at home- community led disaster response.' X-ALT-DESC;FMTTYPE=text/html:
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Resilience Starts at Home - Community-led Disaster Response
This year’s theme for the International Day for Disaster Risk Reduct ion is “Resilience Starts at Home”. AICCM\, in collaboration with Blue Shie ld Australia\, is hosting webinar to explore this theme with a focus on com munity-led disaster response in Australia and New Zealand.
The event will feature an expert panel of four women working in and with communities in the field of disaster response and resilience. Sharing case studies and insights\, the panelists will highlight how disaster resilience starts in t he community.
The event will close with the launch of AICCM’s 2027 D isaster Preparedness calendar.
Time: 12:30 – 2:00 pm AEST
Date: 13 October 2026
Location: Online
Link to Register: Email contact@aiccm.org.au for the link to register.
Panalist Bios
Carolyn McLennan is a Senior Conservator at the Museum and Art Gallery of the Northern Territory. She has worked as a museum conservator and cultural heritage consultant in northern Australia and neighbouring countries over the past thirty years\, taking a holistic\ , community-led approach to caring for collections. As an objects conservat or\, her work involves preventive and remedial conservation\, education and training\, exhibition development display and touring\, collection governa nce and tropical museum building design. Her research interests are cultura l heritage conservation in tropical environments and the role of conservati on as soft diplomacy.
Vanessa Keenan is the Recovery Coordina tor – Victorian Bushfires at the Australian Red Cross. Vanessa is a profess ional emergency management practitioner\, Black Summer bushfire survivor an d has over 20 years experience working in and with the museums and collecti ons sector. She developed Red Cross’ first playbook for the establishment o f the Australian Emergency Fund\, supported the establishment of the Victor ian Emergency Relief Fund and in the wake of the Porepunkah tragedy\, manag ed temporary memorials across the State. She also responded to the Bondi at tacks. Vanessa curated Arbour Festival\, a nationally recognised creative r ecovery initiative in the wake of the Black Summer bushfires and serves her community as Chair of Eastern Riverina Arts.
Vicki-Anne Heikell MNZM (Te Whānau ā Apanui) is the Iwi and Community Preservation Advisor at the National Library of New Zealand Te Puna Mātauranga o Aotearoa. Vick i-Anne works with iwi\, hapū\, marae\, and community organisations to build capability in the care and stewardship of documentary heritage collections . Her work focuses on community-led approaches that support the preservatio n of cultural heritage\, strengthen local capability\, and enable communiti es to care for their own collections and knowledge. She was appointed a Mem ber of the New Zealand Order of Merit in 2021 for services to heritage pres ervation and Māori.
Vicki Edmunds is the Bushfire Recovery Ma nager at Blue Mountains Council and has worked at the Council in a number o f roles. With a restructure in July 2019\, Community Development was added to Vicki’s portfolio which also included Community Disaster Recovery. Hit ting the ground running with the 2019/20 summer fires\, Vicki led the Counc il response to Community Recovery. With an ongoing and ever-increasing int erest in Disaster Recovery\, Vicki is now involved with the Australian Libr ary & Information Association Blue Shield Australia partnership and more re cently as a Red Cross DRAMA Mentor.
Questions?
Email contact@aiccm.org.au
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CATEGORIES:Webinar LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/international-day-for-disaster-ri sk-reduction-2026-panel-discussion/ END:VEVENT BEGIN:VEVENT UID:20260904T2219Z-1788560375.0612-EO-15373-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260902T003413Z LAST-MODIFIED:20260902T004119Z DTSTART;TZID=Australia/Sydney:20261014T190000 DTEND;TZID=Australia/Sydney:20261014T203000 SUMMARY: AICCM National Annual General Meeting + Awards Ceremony (Members O nly) DESCRIPTION: On Wednesday 14 October 2026\, AICCM will be holding our 2026 Awards Ceremony followed by the 2026 National Annual General Meeting. We ho pe you can join us online! X-ALT-DESC;FMTTYPE=text/html:
On Wednesday 14 October 2026\, AICCM will be holdi ng our 2026 Awards Ceremony followed by the 2026 National Annual General Me eting. Please see the registration link and details below.
Time / D ate: 7:00 pm – 8:30pm AEST\, Wednesday 14 October 2026
Awards Ceremon y: 7:00 -7:30 pm
AGM: 7:30-8:30 pm
Registration Link: htt ps://us02web.zoom.us/meeting/register/rFvvcyKrTAa_KyywqcV72A
AGM Apologies: Please email your apology to Lily Mo nk at secretary@aiccm.org.au. You may nominate a Proxy to vote on your beha lf.
National Council Nominations
We encourage members to nominate for a position on the National Co uncil. Details regarding current Office Bearers are available on the AICCM website: https://aic cm.org.au/about/aiccm-management/.
Before making a nom ination\, please contact secretariat@aiccm.org.au for a position descriptio n.
AGM Meeting documents have been circulated via email.

CATEGORIES:Meeting LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/aiccm-national-annual-general-mee ting-awards-ceremony-members-only/ END:VEVENT BEGIN:VEVENT UID:20261007T0751Z-1791359488.1498-EO-15505-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20261007T050321Z LAST-MODIFIED:20261007T050517Z DTSTART;TZID=Australia/Sydney:20261015T153000 DTEND;TZID=Australia/Sydney:20261015T163000 SUMMARY: Tour of the Royal Geographical Society of South Australia (Members Only) DESCRIPTION: The AICCM SA/NT Division is delighted to invite South Australi an members to a special tour of the Royal Geographical Society of South Aus tralia X-ALT-DESC;FMTTYPE=text/html:
The AICCM SA/NT Division is delighted to in vite South Australian members to a special tour of the Royal Geographical S ociety of South Australia.
The tour will provide an opportunity to ex plore the Society and learn more about its fascinating collections.
I f there is enough interest\, we may also organise a casual drink nearby aft er the tour — a lovely opportunity to catch up with fellow AICCM members. 
Date: Thursday\, 15 October 2026
Time: Approximately 3:30 pm
Duration: Approximatel y one hour
Location and Registration: Details have be en circulated to SA/NT members via email.
For more information\, plea se email contact@aiccm.org.au
CATEGORIES:Tour LOCATION:Adelaide GEO:-30.534367;135.630121 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/tour-of-the-royal-geographical-so ciety-of-south-australia-members-only/ END:VEVENT BEGIN:VEVENT UID:20260930T0556Z-1790747806.2837-EO-15497-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260930T013309Z LAST-MODIFIED:20260930T013413Z DTSTART;TZID=Australia/Sydney:20261016T120000 DTEND;TZID=Australia/Sydney:20261016T130000 SUMMARY: Conserving the Live: A Conversation on Performance Art and the Mus eum (Members Only) DESCRIPTION: This presentation takes the form of a conversation between art ist Ezzam Rahman and contemporary art conservator Fabiola Rocco. They will discuss matters of care when the primary site of conservation is the human body and explore the generative potential of performance art to dynamically reframe the role of museums. X-ALT-DESC;FMTTYPE=text/html:
Webinar - Conserving the Live: A Co nversation on Performance Art and the Museum
AICCM’s Time-ba sed and Digital Special Interest Group invites you to a webinar presented b y Fabiola Rocco and Ezzam Rahman. Please see the details below:
Date: Friday\, 16 October 2026
Time: 12-1 pm AEDT / 9-10 am SGT\, online webinar
Registration: Details have been circulated to members via email. Please get in touch wit h contact@aiccm.org.au for more details.
The conventional tenets of museums presuppose that artworks are frozen in an original and static displ ay mode after they become museum objects. However\, the notions of material integrity\, authenticity\, and single authorship often do not align with t he variable and ephemeral nature of contemporary art.
Using the enac tment of Allow Me to Introduce Myself by the Singaporean artist Ezzam Rahma n as an example\, this talk aims to explore the concepts of “iterations” an d “versions” in the context of performance art and foreground performance r eactivation as a foundational artistic\, curatorial\, and conservation prac tice.
This presentation takes the form of a conversation between arti st Ezzam Rahman and contemporary art conservator Fabiola Rocco. We will dis cuss matters of care when the primary site of conservation is the human bod y and explore the generative potential of performance art to dynamically re frame the role of museums.
Speakers
Fabiola Rocco is a contemporary art conservator currently pursuin g a PhD at the Robert Cripps Institute for Cultural Conservation at the Uni versity of Melbourne. In the framework of her PhD research\, Fabiola is inv estigating decolonized forms of conservation for live art\, with a specific focus on Southeast Asian artists. Prior to this appointment\, Fabiola serv ed as Conservator\, Contemporary Art at the Singapore Art Museum (SAM) and as Associate Conservator\, Variable Media Art at M+ in Hong Kong. Fabiola h olds a master’s degree in Conservation and Restoration of Cultural Heritage from the University of Turin\, Italy.
Ezzam Rahman is a multi-disciplinary artist known for his interest in the body and the u se of common\, easily accessible\, yet unconventional media. Working across sculpture\, installation\, digital media\, and performance\, he creates wo rks that are often autobiographical\, time-based\, and ephemeral\, aiming t o pique viewers’ thoughts on the themes of body politics\, identity\, imper manence\, traces\, and abjection.
Alongside his artistic practice\, Ezzam is currently an adjunct lecturer in LASALLE College of the arts and N anyang Academy of Fine Arts\, University of The Arts Singapore and Nanyang Institute of Management\, Canterbury Christ Church University\, UK. He hold s a Master of Arts\, Fine Arts from Goldsmiths’ College\, University of Lon don through LASALLE College of the Arts.

CATEGORIES:Webinar LOCATION:Online GEO:-24.776109;134.755000 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/conserving-the-live-a-conversatio n-on-performance-art-and-the-museum-members-only/ END:VEVENT BEGIN:VEVENT UID:20260917T1439Z-1789655974.9363-EO-15441-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260915T013539Z LAST-MODIFIED:20260915T014301Z DTSTART;TZID=Australia/Sydney:20261022T170000 DTEND;TZID=Australia/Sydney:20261022T190000 SUMMARY: ACT Division 2026 Annual General Meeting (Members Only) DESCRIPTION: The AGM of the ACT division is being held at 5.00pm on Thursda y 22 October\, followed by social drinks. X-ALT-DESC;FMTTYPE=text/html:
ACT Division Annual General Meeting
Time & Date: 5:00pm\, Thursday 22 October 2026
Address & Venue: Details have been circulated to members via email
ACT Division Annual General Meeting will be held at 5:00pm\, Thursday 22 October 2026.
The Division encourages member s to consider nominating themselves\, or re-nominating\, for a role on the Committee. The nomination form for committee positions and the meeting agen da have been circulated via email.
RSVP: Please RSVP your attendance or apology to Daniel.Bornstei n@nma.gov.au
Please contact secretariat@aiccm.org.au if you have any questions
CATEGORIES:Meeting LOCATION:Lyneham GEO:-35.488350;149.002694 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/act-division-2026-annual-general- meeting-members-only/ END:VEVENT BEGIN:VEVENT UID:20260909T1432Z-1788964371.576-EO-15419-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260907T011138Z LAST-MODIFIED:20260920T232956Z DTSTART;TZID=Australia/Sydney:20261022T183000 DTEND;TZID=Australia/Sydney:20261022T200000 SUMMARY: VIC Division Movie Night DESCRIPTION: It’s movie night at Cinema Nova! Come along to a private scree ning of The Christophers\, a darkly comic take on authenticity\, authorship and artistic legacy starring Ian McKellen and Michaela Coel. X-ALT-DESC;FMTTYPE=text/html:
It’s movie night at Cinema Nova! Come alon g to a private screening of The Christophers\, a darkly comic take on authe nticity\, authorship and artistic legacy starring Ian McKellen and Michaela Coel.
Tickets must be purchased in advance before the 7th of October . Meet for a chat in the bar before the film begins from 5.30pm. Family a nd friends welcome!
Time & Date: Thursday 22 October \, 6:30pm
Location: Cinema Nova\, 380 Lygon St Carlto n
Cost: Tickets $20 each
Booking availab le until 7 October: https://www.trybooking.com/DPHXA
CATEGORIES:Social Event LOCATION:Carlton GEO:-36.598610;144.678005 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/vic-division-movie-night/ END:VEVENT BEGIN:VEVENT UID:20260929T0816Z-1790669764.3015-EO-15489-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260927T234242Z LAST-MODIFIED:20260927T234458Z DTSTART;TZID=Australia/Sydney:20261024T110000 DTEND;TZID=Australia/Sydney:20261024T130000 SUMMARY: Conservation Tour of the Carlton River Post Office (Members Only) DESCRIPTION: Join the AICCM Tasmania Division for a visit to the historic C arlton River Post Office. The morning will begin with a short introduction from owner Hannah on the history of the site\, followed by a talk from Stef ano Cannone on the conservation treatment of the building's historic plaste r wall drawing and the challenges encountered during the project. X-ALT-DESC;FMTTYPE=text/html:
Conservation Tour of the Carlton Ri ver Post Office
Join the AICCM Tasmania Division for a visit to the historic Carlton River Post Office. The morning will begin with a s hort introduction from owner Hannah on the history of the site\, followed b y a talk from Stefano Cannone on the conservation treatment of the building 's historic plaster wall drawing and the challenges encountered during the project.

Stefano's conservation work was featured in ABC's Rest oration Australia (Season 8\, Episode 2)\, showcasing the restoration of th is significant Tasmanian heritage place. Members may wish to watch the epis ode before attending: https://iview.abc.net.au/show/restora tion-australia/series/8/video/DO2310H002S00

An optional lun ch will follow at Bangor Vineyard Shed\, Dunalley\, at 1:00 pm. Lunch is at members' own expense\, and we'd love for you to join us if you're able. ht tps://bangorshed.com.au/
Time and Date: Full details have been circulated to Tasmanian members via email. If you have any quest ions please email contact@aiccm.org.au

RSVP
Tour and talk: Please RSVP to Kate McKay\, Tasmanian Division President: tas.president@aiccm.org.au by 9 October 2026.

We hope you can join us for an enjoyable day of heritage\, conservation\, and good company .
CATEGORIES:Tour LOCATION:Hobart GEO:-42.035067;146.636689 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/conservation-tour-of-the-carlton- river-post-office-members-only/ END:VEVENT BEGIN:VEVENT UID:20260909T1432Z-1788964371.5815-EO-15420-1@112.213.37.8 STATUS:CONFIRMED DTSTAMP:20261009T080848Z CREATED:20260907T011843Z LAST-MODIFIED:20260907T012157Z DTSTART;TZID=Australia/Sydney:20261125T173000 DTEND;TZID=Australia/Sydney:20261125T210000 SUMMARY: VIC Division End of Year Party (Members Only) DESCRIPTION: It’s time to celebrate with your fellow AICCM members at the a nnual end of year party. Nibbles provided\, drinks can be purchased at the bar. X-ALT-DESC;FMTTYPE=text/html:
Pop it in your calendar! It’s time to ce lebrate with your fellow AICCM members at the annual end of year party. Nib bles provided\, drinks can be purchased at the bar.
Time and Date: Wednesday 25 November\, 5:30pm
Location: Details have been circulated via email
If you have any questions\ , please email our Secretary Fran Paterson at fran@oneconservation.com.au
CATEGORIES:Social Event LOCATION:Fitzroy North GEO:-37.783332;144.983707 ORGANIZER;CN="Jessica O'Brien":MAILTO:jessobrienprojects@gmail.com URL;VALUE=URI:https://aiccm.org.au/events/vic-division-end-of-year-party-me mbers-only/ END:VEVENT BEGIN:VTIMEZONE TZID:Australia/Sydney BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20150404T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20151003T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20160402T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20161001T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20170401T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20170930T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20180331T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20181006T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20190406T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20191005T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20200404T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20201003T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20210403T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20211002T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20220402T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20221001T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20230401T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20230930T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20240406T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20241005T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20250405T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20251004T160000 TZNAME:AEDT END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 DTSTART:20260404T160000 TZNAME:AEST END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20261003T160000 TZNAME:AEDT END:DAYLIGHT END:VTIMEZONE END:VCALENDAR

< p style="margin-top: 10px\; margin-bottom: 10px\;">AICCM and NZCCM member ful l registration\, early bird before 13 October < /p>	Full
AICCM and NZCCM memb er full registration\, after 13 October	Full
AICCM and NZCCM student and concession member registr ation	Full
Non-member f ull registration\, early bird before 13 October	Full< /span>
< span style="color: #181818\;">Non-member full registration	< span style="font-family: Calibri\, sans-serif\;">Full
Non-member student and concession registration	Full
Virtu al registration (live Zoom webinar stream) < /td>	Full
Guest dinner ticket (friends and famil y)	Full
Guest welcome e vent tickets	Full

Conservation of Plast ics Workshop (Melbourne)

ADFAS Members Conservation of Plastics (Melbourne) Lecture

Conservation of Plastics (Brisbane)

Preservation of Digital Prints and Contem porary Colour Photographs One Day Symposium

ADFAS Me mbers Preservation of Digital Prints and Contemporary Colour Photographs

Conf erence Delegate Tours for Illuminating the new: contemporary practice and i ssues in materials conservation - 2015 AICCM National Conference

Introduction to Reflectance Transformatio n Imaging (RTI) Workshop

Download the Symposium Program here

Click here for the revivify 2016 workshop/tour options

Click here for the revivify 2016 ProgramClick here for the revivify 2016 Present ation Listing (Alphabetical)

AICCM National Conference 201 7

Con ference Delegate Excursions for 2017 AICCM National Conference

Workshops and tours

10th AICCM Book\, Paper and Photographic Materials Symposium \, Friday 23 November

Digital print workshops with Daniel Bur ge from IPI

AICC M National Conference 201913 - 15 November

Registration is now open

Draft program available here

The draft program is now a vailable online here

AICCM AGM 47

1pm AEST\, Tuesday 2 9 September 2020

Meeting Documents

View the IIC Congress Schedule AEDT (GMT + 1 1) below:

AICCM AGM 48

1pm AEST\, Monday 20 September 2021

Free

Register Here

Save the date

Sav e the date

AICCM AGM 49

8pm\, AEST Tuesday 4 October 2022

summary

moderator

Mana ngarli < strong style="font-family: 'Kumbh Sans'\; font-weight: 400\; font-size: 32p x\;" data-fusion-font="true" data-fusion-google-font="Kumbh Sans" data-fusi on-google-variant="400">- Exhibition as Agency

Building a Museum Community in Hong Kong

Un settled: A case study of Firs t Nations-led exhibition and methodologies for community-centered collectio ns care and conservation

Working collaboratively in an exhibition environment at the Nat ional Film and Sound Archive of Australia

Roots\, plants\, cures\, and affecti on: a museological exhibition in Brazil

Sustainability is the future

summary

moderat or

Ideas to reduce waste\, and re use resources arou nd your objects

Installation as co nservation: Preserving artists’ intent

Book Cradles and Supports – Displayi ng 130 rare books at the SLNSW

Murals and Magnets: Trials in mounting ceramic tile murals

Tabs – tiny\, and temporary

Wet Specimens in Glycer ol: An update\, new challenges\, and new discoveries

Mounting Australian Indigenous Mats

The importance of a professional network when creating sustainable exhibitions.

summary

moderator & presente r

Ou r collections matter: sustainable transformation in use\, development\, and conservation of heritage collections

Rites: Dancing towards a shared future

Wh ere the wild things are not.

Remote streaming | Virtu al condition reports

Stranger than Kindness\, a Nick Cave exhibition: Innovat ing digital condition reporting to enhance sustainability of travelling exh ibitions

Putting on Picasso. Two Conservators of Exhibitions fr om the National Gallery of Victoria reflect critically on documentation wit hin the institutional context of a blockbuster exhibition

Bruno Contenotte’s Translumen East : A unique and challenging piece in the lab and on display

Sustainable Museu m

AICCM A GM 50

7.30pm - 8.30pm\, AEST Wednesday 4 October 202 3

AICCM AGM 51

7.30pm – 8.30pm\, AEST Tuesday 1 October 2023

More than Materials: Collaborat ive Approaches in Cultural Heritage Conservation

More than Materials: Collaborat ive Approaches in Cultural Heritage Conservation

Click here for the revivify 2016 Program
Click here for the revivify 2016 Present ation Listing (Alphabetical)

AICC M National Conference 2019
13 - 15 November